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As the turbulent 60's began to fade into the calmer 70's, a coterie of young singers, songwriters, musicians, artists, and poets began to congregate, musically on the stage of The New Bijou Theater - the Springfield, Missouri nightclub that would become the loose-knit group's home. What started as an informal weekly gathering, quickly morphed into a formal band. Dubbed the Family Tree, they became a favorite of the local counter-culture, as well as a continuation of the tradition-rich, Springfield music scene - which, until recently, included the Ozark Jubilee (the nation's first televised country music show). Though unprofitable at the time, they stuck to their guns and their original songs. When a rough tape of an early Bijou gig caught the ear of music mogul, John Hammond, it culminated in a 26-song studio demo, which caught the ear of A&M executive, David Anderle. The group signed with the label, changed their name to its present moniker, and whisked off to London to record their debut album under the tutelage of Glyn Johns. The album contained "If You Want to Get to Heaven". Their subsequent album, recorded in rural Missouri, contained "Jackie Blue". Both songs remain staples on 'classic rock' radio. By the early 80's, the Ozark Mountain Daredevils found themselves right where the Family Tree had stood a decade before - in Springfield with no record deal. They did, though, find themselves with legions of loyal fans around the world. Amidst personnel changes, personal turmoils and a cornucopia of tales from the rock-n-roll highway, the next twenty years were spent 'on the road'. Though continuing to write, they could garner little interest among the rapidly modernizing music industry - a situation many long-haired, long-named hippie bands of the 70's find themselves in. Their music, though, lives in the hearts of their fans.
Meet Christina Aguilera through a thorough and honest portrayal of her life and career and the things that have influenced both. Christina Aguilera appeared on Star Search when she was eight years old and hasn't stopped performing since. Christina Aguilera: A Biography traces the life and career of this exceptional performer, looking also at the historical, political, and philosophical influences that have affected and motivated her. Readers will learn about the little girl who used music to drown the horrors of domestic abuse, about the young television star who wowed audiences with a voice that spanned four octaves, and, of course, about the wildly successful artist of today. Offering a complete and balanced portrayal, the book begins with Aguilera's childhood and ends with her current activities. It discusses early influences on her music, her father's role in fostering her interests, her evolution from squeaky-clean singer to sexy siren, and her maturation as a performer. In addition, readers will learn about her many awards and accomplishments, her generosity, and the importance of Latin culture to her work.
Provides information on U.S. and Canadian comic art, animation, caricature, and gag, political, illustrative, and magazine cartoons. Provides citations of books, chapters, articles, and "fugitive" materials gleaned from a variety of sources worldwide, including many periodicals and journals.
The Orlando Sentinel described The Grove Book of Hollywood as "a marvelous overview of the mythical world of Screenland through the eyes of those who observed it firsthand." In pieces by bemused outsiders like P. G. Wodehouse and Evelyn Waugh and consummate insiders like Jack Warner, Ben Hecht, and Budd Schulberg, it tells the story of Hollywood's birth as a dusty village outside L.A., through the blacklist, to its present-day role as a high-stakes cultural capital of power players, touchy egos, schlock, and genius. Full of priceless bits -- Jean Harlow's satire of young hopefuls, John Huston's fistfight with Errol Flynn, Frank Capra on working for Mack Sennett, and William Goldman on the ubiquitous Hollywood meeting -- The Grove Book of Hollywood is a must for anyone who loves movies. "A superb anthology.... A feast for those who love Hollywood and those who hate it." -- J. G. Ballard, The Observer (London) "Enchanting ... I marveled at [its] resourcefulness.... Have you gone out to buy this book yet?" -- David Thomson, Bookforum "....strange tribal rites, and tarnished idols of the celluloid jungles, the book is a feast." -- L. S. Klepp, Entertainment Weekly
Is there something you'd like to do, but your friends just don't get it? So what do you do? Do you trudge on alone, or do you just give up on it? After all, if your friends don't understand, why would anyone? But then someone unexpected comes along. Or was he there all the time? Author Dan Arnsan tells the story of such a dream in his book, Trevor's Tank. Ten-year-old Trevor is fascinated with tanks. His dream is to build a tank he can drive in the Veteran's Day parade. It's a big goal, and Trevor is off to a rocky start. His friends don't understand his fascination with tanks or why he wants to build one. Trevor quickly discovers his building skills aren't exactly up to the level needed for such a project. That's when he accepts help from a lonely neighbor, Mike, who helps him achieve it and deal with other issues along the way. Trevor's Tank deals with many issues ten-year-olds have. They face bullying and loneliness, especially when their fathers aren't around.
Antologi om Hollywood, sammensat af uddrag af erindringer, biografier, romaner, noveller, breve og artikler
Five-year-old James Merritt lies in a hospital bed--the sixth victim in a series of accidents plaguing a peaceful Connecticut community. 'Maybe if he pretends to be asleep, the shadow man will go away. He sees the glint of the needle. The pain does not alarm him. In his wildest imagining, he has never dreamed death would come in such a tiny, innocent way.' Cinnie Merritt holds her son's limp and weightless hand, trying to explain away the injuries that don't add up, the strange medical reactions, the nonsense words he keeps repeating, the shattering sense of foreboding. Something is wrong. Something is very, very wrong. 'Please let my baby be all right. Please let him wake up and be fine.' At night, a stalking figure makes its silent way into the hospital room. 'You belong to me now, child of my salvation. Wellspring of health and healing. Sweet servant of the dark moon. From the dark corner of a mother's world nightmare . . ."Someone's Watching."