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The bestselling author of The Genesis Code and The Eighth Day now strikes his most harrowing chord, with a chilling novel that pushes suspense to nearly inhuman limits. As a television news correspondent, Alex Callahan has traveled to some of the most dangerous corners of the globe, covering famine, plague, and war. He’s seen more than his share of blood and death, and knows what it means to be afraid. But what he’s never known is the terror that grabs him when, on a tranquil summer afternoon, he ceases to be an observer of the dark side and, to his shock, becomes enmeshed in it. Separated from his wife, and struggling not to become a stranger to his six-year-old twin sons, Alex is logging some all-too-rare quality time with the boys, when they vanish without a trace amid the hurly-burly of a countryside Renaissance Fair. Then the phone call comes. A chilling silence; slow, steady breathing; and the familiar, plaintive voice of a child–“Daddy?”–complete the nightmare . . . and set in motion a juggernaut of frenzy and agony. The longer the police search, exhausting leads without success, the deeper Alex’s certainty grows that time is running out. And when, at last, telltale signs reveal a hidden pattern of bizarre and ghoulish abductions, Alex vows to use his own relentless investigative skills to rescue his children from the shadowy figure dubbed The Piper. Whoever this elusive stranger is, the profile that slowly emerges–from previous crimes involving twins, from the zealously secret world of professional magicians, and from the eerie culture of voodoo–suggests that The Piper is a predator unlike any other. A twisted soul hell-bent on fulfilling an unspeakably dark dream. A fiend with a terrifying true calling. What Alex Callahan is closing in on is a monster with a mission.
Alex Callahan, a news correspondent, surprises himself by enjoying the Renaissance Faire that his six-year-old twins, Kevin and Sean, have dragged him to. But, the perfect day has turned into a nightmare. There's no sign of Sean and Kevin, and eventually the police arrive. They're initially suspicious of Alex.
A brilliant historical mystery series begins: in gaslit Victorian London, writer Thomas De Quincey must become a detective to clear his own name. Thomas De Quincey, infamous for his memoir Confessions of an English Opium-Eater, is the major suspect in a series of ferocious mass murders identical to ones that terrorized London forty-three years earlier. The blueprint for the killings seems to be De Quincey's essay On Murder Considered as One of the Fine Arts. Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter Emily and a pair of determined Scotland Yard detectives. In Murder as a Fine Art, David Morrell plucks De Quincey, Victorian London, and the Ratcliffe Highway murders from history. Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.
Former Police Chief Katherine Sullivan has been called brilliant, brave, compassionate, and quirky, but after decades of crime fighting, this resilient grandmother with an artist's soul is discovering that retirement can be just as deadly as being on the job. When Katherine returned to her hometown, her only thought was to comfort her recently divorced daughter. That was before a young woman was found murdered on the estate of the town's richest family. Now, in order to track down the killer, Katherine must uncover the generations of secrets that at least one person as already killed to protect in this charming and smart series debut, The Fine Art of Murder.
"A first-rate whodunnit set in the 1960s New York art world, a time and place Helen Harrison has recreated with a page-turning mix of history, gossip, and fun!"—Bob Colacello, author of Holy Terror: Andy Warhol Close Up One artist. One student. One deadly mystery. When Regionalist painter Thomas Hart Benton's corpse is discovered behind the easels of Manhattan's famed art school, whispers in the art community say he had it coming. As Benton's list of enemies lengthens to include the school's instructors, Vietnam War protesters, and members of Andy Warhol's entourage, one art student is ultimately painted as the murderer. The only problem: the suspect has vanished. Why would an art student murder Benton? And if he were innocent, why would he run? When TJ Fitzgerald, son of Detective Juanita Diaz and Captain Brian Fitzgerald of the NYPD, discovers his classmate is the prime suspect, he uses his own investigative skills to try and clear his name. But as TJ and his girlfriend work to unravel the clues to the art mystery, he begins to wonder if the police got it wrong and one secret may be the key to it all... Helen Harrison's An Artful Corpse is a clever mystery sure to please art enthusiasts and armchair detectives alike.
The debut novel from the author of The Lost Van Gogh—first in the Kate McKinnon series. “A unique spin on the too-familiar serial killer thriller.” —Ft. Lauderdale Sun-Sentinel A killer is preying on New York’s art community, creating gruesome depictions of famous paintings, using human flesh and blood as his media. Terror stalks this world of genius, greed, inspiration, and jealousy—a world Kate McKinnon knows all too well. A former NYPD cop who traded in her badge for a PhD in art history, Kate can see the method behind the psychopath’s madness—for the grisly slaughter of a former protégé is drawing her into the predator’s path. And as each new murder exceeds the last in savagery, Kate is trapped in the twisted obsessions of the death artist, who plans to use her body, her blood, and her fear to create the ultimate masterpiece. “The Death Artist is stylish, scary, and very, very smart. Jonathan Santlofer’s thriller really thrills.” —Susan Isaacs, New York Times–bestselling author “Chilling.” —USA Today “A roller coaster of violence [and] betrayal.” —Cleveland Plain Dealer “Brisk . . . inventive . . . compelling.” —The Washington Post Book World “The exploration of the psychology of the death artist, along with gossipy insights into the politics of art, make this book a bloody funfest.” —Publishers Weekly
“An enigmatic woman comes between a toxicologist and a murderer in this hypnotic and disturbing thriller” set in the shadowy fog of San Francisco (Guardian, UK). Caleb Maddox is a San Francisco toxicologist studying the chemical effects of pain. He’s out drinking after a bad breakup when a hauntingly seductive woman sits down beside him. He talks to Emmeline over absinthe, but their encounter is fleeting. She brushes her lips on his ear and disappears. He must find her. As Caleb scours the city, he begins helping the city’s medical examiner with a serial-murder investigation. Soon the search for the killer entwines with Caleb’s hunt for Emmeline, and the closer he gets to each, the more dangerous his world becomes. “A wicked mix of Poe, The Silence of the Lambs, and Vertigo,”* The Poison Artist spins a thrilling tale of obsession, damage, a man unmoored by an unspeakable past, and a woman who offers the ultimate escape (New York Times–bestselling author William Landay). “An electrifying read . . . I haven’t read anything so terrifying since Red Dragon.” —Stephen King “Magnificent, thoroughly unnerving . . . I dare you to look away.” —Justin Cronin
Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.
THE STORY: In a remote estate in the countryside of Connecticut, Jack Brooks, one of the most accomplished and eccentric painters of his generation, awaits the imminent arrival of his art dealer. But the visit is not a standard one, for Jack feels