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Less than ten years after the death of the Prophet Muhammad, the new religion of Islam arrived in Egypt with the army of Amr ibn al-As in AD 639. Amr immediately established his capital at al-Fustat, just south of modern Cairo, and there he built Africa's first mosque, one still in regular use today. Since then, governors, caliphs, sultans, amirs, beys, pashas, among others, have built mosques, madrasas, and mausoleums throughout Egypt in a changing sequence of Fatimid, Ayyubid, Mamluk, Ottoman, and modern styles. In this fully color-illustrated, large-format volume, a leading historian of Islamic art and culture celebrates the great variety of Egypt's mosques and related religious buildings, from the early congregational mosques, through the medieval mausoleum-madrasas, to the neighborhood mosques of the Ottoman and modern periods. With outstanding architectural photography and authoritative analytical texts, this book will be valued as the finest on the subject by scholars and general readers alike. Covers more than 80 of the country's most historic mosques, with more than 500 color photographs, in 400 pages.
While all mosques stem from a common tradition of reverence, differing sects, regions and practices have led to many innovations and novel architectural forms. Mosques is the latest addition to the “Ultimate collection,” and is a journey though centuries and continents that brings readers to the threshold of 100 of the world’s most historically significant buildings that are home to worshippers of the fastest growing, and second largest, religion in the world.
“In this satisfying, lyrical memoir,” an American woman discovers her true faith—and true love—by converting to Islam and moving to Egypt (Publishers Weekly). Raised in Boulder, Colorado, G. Willow Wilson moved to Egypt and converted to Islam shortly after college. Having written extensively on modern religion and the Middle East in publications such as The Atlantic Monthly and The New York Times Magazine, Wilson now shares her remarkable story of finding faith, falling in love, and marrying into a traditional Islamic family in this “intelligently written and passionately rendered memoir” (The Seattle Times, 27 Best Books of 2010). Despite her atheist upbringing, Willow always felt a connection to god. Around the time of 9/11, she took an Islamic Studies course at Boston University, and found the teachings of the Quran astounding, comforting, and profoundly transformative. She decided to risk everything to convert to Islam, embarking on a journey across continents and into an uncertain future. Settling in Cairo where she taught English, she soon met and fell in love with Omar, a passionate young man with a mild resentment of the Western influences in his homeland. Torn between the secular West and Muslim East, Willow—with her shock of red hair, shaky Arabic, and Western candor—struggled to forge a “third culture” that might accommodate her values as well as her friends and family on both sides of the divide. Part travelogue, love story, and memoir, “Wilson has written one of the most beautiful and believable narratives about finding closeness with God” (The Denver Post).
The Art of Orientation celebrates the origins, meanings, and functions of the mosque throughout the world using a careful selection of one hundred and twenty-five artifacts--including intricately designed pulpits, prayer rugs, lamps, and manuscripts. Tracing the evolution of the mosque from the Prophet's humble mud-brick structure in Medina to the imposing stone assemblies of Cairo and Istanbul, an interdisciplinary group of leading Arab and international authors present a personal, insightful, and accessible survey of Islamic masterpieces past and present.
The twentieth century should be remembered in missions as the time when women got lost. Over that time, the voices of women missionaries, leaders, and facilitators of new Christian movements were all too often excluded from missiological discourse and strategic mission discussion. It is hoped that this book signals a revival in the contribution of women to mission in a way that values what they have to offer.
Recipient of the 2013 PROSE Awards Architecture & Urban Planning honorable mention Just to the south of modern Cairo stands the historic enclave known as Old Cairo, which grew up in and around the Roman fortress of Babylon, and which today hosts a unique collection of monuments that attest to the shared cultural heritage of ancient Egyptians, Christians, Jews, and Muslims. In this lavishly illustrated celebration of a very special place, renowned photographer Sherif Sonbol's remarkable images of the fortress, churches, synagogue, and mosque illuminate the living fabric of the ancient and medieval stones, while Gawdat Gabra describes the history of Old Cairo from the time of the ancient Egyptians and the Romans to the founding of the first Muslim city of al-Fustat. Stefan Reif focuses on the Jewish history of the area, exploring the famous Genizah documents found in the Ben Ezra Synagogue that tell so much about everyday life in medieval Egypt. Gertrud van Loon looks at the early Coptic Christian churches, some of the oldest in the world, and Tarek Swelim describes the arrival of the Muslims in the seventh century, their establishment of al-Fustat on the edge of Old Cairo, and the building of the Mosque of 'Amr ibn al-'As, the oldest mosque in Africa.
Why does Islam seem to dominate Egyptian politics, especially when the country's endemic poverty and deep economic inequality would seem to render it promising terrain for a politics of radical redistribution rather than one of religious conservativism? This book argues that the answer lies not in the political unsophistication of voters, the subordination of economic interests to spiritual ones, or the ineptitude of secular and leftist politicians, but in organizational and social factors that shape the opportunities of parties in authoritarian and democratizing systems to reach potential voters. Tracing the performance of Islamists and their rivals in Egyptian elections over the course of almost forty years, this book not only explains why Islamists win elections, but illuminates the possibilities for the emergence in Egypt of the kind of political pluralism that is at the heart of what we expect from democracy.
Cairo is full of masterpieces of medieval art and architecture reflecting the status of Egypt as the centre of several significant Muslim empires. This book redresses the cultural balance and examines the art and architectural treasures of Cairo from the Arab to the Ottoman conquests (642-1517). It is fully illustrated with over 200 photographs.
The first monograph on Islamic hospitals, this volume examines their origins, development, architecture, social roles, and connections to non-Islamic institutions.