Download Free The Mourners Dance Book in PDF and EPUB Free Download. You can read online The Mourners Dance and write the review.

There is no doubt that the death of a loved one has a profound - and unpredictable - effect on the lives of those left behind. Mourning is the price we pay for love. But how does anyone survive those first weeks, months, and even years after a death, and then eventually return to normal life? When her daughter's fiancé died suddenly, Katherine Ashenburg found herself drawn into the world of mourning customs. Finding little comfort in the stripped-down North American approach, she sought solace, and shaped the core of this much-praised book, by exploring the rich traditions that have sustained mourners in cultures around the world and across centuries. Intertwining anecdotes from past and present with her own story, Ashenburg uncovers the wisdom and creativity embedded in mourning rituals and their value in rebuilding those unravelled by loss. Somehow, as Ashenburg so deftly reveals, we find strength and go on living. With a new afterword by the author.
First published in 1923, this book presents a discussion of 'the part played by the Sacred Dance among the peoples of antiquity'. Chapters include 'The origin and purposes of the sacred dance', 'Dances in celebration of victory' and 'The sacred dance as a marriage rite'. The text was written by the well-known theologian and biblical scholar W. O. E. Oesterley (1866-1950). This book will be of value to anyone with an interest in perspectives on anthropology and religion.
"Come, sit by me," says Grandmother. "Take this chalk in your hand. Now draw a dot and concentrate all your energy into this one dot. It is the beginning and the end, the navel of the world." So Fawzia Al-Rawi describes her grandmother's first lesson about the ancient craft of Oriental dance. Grandmother's Secretsalways circles back to this grandmother and this young girl, echoing the circular movements of the dance itself. Al-Rawi has written a strikingly graceful and original book that blends personal memoir with the history and theory of the dance known in the West as "belly dancing." It is the story of a young Arab girl as she is initiated into womanhood. It is a history of the dance from the earliest times through the days of the Pharaohs, the Roman Empire, to the Arab world of the last three centuries. It is a personal investigation into the effects of the dance's movements on individual parts of the body and the whole psyche. It is a guide to the actual techniques of the dance for those who are inspired to put down the book and move. Al-Rawi conveys in this book not only the history and technique of grieving and mourning dances, pregnancy and birth dances, but the spirit of these age-old rituals, and their possibilities for healing and empowering women today.
In English, I’n-Lon-Schka means "playground of the eldest son." The dance, in which women are allowed only a peripheral role, celebrates traditional masculine values while helping to break down factionalism and feuding within the tribe. The participants, who now number in the hundreds, assemble each June in three Oklahoma communities-Pawhuska, Hominy, and Grayhorse-where the Dance Chairmen, the Drumkeeper (an eldest son of the tribe), and the dance organization have been preparing for the dance throughout the year. The I’n-Lon-Schka is religious in content and continues to establish conduct and ways of living for tribal members.
Walter E. A. van Beek draws on over four decades of extensive fieldwork to offer an in-depth study of the religion of the Kapsiki/Higi, who live in the Mandara Mountains on the border between North Cameroon and Northeast Nigeria. Concentrating on ritual as the core of traditional religion, van Beek shows how Kapsiki/Higi practices have endured through the long and turbulent history of the region.
"From the early seventeenth to the mid-nineteenth century, the Tokugawa shogunate enacted and enforced myriad laws and ordinances to control nearly every aspect of Japanese life, including observance of a person’s death. In particular, the shoguns Tsunayoshi and Yoshimune issued strict decrees on mourning and abstention that dictated compliance throughout the land and survived the political upheaval of the Meiji Restoration to persist well into the twentieth century. Atsuko Hirai reveals the pivotal relationship between these shogunal edicts and the legitimacy of Tokugawa rule. By highlighting the role of narimono chojirei (injunctions against playing musical instruments) within their broader context, she shows how this class of legislation played an important integrative part in Japanese society not only through its comprehensive implementation, especially for national mourning of major political figures, but also by its codification of the religious beliefs and customs that the Japanese people had cherished for innumerable generations."