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*Includes pictures *Includes the rock stars' quotes about their lives and careers *Includes an introduction and bibliography for each one In 1964, girls all across the United States filled venues, almost literally screamed their heads off, and fainted en masse. Almost from the second they played the first note, The Beatles would be hit with the resounding screams, which made it impossible for them to even hear themselves sing. When they made their American debut on The Ed Sullivan Show in early 1964, they were greeted by young fans who whipped themselves up into such a frenzy that some of them fainted. Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen. At the center of it all was John Lennon and Paul McCartney, the principal songwriting duo who were instrumental in creating the soundtrack of the 1960s, while producing some of the world's most timeless classics. Together with George Harrison and Ringo Starr, Lennon and McCartney propelled The Beatles to unprecedented heights, sparking Beatlemania on two sides of the Atlantic and experimenting with their sound in ways that revolutionized rock and inspired bands across various musical genres. In the space of just a few years, Bob Dylan, born Robert Allen Zimmerman, rose from the obscurity of a small Minnesota town to a position of royalty atop the folk music landscape of the 1960s, with a universal esteem and status on a par with Elvis Presley and The Beatles. In the 1960s, "Blowin' in the Wind" and "The Times They Are A' Changing" "became anthems of the anti-war and civil rights movements," but long after the transition from the '50s to the late '60s and '70s was accomplished, the initially baffling young folk singer who appeared out of nowhere was awarded a special Pulitzer Prize for "his profound impact on popular music, and American culture, marked by lyrical compositions of extraordinary poetic power." Over the span of his career, he has received Grammy Awards, Golden Globes, Academy Award Oscars, and he has been inducted into the Rock & Roll Hall of Fame, the Minnesota Music Hall of Fame, the Nashville Songwriters Hall of Fame, and the Songwriters Hall of Fame, not to mention the Pulitzer Prize and Presidential Medal of Freedom. It is rare in the world of music for a general consensus to form over who was the best at anything. Many would call The Beatles the greatest rock band, but it's easy to find strongly opinionated dissenters. However, when it came to playing a guitar and laying the soundtrack for the psychedelic era, just about everyone agrees there was Jimi Hendrix (1942-1970) and then there was everyone else. Anyone arguing otherwise either never heard his music or saw him perform. In fact, Jimi Hendrix is one of the few musicians known primarily for his sound and what he could do with a guitar than for his discography. Dubbed by many as the "First Lady" or "Queen" of Rock & Roll, Joplin both invented and installed the "rock mama paradigm" into the American rock consciousness, a patriarchal and fraternal industry that, much like the societal traits it protested, restricted women to a narrow and conservative criteria for entrance. With only a very few kindred spirits, such as Grace Slick of Jefferson Airplane, "she pioneered a new range of expression for white women." In the mid-1960s, an era on the cusp of change from the musical and social norms of the previous decade, the emergence of Jim Morrison, the charismatic poet/musician of The Doors, helped to transform the subgenre of rock n' roll as a stylistic flavor to the full-fledged institution of Rock Music. Morrison accomplished this transformation by avoiding membership in any of the known categories of modern rock music during the age of protest, but at the same time, he became the general symbol of anti-authoritarianism for his generation and the next.
