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Confederate Colonel John Singleton Mosby (1833-1916) was only one of a number of heroes to emerge during the Civil War, yet he holds a singular place in the American imagination. He is the irrepressible rebel with a cause, the horseman who emerges from the forest to protect the embattled farmer and his household and bring retribution to the invader. Mosby was the fabled Gray Ghost of the Confederacy, a mythic cavalry officer who operated with virtual impunity behind Union lines near Washington, D.C. Through the story of John Mosby, the authors examine how the Civil War becomes memory, history, and myth through experience, art, and mass communication. The Mosby Myth provides not just a biography of John Mosby's life, but a study of his legacy. Ashdown and Caudill present depictions of Mosby in fiction, cinema, and television, and offer a revealing analysis that explains much about American culture and the way it has been affected by the lingering impact of the Civil War.
An insightful exploration of the relentless myth of the famous Civil War general, this volume scrutinizes the collective public memory of Nathan Bedford Forrest as it has evolved through the press, memoirs, biographies, and popular culture.
"Ain't nobody clean" : Glory! and the politics of black agency / W. Scott Poole -- Alex Haley's Roots : the fiction of fact / William E. Huntzicker -- A voice of the south : the transformation of Shelby Foote / David W. Bulla.
Caudill, whose Darwin in the Press (Lawrence Erlbaum Assoc., 1989) covered similar ground, here adds little to the corpus of rich literature on Darwinian evolution; his discussions of the theory's misapplications have been covered thoroughly by other researchers. He focuses here on documentation from the popular press, which, he argues, has been overlooked. In doing so Caudill ignores much of the extensive research by contemporary scientists and historians of science. Caudill also often refers to articles without author attribution, using phrases such as "a German doctor" or "a Harvard professor." The reader must go to the notes to identify the author and to assess Caudill's comments and criticisms. In addition. the book lacks continuity and flow, reading like a series of essays strung together under a theme of "myths." Tighter editing would have improved continuity, addressed inconsistencies in using birth and death dates, and corrected the unforgivable misspelling of the name Wedgwood. Not recommended.?Joyce L. Ogburn, Old Dominion Univ., Norfolk, Va. Copyright 1997 Reed Business Information, Inc.
Most Americans are familiar with major Civil War battles such as Manassas (Bull Run), Shiloh, and Gettysburg, which have been extensively analyzed by generations of historians. However, not all of the war's engagements were fought in a conventional manner by regular forces. Often referred to as "the wars within the war," guerrilla combat touched states from Virginia to New Mexico. Guerrillas fought for the Union, the Confederacy, their ethnic groups, their tribes, and their families. They were deadly forces that plundered, tortured, and terrorized those in their path, and their impact is not yet fully understood. In this richly diverse volume, Joseph M. Beilein Jr. and Matthew C. Hulbert assemble a team of both rising and eminent scholars to examine guerrilla warfare in the South during the Civil War. Together, they discuss irregular combat as practiced by various communities in multiple contexts, including how it was used by Native Americans, the factors that motivated raiders in the border states, and the women who participated as messengers, informants, collaborators, and combatants. They also explore how the Civil War guerrilla has been mythologized in history, literature, and folklore. The Civil War Guerrilla sheds new light on the ways in which thousands of men, women, and children experienced and remembered the Civil War as a conflict of irregular wills and tactics. Through thorough research and analysis, this timely book provides readers with a comprehensive examination of the guerrilla soldier and his role in the deadliest war in U.S. history.
General William Tecumseh Sherman's devastating "March to the Sea" in 1864 burned a swath through the cities and countryside of Georgia and into the history of the American Civil War. As they moved from Atlanta to Savannah—destroying homes, buildings, and crops; killing livestock; and consuming supplies—Sherman and the Union army ignited not only southern property, but also imaginations, in both the North and the South. By the time of the general's death in 1891, when one said "The March," no explanation was required. That remains true today. Legends and myths about Sherman began forming during the March itself, and took more definitive shape in the industrial age in the late-nineteenth century. Sherman's March in Myth and Memory examines the emergence of various myths surrounding one of the most enduring campaigns in the annals of military history. Edward Caudill and Paul Ashdown provide a brief overview of Sherman's life and his March, but their focus is on how these myths came about—such as one description of a "60-mile wide path of destruction"—and how legends about Sherman and his campaign have served a variety of interests. Caudill and Ashdown argue that these myths have been employed by groups as disparate as those endorsing the Old South aristocracy and its "Lost Cause," and by others who saw the March as evidence of the superiority of industrialism in modern America over a retreating agrarianism. Sherman's March in Myth and Memory looks at the general's treatment in the press, among historians, on stage and screen, and in literature, from the time of the March to the present day. The authors show us the many ways in which Sherman has been portrayed in the media and popular culture, and how his devastating March has been stamped into our collective memory.
From the hills and valleys of the eastern Confederate states to the sun-drenched plains of Missouri and "Bleeding Kansas," a vicious, clandestine war was fought behind the big-battle clashes of the American Civil War. In the east, John Singleton Mosby became renowned for the daring hit-and-run tactics of his rebel horsemen. Here a relatively civilized war was fought; women and children usually left with a roof over their heads. But along the Kansas-Missouri border it was a far more brutal clash; no quarter given. William Clarke Quantrill and William "Bloody Bill" Anderson became notorious for their savagery.
The American Civil War left indelible marks on America’s imagination, collectively and as individuals. In the century and a half since the war, musicians have written songs, writers have crafted histories and literature, and filmmakers recreated scenes from the battlefield. Beyond popular media, the battle rages on during sporting events where Civil War-inspired mascots carry on old traditions. The war erupts on tabletops and computer screens as gamers fight the old fights. Elsewhere, men and women dress in uniforms and home-spun clothes to don the mantel of people long gone. Central to “history” is the idea of “story.” Civil War history remains full of stories. They inspire us, they inform us, they educate us, they entertain us. We all have our favorite books, movies, and songs. We all marvel at the spectacle of a reenactment—and flinch with startled delight when the cannons fire. But those stories can fool us, too. Entertainments can seduce us into forgetting the actual history in favor of a more romanticized version or whitewashed memory. The Civil War and Pop Culture: Favorite Stories and Fresh Perspectives from the Historians at Emerging Civil War explores some of the ways people have imagined and re-imaged the war, at the tension between history and art, and how those visions have left lasting marks on American culture. This collection of essays brings together the best scholarship from Emerging Civil War’s blog, symposia, and podcast—all of it revised and updated—coupled with original piece, designed to shed new light and insight on some of the most entertaining, nostalgic, and evocative connections we have to the war.
The fascinating life of Colonel John Singleton Mosby, the Gray Ghost, before, during, and after the Civil War. The most famous Civil War name in Northern Virginia—other than General Lee—belongs to Colonel John Singleton Mosby, the Gray Ghost. His early life characterized by abuse of childhood bullies, a less-than-outstanding academic career, and even a brief incarceration, Mosby stands out among nearly one thousand generals who served in the war. Even though Mosby was opposed to secession, he joined the Confederate army as a private in Virginia, and quickly rose through the ranks. He became celebrated for his raids that captured Union general Edwin Stoughton in Fairfax and Colonel Daniel French Dulany in Rose Hill. By 1864, he was a feared partisan guerrilla in the North and a nightmare for Union troops protecting Washington City. After the war, his support for presidential candidate Ulysses S. Grant forced Mosby to leave his native Virginia for Hong Kong as U.S. consul. A mentor to young George S. Patton, Mosby’s military legacy extended far beyond the War Between the States and into World War II. William S. Connery brings alive the many dimensions of this American hero.