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Day in and day out the dutiful mousewife works alongside her mousehusband in the house of Miss Barbara Wilkinson. It is a nice house and the mousewife is for the most part happy collecting crumbs and preparing a nest for her future mouse-babies—yet she yearns for something more. But what? Her husband, for one, can’t imagine. “I think about cheese,” he advises her. “Why don’t you think about cheese?” Then an odd and exotic new creature, a turtledove, is brought into the house and placed in a gilded cage. A friendship develops as the dove tells the mousewife about things no house mouse has ever imagined, blue skies, tumbling clouds, tall trees, and far horizons, the memory of which haunt the dove in her captivity. The dove’s tales fill the mousewife with wonder and inspire her to take daring action. Rumer Godden’s lovely fable about unexpected friendship and bittersweet love was inspired by a story Dorothy Wordsworth wrote for her brother, William, and is accompanied by stunning pen-and-ink drawings by William Pène du Bois.
Concise summaries of 81 books arranged under nine developmental goals for middle grade readers.
Fifty-six selections and extracts from modern works of fantasy such as Andersen's fairy tales, The Borrowers, and A Wrinkle in Time. Includes suggestions for using fantasy with children.
This “first rate anthology of reimagined fairy tales” (Locus Magazine) features an all-star lineup of award-winning and critically acclaimed writers. Once upon a time. It’s how so many of our most beloved stories start. Fairy tales have dominated our cultural imagination for centuries. From the Brothers Grimm to the Countess d’Aulnoy, from Charles Perrault to Hans Christian Anderson, storytellers have crafted all sorts of tales that have always found a place in our hearts. Now a new generation of storytellers has taken up the mantle that the masters created and shaped their stories into something startling and electrifying. Packed with award-winning authors, this “fresh, diverse” (Library Journal) anthology explores an array of fairy tales in startling and innovative ways, in genres and settings both traditional and unusual, including science fiction, western, and post-apocalyptic as well as traditional fantasy and contemporary horror. From the woods to the stars, The Starlit Wood: New Fairy Tales takes readers on a journey at once unexpected and familiar, as a diverse group of writers explore some of our most beloved tales in new ways across genres and styles. Contains stories by: Charlie Jane Anders, Aliette de Bodard, Amal El-mohtar, Jeffrey Ford, Max Gladstone, Theodora Goss, Daryl Gregory, Kat Howard, Stephen Graham Jones, Margo Lanagan, Marjorie Liu, Seanan McGuire, Garth Nix, Naomi Novik, Sofia Samatar, Karin Tidbeck, Catherynne M. Valente, and Genevieve Valentine.
Single volume edition of: Time for poetry, Time for fairy tales, and Time for true tales.
“Once upon a time there was a little mouse house. It was like a doll’s house, but not for dolls, for mice.” Not proper mice, but a flannel He-Mouse and She-Mouse with beady eyes and bristle whiskers who stand quite still, propped on their hind legs in the sitting room. Mary knows real mice run and scamper, and disappointed with her new gift, she puts the mouse house away in her room. Meanwhile, down in the basement, a real mouse named Bonnie has been jostled out of her woefully inadequate flowerpot home by her older brothers and sisters. Overlooked by her harried parents and desperate for shelter, Bonnie ventures upstairs and finds the mouse house. And before too long what was a miniature make-believe house becomes a marvelously messy home for proper mice who know how to play, much to everyone’s delight.
SCC library has 1949-cur.
“Once upon a time there was a little witch who was only a hundred and twenty-seven years old”—that’s how the story of the little witch and her talking raven Abraxas begins, and though one hundred and twenty-seven isn’t at all old for a witch, Little Witch already has a big problem. Every year, on Walpurgis Night, all the witches of the land meet to dance on Brocken Mountain. Little Witch is still too little to be invited, but this year she decided to sneak in anyway—and got caught by her evil aunt Rumpumpel! Little Witch is in disgrace. Her broomstick has been burned. She’s been made to walk home. She’s been told that she has a year to pull off some seriously good witchcraft if she wants to be invited to Walpurgis Night ever. And then there’s an even bigger problem: What after all does it mean to be a good witch? One way or another, by the end of the story, Little Witch will have proved herself to be the biggest and best witch of all.