*Includes pictures *Includes the rock stars' quotes about their lives and careers *Includes an introduction and bibliography for each one In 1964, girls all across the United States filled venues, almost literally screamed their heads off, and fainted en masse. Almost from the second they played the first note, The Beatles would be hit with the resounding screams, which made it impossible for them to even hear themselves sing. When they made their American debut on The Ed Sullivan Show in early 1964, they were greeted by young fans who whipped themselves up into such a frenzy that some of them fainted. Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen. At the center of it all was John Lennon and Paul McCartney, the principal songwriting duo who were instrumental in creating the soundtrack of the 1960s, while producing some of the world's most timeless classics. Together with George Harrison and Ringo Starr, Lennon and McCartney propelled The Beatles to unprecedented heights, sparking Beatlemania on two sides of the Atlantic and experimenting with their sound in ways that revolutionized rock and inspired bands across various musical genres. In the space of just a few years, Bob Dylan, born Robert Allen Zimmerman, rose from the obscurity of a small Minnesota town to a position of royalty atop the folk music landscape of the 1960s, with a universal esteem and status on a par with Elvis Presley and The Beatles. In the 1960s, “Blowin' in the Wind” and “The Times They Are A' Changing” “became anthems of the anti-war and civil rights movements,” but long after the transition from the '50s to the late '60s and '70s was accomplished, the initially baffling young folk singer who appeared out of nowhere was awarded a special Pulitzer Prize for “his profound impact on popular music, and American culture, marked by lyrical compositions of extraordinary poetic power.” Over the span of his career, he has received Grammy Awards, Golden Globes, Academy Award Oscars, and he has been inducted into the Rock & Roll Hall of Fame, the Minnesota Music Hall of Fame, the Nashville Songwriters Hall of Fame, and the Songwriters Hall of Fame, not to mention the Pulitzer Prize and Presidential Medal of Freedom. It is rare in the world of music for a general consensus to form over who was the best at anything. Many would call The Beatles the greatest rock band, but it's easy to find strongly opinionated dissenters. However, when it came to playing a guitar and laying the soundtrack for the psychedelic era, just about everyone agrees there was Jimi Hendrix (1942-1970) and then there was everyone else. Anyone arguing otherwise either never heard his music or saw him perform. In fact, Jimi Hendrix is one of the few musicians known primarily for his sound and what he could do with a guitar than for his discography. Dubbed by many as the “First Lady” or “Queen” of Rock & Roll, Joplin both invented and installed the “rock mama paradigm” into the American rock consciousness, a patriarchal and fraternal industry that, much like the societal traits it protested, restricted women to a narrow and conservative criteria for entrance. With only a very few kindred spirits, such as Grace Slick of Jefferson Airplane, “she pioneered a new range of expression for white women.” In the mid-1960s, an era on the cusp of change from the musical and social norms of the previous decade, the emergence of Jim Morrison, the charismatic poet/musician of The Doors, helped to transform the subgenre of rock n' roll as a stylistic flavor to the full-fledged institution of Rock Music. Morrison accomplished this transformation by avoiding membership in any of the known categories of modern rock music during the age of protest, but at the same time, he became the general symbol of anti-authoritarianism for his generation and the next.
Rock music has taken over the airwaves for decades. Paul McCartney, John Lennon, Keith Richards, Jimi Hendix, Bob Dylan, Jim Morrison are just some of the iconic figures that have formed the rock music genre. This jam session of biographies showcases these trailblazers in this unique illustrated graphic novel.
*Includes pictures. *Includes the stars' own quotes about their lives and careers. *Includes suggested playlists and analyses of their music. *Includes bibliographies for further reading. It is rare in the world of music for a general consensus to form over who was the best at anything. Many would call The Beatles the greatest rock band, but it's easy to find strongly opinionated dissenters. However, when it came to playing a guitar and laying the soundtrack for the psychedelic era, just about everyone agrees there was Jimi Hendrix (1942-1970) and then there was everyone else. Anyone arguing otherwise either never heard his music or saw him perform. In fact, Jimi Hendrix is one of the few musicians known primarily for his sound and what he could do with a guitar than for his discography. A part of that is due to his untimely death and entry into the 27 Club, but it is also due to the fact that he was so revolutionary with the use of an electric guitar and so skilled at playing it that the effects have largely not been duplicated since. It was heavy, loud, and completely raw, and yet he was a pioneer in genres as varied as blues and heavy metal. As Pete Townshend famously put it, "With Jimi, I didn't have any envy. I never had any sense that I could ever come close." The life and career of Janis Joplin marks such a stark departure from the blues, rock and soul traditions as American society has come to know them that her brief and tempestuous career defies artistic analysis, if only because there is so little precedent aside from the great African-American blues and jazz singers that influenced her. For a woman born in 1943 and coming into her professional prime in the 1960s, Joplin stood as a mesmerizing and baffling foil to the female tradition in non-classical music, which had previously been symbolized by pure, mellow voices singing thoughtful texts. The American music scene was entirely unprepared to witness the emergence of a white woman who could sing the blues with such authenticity, force, and depth of feeling. Of course, for all the mention of Joplin's career, there is nearly as much focus on her untimely death at the age of 27, particularly because she died just a few weeks after Jimi Hendrix's death at the age of 27 and was followed in death by Jim Morrison at the age of 27 less than a year later. Those three all died as a result of alcohol and drug abuse, and they formed the starting point for the legendary "27 Club," which memorializes rock stars who died at the age of 27. Morrison, the charismatic poet/musician of The Doors, helped to transform the subgenre of rock n' roll as a stylistic flavor into the full-fledged institution of Rock Music, and he accomplished all of this by being extreme, in every sense of the word. His poetry was assaultive, blatant and graphic, a sign of the times, and his voice was mystical and haunting, lacking any sense of what was previously or typically considered vocal beauty. Whether intentional or not, Morrison also led the charge of excessive defiance toward anything hierarchical or rule-laden, and the acting out of his subconscious urges on public stages around the world amazed and shocked everyone who saw or heard about it.
