Download Free The Mozart Question Book in PDF and EPUB Free Download. You can read online The Mozart Question and write the review.

A young journalist goes to Venice, Italy, to interview a famous violinist, who tells the story of his parents' incarceration by the Nazis, and explains why they can no longer listen to the music of Mozart.
"Remember, what's down inside you, all covered up—the things of your soul. The important, secret things . . . The story of you, all buried, let the music caress it out into the open." When Allegra was a little girl, she thought she would pick up her violin and it would sing for her—that the music was hidden inside her instrument. Now that Allegra is twelve, she believes the music is in her fingers, and the summer after seventh grade she has to teach them well. She's the youngest contestant in the Ernest Bloch Young Musicians' Competition. She knows she will learn the notes to the concerto, but what she doesn't realize is she'll also learn how to close the gap between herself and Mozart to find the real music inside her heart. The Mozart Season includes an interview with author Virginia Euwer Wolff.
No matter how you might try to hide in a war to escape your past, it is always close at hand. Lady Sophia Huntington Villiers is no stranger to intrigue, as her work with Alan Turing’s Bombe Machines at Bletchley Park during the war attests. Now, as part of Simon Barre’s covert team in post-war Vienna, she uses her inimitable charm and code name Starling to infiltrate the world of relics: uncovering vital information that could tilt the stakes of the mounting Cold War. When several influential men charge her with finding the death mask of Mozart, Sophie wonders if there is more than the composer’s legacy at stake and finds herself drawn to potential answers in Prague. Simon Barrington, the illegitimate heir of one of Sussex’s oldest estates, used the previous war to hide his insecurities about his past. Now, he uses his high breeding to gain access to all four allied quarters of the ruined city in an attempt to slow the fall of the Iron Curtain. He has been in love with Sophie Villiers since the moment he met her, and a marriage of convenience to save Simon’s estate has always kept her close. Until now, when Sophie’s mysterious client in Prague forces him to wonder if her allegiance to him—and their cause—is in question. Torn between his loyalty to his cause and his heart, Simon seeks answers about Sophie only to learn that everything he thought he knew about his involvement in both wars is based on a lie. “Murky espionage and burgeoning passion twine beautifully together in The Mozart Code’s superbly evocative prose—an enchanting read!” —Kate Quinn, New York Times bestselling author of The Rose Code “Vienna is the new Paris in The Mozart Code, a World War II spy novel with deft, chess-like plotting, and plenty of old-fashioned romance.” —Susan Elia MacNeal, New York Times bestselling author of the Maggie Hope novels and Mother Daughter Traitor Spy “The Mozart Code is a smart, luscious romance, a thrilling suspense, and a thunderously good read. McMillan is a rising star in historical fiction.” —Aimie K. Runyan, bestselling author of The School for German Brides “Rife with secret codes, haunting melodies, betrayal and sacrifice, at its heart this is a story about the courage it takes to love and be loved. Highly recommended!” —Kimberly Brock, author of The Lost Book of Eleanor Dare “Beautifully lush and atmospheric, The Mozart Code is a novel full of nuances and brimming with danger, romance, and intrigue.” —Jenni L. Walsh, author of Becoming Bonnie and The Call of the Wrens “The Mozart Code left me breathless.” —Joy Callaway, international bestselling author of The Fifth Avenue Artists Society and The Greenbrier Resort Post World War II historical romance Stand-alone novel (features characters from The London Restoration) Book length: 95,000 words Includes discussion questions for book clubs
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
This is an ambitious attempt to separate what is actually known (and can be known) about Mozart from the many myths and legends that have grown up about his life and character, notably the circumstances of his death and his alleged immaturity, drinking, extravagance, womanizing, unreliability, and professional failure.
"The idea of creating a counterfeit of a genuine Mozart manuscript is outrageous, but to attempt the forging of two such compositions for the purpose of a technical/musical swindle is an order of magnitude more aggressive. Yet that is exactly what Forger, a counterfeiting genius, and Librarian, an eighteenth century document specialist, decide to do, their motivation being a $20,000,000 price tag ... their choice of composition are the lost manuscripts of Mozart's clarinet concerto and his quintet for clarinet and strings." -- Book jacket.
The memoir that inspired the two-time Golden Globe Award–winning comedy series: “Funny . . . heartbreaking . . . [and] utterly absorbing” (Lee Smith, New York Times–bestselling author of Guests on Earth). Oboist Blair Tindall recounts her decades-long professional career as a classical musician—from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, where musicians trade sexual favors for plum jobs and assignments in orchestras across the city. Tindall and her fellow journeymen musicians often play drunk, high, or hopelessly hungover, live in decrepit apartments, and perform in hazardous conditions—working-class musicians who schlep across the city between low-paying gigs, without health-care benefits or retirement plans, a stark contrast to the rarefied experiences of overpaid classical musician superstars. An incisive, no-holds-barred account, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the orchestra pit. The book that inspired the Amazon Original series starring Gael García Bernal and Lola Kirke, this is “a fresh, highly readable and caustic perspective on an overglamorized world” (Publishers Weekly).
In the 250th anniversary of Mozart's birth, few people would question his rating as the most popular of all classical composers. Yet there exists no substantial, up-to-date English-language study of the man and his works. Aiming to fill this gap, Sadie draws substantially on family correspondence, and discusses individual works in sequence, relating them to the events and relationships of his life. Much new material connected with Mozart has come to light in recent years and understanding of the context for Mozart's music has broadened immensely. Sadie's biography digests and interprets this corpus of new information.
This critical reevaluation of the causes of many of Beethoven's illnesses offers detailed accounts of the treatments applied by his physicians and a comprehensive rendering of the composer's final illness, death, and burial. Separate chapters discuss the causes of many of Beethoven's illnesses, his autopsy and the exhumations. Following the rediscovery of the original Latin autopsy report in 1970, the author has discovered two faulty translations, which he argues contributed to errors in earlier medical assumptions. New evidence disputes earlier assertions that Beethoven's deafness resulted from syphilis. This fascinating account of Beethoven's ailments should appeal to Beethoven enthusiasts and to both the medical and music communities.
The premature death of Mozart is the subject of 1791, a study based upon Professor Landon's unrivalled understanding of source material relating to Mozart, his music and the events that became an enigma, a tragedy and a source of great controversy.