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A controversial, award-winning story about the passionate but untenable affair between an Israeli woman and a Palestinian man, from one of Israel’s most acclaimed novelists When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion. Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man. Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderlife) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.” Praise for All the Rivers “Rabinyan’s book is a sort of Romeo and Juliet, a forbidden love affair between a Jewish girl from Tel Aviv and a Palestinian boy from Hebron. . . . [A] beautiful novel.”—The Guardian “A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature “Astonishing . . . [a] precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “A great novel of love and peace.”—La Stampa “A novel that truly speaks to the heart.”—Corriere della Sera
In today’s culture, there are many hell-bent on cancelling anything they find offensive, and it’s only a matter of time before the mob comes after the most offensive book ever written: the Bible. Many churches use twenty-minute McSermons to inspire and pack the house, but so many are failing at teaching what the Bible actually says about some of today’s most controversial topics: homosexuality, abortion, politics, and others. Countless “Christians” say they believe in Jesus, but don’t truly know what that means or what they’re believing in. The Most Offensive Book Ever Written takes a look at today’s most divisive topics and breaks them down to view them through a Biblical lens. It’s time all believers learn there is an earthly cost to heavenly gain.
The publication in 1988 of Salman Rushdie's novel The Satanic Verses triggered a furor that pitted much of the Islamic world against the West over issues of blasphemy and freedom of expression. The controversy soon took on the aspect of a confrontation of civilizations, provoking powerful emotions on a global level. It involved censorship, protests, riots, a break in diplomatic relations, culminating in the notorious Iranian edict calling for the death of the novelist. In The Rushdie Affair, Daniel Pipes explains why the publication of The Satanic Verses became a cataclysmic event with far-reaching political and social consequences.Pipes looks at the Rushdie affair in both its political and cultural aspects and shows in considerable detail what the fundamentalists perceived as so offensive in The Satanic Verses as against what Rushdie's novel actually said. Pipes explains how the book created a new crisis between Iran and the West at the time--disrupting international diplomacy, billions of dollars in trade, and prospects for the release of Western hostages in Lebanon.Pipes maps out the long-term implications of the crisis. If the Ayatollah so easily intimidated the West, can others do the same? Can millions of fundamentalist Muslims now living in the United States and Europe possibly be assimilated into a culture so alien to them? Insightful and brilliantly written, this volume provides a full understanding of one of the most significant events in recent years. Koenraad Elst's postscript reviews the enduring impact of the Rushdie affair.
When Henry Vizetelly was imprisoned in 1889 for publishing the novels of Émile Zola in English, the problem was not just Zola’s French candour about sex – it was that Vizetelly’s books were cheap, and ordinary people could read them. Censored exposes the role that power plays in censorship. In twenty-five chapters focusing on a wide range of texts, including the Bible, slave narratives, modernist classics, comic books, and Chicana/o literature, Matthew Fellion and Katherine Inglis chart the forces that have driven censorship in the United Kingdom and the United States for over six hundred years, from fears of civil unrest and corruptible youth to the oppression of various groups – religious and political dissidents, same-sex lovers, the working class, immigrants, women, racialized people, and those who have been incarcerated or enslaved. The authors also consider the weight of speech, and when restraints might be justified. Rich with illustrations that bring to life the personalities and the books that feature in its stories, Censored takes readers behind the scenes into the courtroom battles, legislative debates, public campaigns, and private exchanges that have shaped the course of literature. A vital reminder that the freedom of speech has always been fragile and never enjoyed equally by all, Censored offers lessons from the past to guard against threats to literature in a new political era.
Documents all sides of the Rushdie controversy, providing an international chronology of events, early reviews of the book, and more reflective articles drawn from the huge, worldwide coverage, fairly and fully representing all points of view.
Mark Walia's A Tale of Two Cultures: Islam and the West lays out the contrasts between the Western and Islamic worlds with remarkable clarity and documentation, and concludes there are nearly irreconcilable differences between these worlds. keywords: Islam, Muslim, Religion, Christianity, War, Culture, Travel, Sharia, Hate, Mohammed
Following the terrorist attacks on London and Madrid, radical Islam is presumed to be an increasingly potent force in Europe. Yet beneath the media hysteria, very little is actually known about it. What radical movements are there? How do they operate? What is driving them? Who are their recruits? What is their relationship, if any, to Al Qaeda? Alison Pargeter has spent three years interviewing radical Islamists throughout Europe to find answers to these questions. She examines how radical ideology travels from East to West, and how the two contexts shape each other. She finds that contrary to what some analysts have claimed, the European Muslim community has not become radicalised en masse. What has happened is that in a globalised world, Middle Eastern power struggles are now being played out in the mosques of Birmingham, Paris and Milan. This is a must-read book for anyone who wants to know the real story of the jihad which has apparently arrived in our back yard.
What society considers blasphemy - a verbal assault against the sacred - is a litmus test of the standards it believes to be necessary to preserve unity, order, and morality. Society has always condemned as blasphemy what it regards as an abuse of liberty
This heartfelt coming of age story follows Michie, a high school junior who begins to grapple with big questions of love, purpose, and family while working on something that could change her life. High school junior Michie is struggling to define who she is for her scholarship essays, her big shot at making it into Brown as a first-generation college student. The prompts would be hard for anyone, but Michie's been estranged from her mother since she was seven and her concept of family has long felt murky. Enter new kid and basketball superstar Derek de la Rosa. He is very cute, very talented, and very much has his eye on Michie, no matter how invisible she believes herself to be. When Michie's mother unexpectedly reaches out to make amends, and with her scholarship deadlines looming, Michie must choose whether to reopen old wounds or close the door on her past. And as she spends more time with Derek, she'll have to decide how much of her heart she is willing to share. Because while Michie may not know who she is, she's starting to realize who she wants to become, if only she can take a chance on Derek, on herself, and on her future.
CONTENTS The Blasphemer (revised) . . . 5 “Mean Enough for Ya?” . . . 129 “Who Are You Going As?” . . . 204 “Annie, Forget Your Gun” . . . 216 Jane Austen’s New Play and Sex Life . . . 230 Puppets Rule! . . . 323 “Asylum?” . . . 391 “Oh, Leave Me Alone”(straight version) . . . 404 “Oh, Leave Me Alone (gay version) . . . 448 “Those Golden Years” (with two women) . . . 493 “Those Golden Years” (with man and woman) . . . 504