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The Murderer, the Monarch and the Fakir is a fresh account of one of the most controversial political assassinations in contemporary history-that of Mahatma Gandhi. Based on previously unseen intelligence reports and police records, this book recreates the circumstances of his murder, the events leading up to it and the investigation afterwards. In doing so, it unearths a conspiracy that runs far deeper than a hate crime and challenges the popular narrative about the assassination that has persisted for the past seventy years. The Murderer, the Monarch and the Fakir examines the potential role of princely states, hypermasculinity and a militant right-wing in the context of a nation that had just won her independence. It relies on investigative journalism and new evidence set in a strong academic framework to unpack the significance of this tumultuous event.
Kapur Commission Report deals with the Conspiracy to Murder of Mahatma Gandhi who was shot dead point-blank range by Nathuram Vinayak Godse in Birla House Prayer Gardens on 30th January 1948. Three among the eight accused i.e. Madanlal, Karkare, and Gopal Godse were released on12th October 1964 after completion of their life-sentence and honoured on November 12, 1964 in Pune at a private function presided by Dr. G.V. Ketkar. In that function, Delhi and Bombay Civil and Police administration were strongly condemned for their laxity and dereliction of duty which ultimately resulted in the murder of Mahatma Gandhi. The Indian Express dated November 14, 1964 commented adversely about this function. There was a furore in Bombay Legislative Assembly and Indian Parliament which led the instituion of Kapur Inquiry Commission. The Commission’s report was made public in 1970s. This digitised Report in two parts is an indispensable one for Judicial Officers & Police Officials, Lawyers & Students of Legal Studies, Historians & Human Right Activists, and above all for Indian Politicians & Bureaucrats in discharging their official duties without any commission or omission and comprehending the social responsibility that is to be shouldered as and when required in times of crisis. By S. PADMAVATHI and D.G. HARIPRASATH.
With the fascinating scholarship of The Emperor of All Maladies and the deeply personal experience of When Breath Becomes Air, a world-class oncologist examines the current state of cancer and its devastating impact on the individuals it affects -- including herself. In The First Cell, Azra Raza offers a searing account of how both medicine and our society (mis)treats cancer, how we can do better, and why we must. A lyrical journey from hope to despair and back again, The First Cell explores cancer from every angle: medical, scientific, cultural, and personal. Indeed, Raza describes how she bore the terrible burden of being her own husband's oncologist as he succumbed to leukemia. Like When Breath Becomes Air, The First Cell is no ordinary book of medicine, but a book of wisdom and grace by an author who has devoted her life to making the unbearable easier to bear.
Manu Gandhi, M.K. Gandhi’s grand-niece, joined him in 1943 at the age of fifteen. An aide to Gandhi’s ailing wife Kasturba in the Aga Khan Palace prison in Pune, Manu remained with him until his assassination. She was a partner in his final yajna, an experiment in Brahmacharya, and his invocation of Rama at the moment of his death. Spanning two volumes, The Diary of Manu Gandhi is a record of her life and times with M.K. Gandhi between 1943 and 1948. Authenticated by Gandhi himself, the meticulous and intimate entries in the diary throw light on Gandhi’s life as a prisoner and his endeavour to establish the possibility of collective non-violence. They also offer a glimpse into his ideological conflicts, his efforts to find his voice, and his lonely pilgrimage to Noakhali during the riots of 1946. The first volume (1943–44) chronicles the spiritual and educational pursuits of an adolescent woman who takes up writing as a mode of self-examination. The author shares a moving portrait of Kasturba Gandhi’s illness and death and also unravels the deep emotional bond she develops with Gandhi, whom she calls her ‘mother’.
'One of the finest writers of his generation' Financial Times Thousands of islands rise from the rivers' rich silts, crowned with forests of mangrove, rising on stilts. This is the Sundarban, where great rivers give birth; to a vast jungle that joins Ocean and Earth. Jungle Nama is a beautifully illustrated verse adaptation of a legend from the Sundarbans, the world's largest mangrove forest. It tells the story of the avaricious rich merchant Dhona, the poor lad Dukhey, and his mother; it is also the story of Dokkhin Rai, a mighty spirit who appears to humans as a tiger, of Bon Bibi, the benign goddess of the forest, and her warrior brother Shah Jongoli. Jungle Nama is the story of an ancient legend with urgent relevance to today's climate crisis. Its themes of limiting greed, and of preserving the balance between the needs of humans and nature have never been more timely. Written in Amitav Ghosh's interpretation of the traditional Bengali verse meter, poyar, the poem is coupled with stunning illustrations from internationally renowned artist, Salman Toor.