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A comprehensive introduction to the faith and politics of Islam Today, 23 percent of the global population is Muslim, but ignorance and misinformation about Islam persist. In this fascinating and useful book, Perry Anderson interviews the noted scholar of Islam Suleiman Mourad about the Qurʾan and the history of the faith. Mourad elucidates the different stages in Islam’s development: the Qurʾan as scripture and the history of its codification; Muhammad and the significance of his Sunna and Hadith; the Sunni–Shiʿi split and the formation of various sects; the development of jihad; the transition to modernity and the challenges of reform; and the complexities of Islam in the modern world. He also looks at Wahhabism from its inception in the eighteenth century to its present-day position as the movement that galvanized modern Salafism and gave rise to militant Islam or jihadism. The Mosaic of Islam reveals both the richness and the fissures of the faith. It speaks of the different voices claiming to represent the religion and spans peaceful groups and manifestations as well as the bloody confrontations that disfigure the Middle East, such as the Saudi intervention in the Yemen and the collapse of Syria and Iraq.
In the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East—maps, historical images and religious scenes constituting a treasure of new testimony from antiquity. In them, Bowersock finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride.
This volume addresses the theological issues which arose when different ancient religious groups within three Abrahamic religions attempted to understand or define their opinion on the Mosaic Torah. The twelve chapters explore various instances of accepting, modifying, ignoring, criticizing, and vilifying the Mosaic Torah.
An analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasidmosaics in the Holy Land from the second century B.C.E to eighth century C.E.
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
In "Islam Unveiled," Robert Spencer dares to face the hard questions about what the Islamic religion actually teaches--and the potentially ominous implications of those teachings for the future of both the Muslim world and the West. Going beyond the shallow distinction between a "true" peaceful Islam and the "hijacked" Islam of terrorist groups, Spencer probes the Koran and Islamic traditions (as well as the history and present-day situation of the Muslim world) as part of his inquiry into why the world's fastest growing faith tends to arouse fanaticism. "Islam Unveiled" evaluates the relationship between Islamic fundamentalism and "mainstream" Islam; the fixation with violence and jihad; the reasons for Muslims' disturbing treatment of women; and devastating effects of Muslim polygamy and Islamic divorce laws. Spencer explores other daunting questions--why the human rights record of Islamic countries is so unrelievedly grim and how the root causes of this record exist in basic Muslim beliefs; why science and high culture died out in the Muslim world--and why this is a root cause of modern Muslim resentment. He evaluates what Muslims learn from the life of Muhammad, the man that Islam hails as the supreme model of human behavior. Above all, this provocative work grapples with the question that most preoccupies us today: can Islam create successful secularized societies that will coexist peacefully with the West's multicultural mosaic?
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Little is known about Arabia in the sixth century, yet from this distant time and place emerged a faith and an empire that stretched from the Iberian peninsula to India. Today, Muslims account for nearly a quarter of the global population. A renowned classicist, G. W. Bowersock seeks to illuminate this obscure and dynamic period in the history of Islam—exploring why arid Arabia proved to be such fertile ground for Muhammad’s prophetic message, and why that message spread so quickly to the wider world. The Crucible of Islam offers a compelling explanation of how one of the world’s great religions took shape. “A remarkable work of scholarship.” —Wall Street Journal “A little book of explosive originality and penetrating judgment... The joy of reading this account of the background and emergence of early Islam is the knowledge that Bowersock has built it from solid stones... A masterpiece of the historian’s craft.” —Peter Brown, New York Review of Books
A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.
After World War II, leading western powers focused their attention on fighting the "Red Menace," Communism. Today, as terrorist activity is increasingly linked to militant Islamism, some politicians and scholars fear a "Green Menace," a Pan-Islamic totalitarian movement fueled by monolithic religious ideology. Such fears have no foundation in history, according to Vartan Gregorian. In this succinct, powerful survey of Islam, Gregorian focuses on Muslim diversity and division, portraying the faith and its people as a mosaic, not a monolith. The book begins with an accessible overview of Islam's tenets, institutions, evolution, and historical role. Gregorian traces its origins and fundamental principles, from Muhammad's call to faith nearly 1,400 years ago to the defeat of the Ottoman Empire in World War I, and the subsequent abolition of the Caliphate. He focuses particular attention on the intense struggle between modernists and traditionalists, interaction between religion and nationalism, and key developments that have caused bitter divisions among Muslim nations and states: the partitions of Palestine, the break up and Islamization of Pakistan, the 1978 revolution in Iran, and the 1979 Soviet invasion of Afghanistan. Today Islamist views range across the entire spectra of religious and political thought, and Islamism is anything but a unified movement. While religious extremists have attempted to form a confederacy of like-minded radicals in many countries, much of the Muslim population lives in relatively modern, secular states. Gregorian urges Westerners to distinguish between activist Islamist parties, which promote—sometimes violently—Islam as an ideology in a theocratic state, and Islamic parties, whose traditional members want their secular political systems to co-exist with the moral principles of their religion. Gregorian emphasizes the importance of religion in today's world and urges states,societies, and intellectuals to intervene in order