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“Laura Jean Baker has written a beautiful and brave memoir of motherhood and its discontents, which are indistinguishable from its joys. This is a warmly intimate yet intellectually provocative personal document of originality and considerable charm.” —Joyce Carol Oates With the birth of her first child, soon-to-be professor Laura Jean Baker finds herself electrified by oxytocin, the “love hormone”—the first effective antidote to her lifelong depression. Over the next eight years, her “oxy” cravings, and her family, only grow—to the dismay of her husband, Ryan, a freelance public defender. As her reckless baby–making threatens her family’s middle–class existence, Baker identifies more and more with Ryan’s legal clients, often drug–addled fellow citizens of Oshkosh, Wisconsin. Is she any less desperate for her next fix? Baker is in an impossible bind: The same drive that sustains her endangers her family; the cure is also the disease. She explores this all–too–human paradox by threading her story through those of her local counterparts who’ve run afoul of the law—like Rob McNally, the lovable junkie who keeps resurfacing in Ryan’s life. As Baker vividly reports on their alleged crimes—theft, kidnapping, opioid abuse, and even murder—she unerringly conjures tenderness for the accused, yet increasingly questions her own innocence. Baker’s ruthless self–interrogation makes this her personal affidavit—her sworn statement, made for public record if not a court of law. With a wrenching ending that compels us to ask whether Baker has fallen from maternal grace, this is an extraordinary addition to the literature of motherhood.
“Laura Jean Baker has written a beautiful and brave memoir of motherhood and its discontents, which are indistinguishable from its joys. This is a warmly intimate yet intellectually provocative personal document of originality and considerable charm.” —Joyce Carol Oates With the birth of her first child, soon-to-be professor Laura Jean Baker finds herself electrified by oxytocin, the “love hormone”—the first effective antidote to her lifelong depression. Over the next eight years, her “oxy” cravings, and her family, only grow—to the dismay of her husband, Ryan, a freelance public defender. As her reckless baby–making threatens her family’s middle–class existence, Baker identifies more and more with Ryan’s legal clients, often drug–addled fellow citizens of Oshkosh, Wisconsin. Is she any less desperate for her next fix? Baker is in an impossible bind: The same drive that sustains her endangers her family; the cure is also the disease. She explores this all–too–human paradox by threading her story through those of her local counterparts who’ve run afoul of the law—like Rob McNally, the lovable junkie who keeps resurfacing in Ryan’s life. As Baker vividly reports on their alleged crimes—theft, kidnapping, opioid abuse, and even murder—she unerringly conjures tenderness for the accused, yet increasingly questions her own innocence. Baker’s ruthless self–interrogation makes this her personal affidavit—her sworn statement, made for public record if not a court of law. With a wrenching ending that compels us to ask whether Baker has fallen from maternal grace, this is an extraordinary addition to the literature of motherhood.
Anjelica Huston’s “gorgeously written” (O, The Oprah Magazine) memoir is “an elegant, funny, and frequently haunting reminiscence of the first two decades of her life…A classic” (Vanity Fair). In her first, dazzling memoir, Anjelica Huston shares the story of her deeply unconventional early life—her enchanted childhood in Ireland, living with her glamorous and artistic mother, educated by tutors and nuns, intrepid on a horse. Huston was raised on an Irish estate to which—between movies—her father, director John Huston, brought his array of extraordinary friends, from Carson McCullers and John Steinbeck to Peter O’Toole and Marlon Brando. In London, where she lived with her mother and brother in the early sixties when her parents separated, Huston encountered the Rolling Stones and Fleetwood Mac. She understudied Marianne Faithfull in Hamlet. Seventeen, striking, precocious, but still young and vulnerable, she was devastated when her mother died in a car crash. Months later she moved to New York, fell in love with the much older, brilliant but disturbed photographer, Bob Richardson, and became a model. Living in the Chelsea Hotel, working with Richard Avedon and other photographers, she navigated a volatile relationship and the dynamic cultural epicenter of New York in the seventies. A Story Lately Told is an “evocative” (The New York Times), “magically beautiful” (The Boston Globe) memoir. Huston’s second memoir, Watch Me, will be published in November 2014.
