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Pauranic Prana-aesthetics, a finer shade different from that of vitalistic aesthetics )the earlier having breathing-rhythm of Ksaya-Vrddhi --diminuation and augmentation--other than the latter`s emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world`s two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most significant and monumentally beautiful work of Byzantine art. Tracing Prana-aesthetics as the aesthetics of inner-light coded in the creeper-motif by the artists of Ajanta, this work emphasises decoding of the creeper-motif by Byzantine artists culminating into the frescoes of Sopocani done in Hellenistic-Byzantine aesthetics beatifield by Hesycast meditation to which that of Buddhists was not unknown. Comparisons of various determinant aspects, aesthetics and artistic denominators, and constraints not allowing similar consummation are properly investigated to substantiate the thesis that Prana-aesthetics transfigures at Ajanta but transubstantiates at Sopocani. The significance of the anabolic aspects of this aesthetics is highlighted especially as a way out from the reductivistic tendencies of the present day visual-arts straining them upto the stage of catabolic dissolution.
Three descriptive essays and numerous fascinating photographs, taken especially for this volume, allow the reader to experience a major monument of Indian art: the sixth century temple cave on Elephanta Island, in Bombay harbor, and its extraordinary stone sculptures. The authors and the photographer capture the atmosphere of the cave and the spirit of the sculptures, which portray the relentless energy and paradoxical power of Shiva, greatest of all Hindu gods. The photographs are particularly successful in revealing the dramatic alternation of light and dark that is so much a part of the beauty of the cave`s interior. Ms. Berkson`s trained and loving eye picks out the subtleties of the main sculptures and humorous details that the visitor might miss even on the site. In the text Wendy O`Flaherty interprets the myths of Shiva depicted in the sculpture; Ms. berkson`s essay supplies historical background and a stylistic analysis; and George Michell examines the overall structure of the cave to show that it is a mandala-like image of the heavenly mountain residence of Shiva and even of the structure of the universe itself. The author as well as the publishers of the work deserve to be congratulated for providing this easily accessible guide to Elephanta. Research Bulletin Vishveshvaranand Vedic Research Institute,Vol.I, Dec.2002
Comprises contributed articles on the life and thought of Govind Sadashiv Ghurye, b. 1893, and on Indian sociology and anthropology.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
An exhaustive, yet fascinating, account of the history of Odisha (earlier Orissa) from the prehistoric times to 1568 CE by synthesising authentic evidence from the original sources such as literary, epigraphic, numismatics, archaeological, historical, and travellers’ accounts in chronological order… First published in 1981, the book has undergone several editions and is widely acclaimed and ranks among the most authentic historical books on the history and culture of Odisha. The book is divided into 19 chapters. The first—Introductory Chapter—explores the prehistoric period against the backdrop of the topographic setting of the region. Chapters 2 to 12 deal with the dynastic history of Odisha, while the remaining chapters, i.e., from 13 to 19 throw light on the vibrant cultural diversities of Odisha, especially the administrative organisations, socio-economic conditions, religious traditions, art and architecture, and colonial expansion. In addition, there are six elaborate appendices, where the author examines, dissects, and elucidates on various intriguing issues and old theories: situating the date of Kharavela; the accounts of Arab travellers; the historicity of the Madala Panji; and the research credibility of “Odia Mahabharat” by Sarala Dasa. Each chapter contains references and a bibliography of selected works by other scholars who have worked in the field. The book provides a comprehensive index, and illustrations in the book outline the rich archaeological monuments and heritage of Odisha. This scholarly work connects the land, culture, and history of Odisha through the times past up until 1568 CE. It will definitely serve to a great extent the needs of students of history and be a pleasurable reading to all those who love Indian art and culture and especially of Odisha. This scholarly work connects the land ,culture and history of Odisha through the times past up until 1568 CE . It will serve the needs of students of history and be a pleasurable reading to all those who love Indian art and culture.
Briefly describes the culture and history of India, and gives tips on shopping, sightseeing, taking photographs, dining, and selecting accommodations.