John Lennon was one of history's most influential musicians. This title highlights Lennon's background and his role in the formation of the groundbreaking band The Beatles. Also covered in detail are Lennon's famous war protests and his 1980 assassination. Recently released Beatles CDs, and the Cirque de Soleil masterpiece Love appealed to many young people. With Beatles songs for the Rock Band™ video game coming this fall, as well as remastered Beatles recordings, this title is a timely addition to any collection for middle and high schools and YA programs. Lives Cut Short is a series in Essential Library, an imprint of ABDO Publishing Company.
A rock critic reflects on the ways in which he has changed, and been changed by, the subjects he has covered, in a book that is also an account of his adventures in rock and roll, with such figures as Bob Dylan, Michael Jackson, and Johnny Cash.
JOHN LENNON'S LAST MOMENTS The title piece in this 10-story book tackles the question of whether former Beatle John Lennon died a swift death in seconds when he was shot in 1980, or an appallingly slow death over several excruciating minutes. Urban legend has it that Lennon was actually able to speak within minutes after being shot. But through many interviews with police officers and doctors, and a thorough look at various reports, author Jim O'Donnell dislodges this urban legend about a legend. Although some of the details about Lennon's death are graphic, they serve to show that Lennon most likely died a fast death, not a slow, tormented one. For example, there were two officers first on the scene where Lennon was shot. One of them told O'Donnell: "His [Lennon's] face was right into the floor, actually, face down. He wasn't turned left or right. His arms were spread out in front of his head, almost like you were taking a dive. He was actually turning white at that point." The remaining pieces in the book present the stories of nine other deceased people from the world of rock, including six rock stars, a DJ, a TV host, and a writer. CONTENTS 1. John Lennon Did Not Die A Slow Death 2. Jim Morrison: Rock's Wildest Celebrant 3. Elvis Presley (Occupation: Pop Singer) 4. And the Wind Cries Jimi 5. Janis Joplin: Lone Star 6. Getting Zapped by Zappa 7. Bill Haley: Rock's William the Conqueror 8. The Freed Kingdom 9. A Dick Clark Special 10. Ray Coleman: Author, Journalist, Mentor Excerpts On John Lennon: "It is time to put to rest the story that after being shot John Lennon was living, talking, conscious. Actually, he was dying, moaning, unconscious. This man who lived a fast life died a fast death, not a slow, tormented one." On Jim Morrison: "No singer before or since has had such a gift for embodying and dramatizing the search for self. He ate up every deep, dark aggression in the room, and sent it back in the emotional colors of his art. He was a natural. All Jim Morrison did for stardom, claimed Jim Morrison, was stop getting haircuts." On Elvis Presley: "It is the face that sailed a thousand hips. Twentieth-Century man-and woman, especially-knows the first name better than any other two names that ever graced the lips of humankind-Charlie Chaplain and Beethoven, Walter Cronkite and Sandy Koufax, Jane Fonda and Harry Truman, notwithstanding." On Jimi Hendrix: "He raised the performance level of rock 'n' roll in one blazing fell swoop. He was virtuosity AND flash. And once you saw him put the two together, the image was harder to shake than dandruff. You couldn't help demanding more from every performer you saw thereafter." On Janis Joplin: "Some performers let off steam on a stage. Janis Joplin let off lava. She was so volcanic, her back-up bands functioned mainly as rumbling blue clouds harboring her lightning bolts." On Frank Zappa: "Ugliness objectively correlates Zappa's thoroughly anarchic notion that acting and thinking strictly within society's unwritten rules prevents you from being fully and freely you. (Whew! What a long way of saying nicety is the mother of prevention.)" On Bill Haley: "Bill Haley was a smuggler: he smuggled rock 'n' roll past adult customs and into teen toyland. He had a diamond in his shoe-though he didn't really know it, or intend to break any laws. It was just that the commodity he offered was as freakoid to his public as fifty years earlier the horseless carriage that Barnum and Bailey Circus offered was to their public." On Alan Freed: "He is the reason the Rock 'n' Roll Hall of Fame is in Cleveland-not in Memphis or Liverpool. He gave rock 'n' roll its name by using rock to do what it's supposed to do: free the spirit. And he freed many."