A raw, funny, and fiercely honest account of becoming a mother before feeling like a grown up. When Meaghan O'Connell got accidentally pregnant in her twenties and decided to keep the baby, she realized that the book she needed -- a brutally honest, agenda-free reckoning with the emotional and existential impact of motherhood -- didn't exist. So she decided to write it herself. And Now We Have Everything is O'Connell's exploration of the cataclysmic, impossible-to-prepare-for experience of becoming a mother. With her dark humor and hair-trigger B.S. detector, O'Connell addresses the pervasive imposter syndrome that comes with unplanned pregnancy, the fantasies of a "natural" birth experience that erode maternal self-esteem, post-partum body and sex issues, and the fascinating strangeness of stepping into a new, not-yet-comfortable identity. Channeling fears and anxieties that are still taboo and often unspoken, And Now We Have Everything is an unflinchingly frank, funny, and visceral motherhood story for our times, about having a baby and staying, for better or worse, exactly yourself. Smart, funny, and true in all the best ways, this book made me ache with recognition." -- Cheryl Strayed
A simple argument guides this book: motherhood is the place in our culture where we lodge, or rather bury, the reality of our own conflicts. By making mothers the objects of both licensed idealization and cruelty, we blind ourselves to the world’s iniquities and shut down the portals of the heart. Mothers are the ultimate scapegoat for our personal and political failings, for everything that is wrong with the world, which becomes their task (unrealizable, of course) to repair. Moving commandingly between pop cultural references such as Roald Dahl’s Matilda to insights on motherhood in the ancient world and the contemporary stigmatization of single mothers, Jacqueline Rose delivers a groundbreaking report into something so prevalent we hardly notice. Mothers is an incisive, rousing call to action from one of our most important contemporary thinkers.
How can the study of families be scientific? What is the difference between postmodern and positivistic approaches? What is the role of models and metaphors in constructing our theoretical knowledge? In Advancing Family Theories, author James M. White addresses such difficult questions that have been longstanding issues within the field of family studies and examines these matters from a social science perspective. Advancing Family Theories explores two contemporary theories of the family-rational choice theory and transition theory. These diametrically different approaches illuminate what differing theories reveal about families. The book also discusses how meta-theories can assist in building and refining theory and offers insight on the understanding versus explanation debate. Advancing Family Theories gives students a precise notion of what a theory is and how theories work in research. The book not only looks at philosophical realms but also examines particular substantive theory to explain and predict family behaviors.
Harness the power of the nurse-family relationship! Use the thoroughly revised Calgary Family Assessment and Intervention Models to assess families effectively and know when and how to intervene to reduce suffering and promote health.
A New York Times Notable Book The shocking truth about postwar adoption in America, told through the bittersweet story of one teenager, the son she was forced to relinquish, and their search to find each other. “[T]his book about the past might foreshadow a coming shift in the future… ‘I don’t think any legislators in those states who are anti-abortion are actually thinking, “Oh, great, these single women are gonna raise more children.” No, their hope is that those children will be placed for adoption. But is that the reality? I doubt it.’”[says Glaser]” -Mother Jones During the Baby Boom in 1960s America, women were encouraged to stay home and raise large families, but sex and childbirth were taboo subjects. Premarital sex was common, but birth control was hard to get and abortion was illegal. In 1961, sixteen-year-old Margaret Erle fell in love and became pregnant. Her enraged family sent her to a maternity home, where social workers threatened her with jail until she signed away her parental rights. Her son vanished, his whereabouts and new identity known only to an adoption agency that would never share the slightest detail about his fate. The adoption business was founded on secrecy and lies. American Baby lays out how a lucrative and exploitative industry removed children from their birth mothers and placed them with hopeful families, fabricating stories about infants' origins and destinations, then closing the door firmly between the parties forever. Adoption agencies and other organizations that purported to help pregnant women struck unethical deals with doctors and researchers for pseudoscientific "assessments," and shamed millions of women into surrendering their children. The identities of many who were adopted or who surrendered a child in the postwar decades are still locked in sealed files. Gabrielle Glaser dramatically illustrates in Margaret and David’s tale--one they share with millions of Americans—a story of loss, love, and the search for identity.
"This book is an optimal tool for instructors and students of graduate classes in social work and related disciplines." --Journal of Immigrant and Minority Health "I applaud social work students, professors, and social workers who seek to serve and empower the immigrant community. This text is a great tool toward raising awareness of the many issues immigrants face, and helping them find solutions." --Frank Sharry, Executive Director, America's Voice "The book is a major contribution to social workers and their clients as it addresses advocacy on behalf of immigrants and refugees during a social, economic and political period that restricts immigrants' rights and service access." --Dr. Diane Drachman, Associate Professor, University of Connecticut School of Social Work Successful social work with immigrants must begin with an understanding of their legal status and how that status impacts their housing, employment, health care, education, and virtually every other aspect of life. Chang-Muy and Congress present social workers with the only book on the market to emphasize the legal aspect of immigrant issues as well as critical practice and advocacy issues. Topics discussed include historical and current trends in immigration, applicable theories for practice with immigrants, policy and advocacy methods, and the need for cultural competence. By providing comprehensive coverage of both the legal and practice issues of this complex field, this book will help social service professionals and graduate students increase their cultural sensitivity and work more effectively with immigrants. Key Features: Covers the latest aspects of the immigration debate and discusses how social workers are affected by emerging immigration policies Discusses special populations such as refugees, elderly immigrants, and victims of international trafficking Includes case studies on the most critical issues immigrants face today: legal processes, physical and mental health issues, employment difficulties, family conflicts, and more Instructional Materials Available! Free to instructors with a verified order of seven or more copies. Email [email protected] to request syllabus and PowerPoint slides.