Download Free The Mulatto And His Future In America Book in PDF and EPUB Free Download. You can read online The Mulatto And His Future In America and write the review.

New People is an insightful analysis of the miscegenation of American whites and blacks from colonial times to the present, of the "new people" produced by these interracial relationships, and of the myriad ways miscegenation has affected our national culture. Because the majority of American blacks are of mixed ancestry, and because mulattoes and pure blacks ultimately combined their cultural heritages, what begins in the colonial period as mulatto history and culture ends in the twentieth century as black history and culture. Thus, exploring the history of the mulatto becomes one way of understanding something of the experience of the African American. Williamson traces the fragile lines of color and caste that have separated mulattoes, blacks, and whites throughout history and speculates on the effect that the increasing ambiguity of those lines will have on the future of American society.
Reproduction of the original: The Future of the Colored Race in America by William Aikman
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
In this broadly conceived exploration of how people represent identity in the Americas, Suzanne Bost argues that mixture has been central to the definition of race in the United States, Mexico, and the Caribbean since the nineteenth century. Her study is particularly relevant in an era that promotes mixed-race musicians, actors, sports heroes, and supermodels as icons of a "new" America. Bost challenges the popular media's notion that a new millennium has ushered in a radical transformation of American ethnicity; in fact, this paradigm of the "changing" face of America extends throughout American history. Working from literary and historical accounts of mulattas, mestizas, and creoles, Bost analyzes a tradition, dating from the nineteenth century, of theorizing identity in terms of racial and sexual mixture. By examining racial politics in Mexico and the United States; racially mixed female characters in Anglo-American, African American, and Latina narratives; and ideas of mixture in the Caribbean, she ultimately reveals how the fascination with mixture often corresponds to racial segregation, sciences of purity, and white supremacy. The racism at the foundation of many nineteenth-century writings encourages Bost to examine more closely the subtexts of contemporary writings on the "browning" of America. Original and ambitious in scope, Mulattas and Mestizas measures contemporary representations of mixed-race identity in the United States against the history of mixed-race identity in the Americas. It warns us to be cautious of the current, millennial celebration of mixture in popular culture and identity studies, which may, contrary to all appearances, mask persistent racism and nostalgia for purity.
Provides an important examination of Charles Chesnutt as a practitioner of realism Although Chesnutt is typically acknowledged as the most prominent African American writer of the realist period, scholars have paid little attention to the central question of this study: what does it mean to call Chesnutt a realist? As a writer whose career was restricted by the dismal racial politics of his era, Chesnutt refused to conform to literary conventions for depicting race. Nor did he use his imaginative skills to evade the realities he and other African Americans faced. Rather, he experimented with ways of portraying reality that could elicit an appropriate, proportionate response to it, as Ryan Simmons demonstrates in extended readings of each of Chesnutt’s novels, including important unpublished works overlooked by previous critics. In addition, Chesnutt and Realism addresses a curiously neglected subject in American literary studies—the relationship between American literary realism and race. By taking Chesnutt seriously as a contributor to realism, this book articulates the strategies by which one African American intellectual helped to define the discourses that influenced his fate.
“This provocative, ambitious, and important book rewrites U.S. history, placing foundational leaders, unheralded prophets, insurgent social movements, pivotal judicial decisions, and central cultural values within an unfolding story of ongoing appeals to interracial mixing as a positive good. Deeply researched, deftly argued, and impressively able to move beyond the two categories of black and white, The United States of the United Races makes the mixed race movements of the recent past resonate with their many antecedents, showing the complex ways in which an emphasis on mixture has both deployed and destabilized racial categories.” —David Roediger, co-author of The Production of Difference Barack Obama’s historic presidency has re-inserted mixed race into the national conversation. While the troubled and pejorative history of racial amalgamation throughout U.S. history is a familiar story, The United States of the United Races reconsiders an understudied optimist tradition, one which has praised mixture as a means to create a new people, bring equality to all, and fulfill an American destiny. In this genealogy, Greg Carter re-envisions racial mixture as a vehicle for pride and a way for citizens to examine mixed America as a better America. Tracing the centuries-long conversation that began with Hector St. John de Crevecoeur’s Letters of an American Farmer in the 1780s through to the Mulitracial Movement of the 1990s and the debates surrounding racial categories on the U.S. Census in the twenty-first century, Greg Carter explores a broad range of documents and moments, unearthing a new narrative that locates hope in racial mixture. Carter traces the reception of the concept as it has evolved over the years, from and decade to decade and century to century, wherein even minor changes in individual attitudes have paved the way for major changes in public response. The United States of the United Races sweeps away an ugly element of U.S. history, replacing it with a new understanding of race in America. Greg Carter is Assistant Professor of History at the University of Wisconsin-Milwaukee.
Michael Paul Rogin’s scholarship profoundly altered the scope, content, and disposition of political theory. He reconstituted the field by opening it to an array of texts, performances, and methods previously considered beyond the purview of the discipline. His work addressed the relationship between dimensions of politics typically split apart – institutional power and cultural forms, material interests and symbolic meanings, class projects and identity politics, the public and the private. Rogin’s scholarship enlarges our sense of the borders and genres defining political theory as a field and enriches our capacity to think critically and creatively about the political. The editors have focused on three categories of substantive innovation: Demonology and Countersubversion Rogin used the concepts “countersubversive tradition” and “political demonology” to theorize how constitutive exclusions and charged images of otherness generated imagined national community. He exposed not only the dynamics of suppressing and delegitimizing political opposition, but also how politics itself is devalued and displaced. The Psychic Life of Liberal Society Rogin addressed the essential contradiction in liberalism as both an ideology and a regime – how a polity professing equality, liberty, and pluralist toleration engages in genocide, slavery, and imperial war. Political Mediation: Institutions and Culture Rogin demonstrated how cultural forms – pervasive myths, literary and cinematic works – mediate political life, and how political institutions mediate cultural energies and aspirations.