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"An earlier edition of this work was published in Great Britain in 2015."--Title page verso.
Celebrating the golden decade of films and film-making, this is an introduction to the stars, directors and producers who have shaped the 80s. The authors reveal how Hollywood has made more movies than at any other time since the 30s and 40s and has shattered many box office records.
Travel back to the future with dozens of 1980s favorites Before the internet, in the days of Rubik's Cubes, the Iran-Contra scandal, and Wall Street's booms and busts, movies captured the spirit of our times. Now you can revisit those great films with LIFE Movies of the 1980s, packed with glowing photos and behind-the-scenes stories from the pages of Life magazine.
This book's 140 A-Z entries include synopses, film stills, and production photos.
The 1980s was the decade when the action film as it's now known came into being. Nonstop, big-budget excitement became the standard as epic adventures like Raiders of the Lost Ark and The Road Warrior set the tone for the summer blockbusters of Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris. Homages (and ripoffs) made with lesser budgets followed every hit, especially with the advent of direct-to-video releases. Providing detailed commentary on 284 films, this book explores the excitement, audacity and sheer weirdness of '80s low budget action cinema, from the American Ninja series to dime-a-dozen barbarian pictures to such bargain-basement productions as The Courier of Death, Kill Squad and Samurai Cop.
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
Named a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond. Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan's ascendance brought such movie events as Jaws, Apocalypse Now, Blade Runner, Ghostbusters, Blue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War. An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman's Found Illusions trilogy; the first volume, The Dream Life, was described by Slate's David Edelstein as "one of the most vital cultural histories I've ever read"; Film Comment called the second, An Army of Phantoms, "utterly compulsive reading." Reagan, a supporting player in Hoberman's previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.
After Brett Kavanaugh referenced "Fast Times at Ridgemont High" as a cultural landmark in his sexual assaulting youth and the realization that I am exactly the same age as the SCOTUS justice, it was time to go back and revisit fourteen comedies from the 1980's to see which hold up in the cultural shift of 2020.Includes breakdowns of "Fast Times at Ridgemont High," "Stripes," "Revenge of the Nerds," and "Weird Science" plus ten more you might remember.
The Best 80s Moviesis the ultimate guide to all things retro, taking you on a nostaligic trip through the 80s. The aim is to review all your favourite films, the ones that have stood the test of time and popularity... and a few that haven't (Ewoks: Caravan of Courageanyone?). As well as in-depth discussions of the best films of the decade, it dissects other significant cinematic aspects of the era, such as the decade's most quotable lines, the stars that made the 80s what it was and the music that we're all still humming. It's the definitive guide to the most fun, most lasting movies of one of the richest decades cinema has ever seen.
Travel back in time to the most bodacious movie decade ever! Don't miss this trip through the movies that defined the ’80s era. Packed with photos and memorabilia of Hollywood stars, this collection of classic cinema blockbusters offers summaries, release dates, trivia, and fun facts on each motion picture. We'll cover the invention of massive-budget action films, the Brat Pack, and even popular foreign flicks of the day. Nobody puts this book in the corner—you’ll be donning your Ray-Bans and immersing yourself in gnarly nostalgia from the neon-colored 1980s in no time!