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In the early 1880's dissension arose among the Muslim and Christian inhabitants of al-Karak, east of the Dead Sea. Up to that time the believers of both religions had lived peacefully together in the city. Problems arose and the Christians decicded to move. They were allowed to settle at Madaba. The government gave permission to build churches, but exclusively on those spots where churches had existed in Antiquity. The immigrants removed the debris from still partially visible foundation walls of the ancient churches. During this work they discovered in 1884 a marvelous mosaic map. It had been part of the floor of a large cathedral. The surviving fragments were roughly repaired and incorporated in the floor of the new St. George's church. It took nearly a hundred years and many admirers to have the map finally restored. This book is an introductory guide and can be a help to different kinds of people, such as visitors, students, and professors teaching first level archaeology, bible, and Umwelt. Numbers on the sketch included in the guide, refer the reader to appropriate information in the booklet. A colour reproduction of the map and a black/white sketch is included.
The map of the Holy Land reflects the religious and political outlook, as well as the scientific and aesthetic sensibilities, of the mapmakers and the society in which they lived. Thus, this 2001 Israel Museum exhibition- the first to bring together maps of the Holy Land from antiquity up until modern times- traced not only the history of cartography but also the development of religious, scientific and artistic thought over the last two millennia. The accompanying publication presents cartographic depictions by Jewish, Christian and Muslim pilgrims, scholars, clergymen, and scientists. These maps are remarkable not only for the religious and geopolitical world they draw, but also for their artistry and beauty.
Here is the first-ever English translation of the ancient Greek Onomasticon by Eusebius of Caesarea, written in the early 4th century A.D. Presented in parallel with Jerome's Latin rendering of the same work, it provides an alphabetical listing of place names mentioned in the Bible and identified by the author with contemporary sites. Accompanied by maps and indexes, this book is an indispensable tool for students and scholars alike.
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
In the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East—maps, historical images and religious scenes constituting a treasure of new testimony from antiquity. In them, Bowersock finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride.
The story of the destruction of Sodom, Gomorrah, and Jericho--three cities situated along a major fault line extending 1,100 kilometers from the Red Sea to Turkey--is the oldest such description in human history. In this book, noted geologists K.O. Emery and David Neev have revisited that story to shed light on what happened there some 4,350 years ago. With all the benefits of modern geological and forensic science techniques at their disposal, the authors explore an area where earthquakes, volcanic activity, variations in the Dead Sea's level, and oscillations between arid and wet climates have affected life there for over 10,000 years. In reviewing the geology, biblical paleogeography, and limnology of the region, the authors have produced fascinating insights into the tectonic and climatic changes that have occurred in the region over the last 6,000 years and how those changes have affected cultural life in the Middle East. The Destruction of Sodom, Gomorrah, and Jericho is the first book to combine modern science and biblical archaeology to produce an authoritative account of the of these three great cities. It will fascinate students and researchers in geology, geophysics, and archaeology alike.
The best-illustrated survey of a spectacular ancient art, now available in an affordable edition Mosaic has been called “painting for eternity,” and it is in fact one of the few arts of antiquity to survive in something like its original condition and variety. Mosaic pavements with geometric and figural motifs first appeared in Greece at the end of the fifth century BC and subsequently spread throughout the classical world, from the palaces of emperors and kings to even relatively modest private homes. Across the Mediterranean, local workshops cultivated many distinctive regional styles, while traveling teams of Hellenistic craftsmen produced figural mosaics of stunning refinement, often modeled after famous paintings; indeed, their work constitutes one of our only records of classical Greek painting, which has been almost entirely lost. The styles and techniques of the ancient mosaicist’s art are given a concise yet authoritative exposition in the first part of this handsome volume. The second, and larger, part conducts the reader on a chronologically ordered tour of the most important centers of the art form’s development, from the Macedonian capital of Pella, whose compositions in natural pebbles set a high artistic standard for mosaics at the beginning of their history, to the Basilica of San Vitale at Ravenna, whose wall and vault mosaics, with their glittering vision of a triumphant Christianity, mark the transition between antiquity and the Middle Ages. Special attention is given to Pompeii and its surroundings, where the eruption of Mount Vesuvius in AD 79 preserved intact an astonishing variety of mosaics, including such ambitious figural scenes as the famous Alexander Mosaic, composed of some four million miniscule tesserae, as well as characteristically Roman pavements in black and white, and the brightly colored wall mosaics of garden grottoes. Featuring more than 230 vibrant photographs, many newly commissioned, Greek and Roman Mosaics is the first survey of its subject to be illustrated in full color. It will be an essential visual reference for every student of classical antiquity, and a source of considerable delight for art lovers.