*Includes Suggested Playlists for both Lennon and McCartney. *Includes detailed descriptions of the origins and recording of some of The Beatles' timeless classics, including Tomorrow Never Knows, Strawberry Fields Forever, and A Day in the Life. *Includes descriptions of the Beatles' famous encounters with Bob Dylan and Elvis Presley. *Includes pictures of Lennon, McCartney and important people, places, and events in their lives. *Includes a Bibliography for both Lennon and McCartney for further reading. In 1964, girls all across the United States filled venues, almost literally screamed their heads off, and fainted en masse. Almost from the second they played the first note, The Beatles would be hit with the resounding screams, which made it impossible for them to even hear themselves sing. When they made their American debut on The Ed Sullivan Show in early 1964, they were greeted by young fans who whipped themselves up into such a frenzy that some of them fainted. Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen. At the center of it all was John Lennon and Paul McCartney, the principal songwriting duo who were instrumental in creating the soundtrack of the 1960s, while producing some of the world's most timeless classics. Together with George Harrison and Ringo Starr, Lennon and McCartney propelled The Beatles to unprecedented heights, sparking Beatlemania on two sides of the Atlantic and experimenting with their sound in ways that revolutionized rock and inspired bands across various musical genres. Through it all, Lennon became one of the world's most interesting and outspoken men, a complex figure who survived a turbulent upbringing, addictions to drugs, and unstable relationships, only to be tragically killed just as he was settling into a serene, comfortable life. His loss is as widely felt today as it was in December 1980, as people remain in awe of his music and continue to grapple with the contradictory nature of his life and work, which at any given moment could oscillate from his notoriously acerbic wit to the endless optimism of Imagine. McCartney lacked the controversy of Lennon, the spirituality of Harrison, and the silliness of Starr, but he was unquestionably one of the driving forces behind the Beatles' most productive recording periods, especially on the Beatles' seminal Revolver album. It was also McCartney who tried hardest to keep the Beatles together from 1968-1970, even while his perfectionist attention to detail frequently drove his bandmates crazy. Ultimately, it was McCartney who was the first to publicly announce his departure from the Beatles. Sir Paul may have never topped the highs established by the Beatles, but he has gone on to have the longest and most productive solo career of the four. While that was helped in part by the tragic murder of Lennon in 1980, McCartney has nonetheless remained at the forefront of pop culture since 1970, and the Guinness Book of World Records has recognized him as the most successful recording artist of all time. Indeed, McCartney wrote or co-wrote over 30 #1 hits and has sold over 100 million albums and 100 million singles in his music career. Lennon-McCartney chronicles the lives and legacies of the two rock icons and analyzes their lasting musical legacies, humanizing both the rebellious hellion and the "cute" one. Along with suggested playlists of the two's greatest songs, descriptions of the recording and inspiration behind some of their classics, and pictures, you will learn about history's greatest songwriting duo like you never have before.
Pulling back the many hidden layers of John Lennon’s life, Lesley-AnnJones closely tracks the events and personality traits that led to the rock star living in self-imposed exile in New York—where he was shot dead outside his apartment on that fateful autumn day forty years ago. Late on December 8th, 1980, the world abruptly stopped turning for millions, as news broke that the world's most beloved bard had been gunned down in cold blood in New York city. The most iconic Beatle left behind an unrivaled body of music and legions of faithful disciples—yet his profound legacy has brought with it as many questions and contradictions as his music has provided truths and certainties. In this compelling exploration, acclaimed music biographer Lesley-Ann Jones unravels the enigma that was John Lennon to present a complete portrait of the man, his life, his loves, his music, his untimely death and, ultimately, his legacy. Using fresh first-hand research, unseen material and exclusive interviews with the people who knew Lennon best, Jones' search for answers offers a spellbinding, 360-degree view of one of the world's most iconic music legends. The Search for John Lennon delves deep into psyche of the world's most storied musician—the good, the bad and the genius—forty years on from his tragic death.
Examines the life of singer-songwriter John Lennon, showing the troubled aspects of his personality and experiences, covering his childhood, his years in the Beatles, and his two marriages.