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Comprehensive and engaging, this colourful study covers the whole sweep of ritual history from the earliest written records to the present day. From May Day revels and Midsummer fires, to Harvest Home and Hallowe'en, to the twelve days of Christmas, Ronald Hutton takes us on a fascinating journey through the ritual year in Britain. He challenges many common assumptions about the customs of the past, and debunks many myths surrounding festivals of the present, to illuminate the history of the calendar year we live by today.
Originally published in 1983 the first edition rapidly established itself as a core student text. Now fully revised and up-dated it remains the only book to address the rationale, process, techniques and methodologies specific to the study of dance history. For the main body of the text which covers historical studies of dance in its traditional and performance contexts, the editors have brought together a team of internationally known dance historians. Roger Copeland and Deborah Jowitt each take a controversial look at the modern American dance. Kenneth Archer and Millicent Hodson explain the processes they use when reconstructing 'lost' ballets, and Theresa Buckland and Georgina Gore write on traditional dance in England and West Africa respectively. With other contributions on social dance, ballet, early European modern dance and feminist perspectives on dance history this book offers a multitude of starting points for studying dance history as well as presenting examples of dance writing at its very best. Dance History will be an essential purchase for all students of dance.
'a brilliant history' The Sunday Times 'makes for riveting reading' The Independent Modern pagan witchcraft is arguably the only fully-formed religion England has given the world, and has now spread across four continents. This second edition of The Triumph of the Moon extensively revises the first full-scale scholarly study of modern pagan witchcraft. Ronald Hutton examines the nature and development of this religion, and offers a history of attitudes to witchcraft, paganism and magic in British society since 1800. Its pages reveal village cunning folk, Victorian ritual magicians, classicists and archaeologists, leaders of woodcraft and scouting movements, Freemasons, and members of rural secret societies. We also find some of the leading figures of English literature, from the Romantic poets to W. B. Yeats, D. H. Lawrence and Robert Graves, as well as the main personalities who have represented pagan witchcraft to the public world since 1950. Thriller writers like Dennis Wheatley, and films and television programmes, get similar coverage, as does tabloid journalism. The material is by its nature often sensational, and care is taken throughout to distinguish fact from fantasy, in a manner not previously applied to most of the stories involved. Meticulously researched, The Triumph of the Moon presents an authoritative insight into an aspect of modern cultural history which has attracted sensational publicity but has hitherto been little understood. This edition incorporates new research carried out by the author as well as research by others who have been inspired by this book over the twenty years since its first publication.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
In 1941, Imperial Japan rapidly brought an end to the British Empire in Asia. Because a non-white race dared to upset the white colonialists’ status quo in Asia, the British resented the Japanese long after the war. Mr. Henry Scott-Stokes states that he held such a view as well before arriving in Japan as a foreign correspondent. Mr. Scott-Stokes writes of his transformation, of uncritical acceptance of the western colonialist’s version of the Greater East Asian War, the so-called Pacific War, to realization of its absolute vacuousness. “[The Japanese],” he states, “were supposed to simply accept, without any criticism or opposition whatsoever, the noble wisdom of civilization [the verdicts of the Tokyo Trials].” Mindless parroting of historical fabrications by modern Japanese suggests a loss of national consciousness, of what it means to be Japanese, as Yukio Mishima expressed in his discussions with Mr. Scott-Stokes. Japan lost her independence to America and is merely a protectorate and not a nation with her own culture and history. Japanese people need to take it upon themselves to change this situation. Mr. Stokes’ mother-in-law, however, wryly commented that today’s Japanese are cowards, so it will take another 200 or 300 years.
At the beginning of the 20th century Morris dancing had all but died out in much of England. It was militant suffragettes and slum girls who kick-started the revival that returned the forgotten dances of the countryside to towns and villages across the nation. As a result of their commitment to preserve and pass on the dances, the Morris survived as a living tradition that is still performed to this day. And the impetus to do so came from the women’s aspiration to change society for the better, the same impetus that drove them to militant action and to prison. The Morris revival and the militant suffrage movement were inextricably linked. The leader of the dance revival, Mary Neal, was a life-long radical campaigner for the rights of women and children. With her friend Emmeline Pethick she ran the Esperance Girls’ Club in one of London’s most deprived areas. She and Emmeline both sat on the national committee of Mrs Pankhurst’s militant Women’s Social and Political Union, the most notorious of the groups campaigning for the vote for women. The women’s embrace of traditional dance was rooted in Mary’s aspirations for equality and her commitment to social and political reform. The beginning of the dance revival and the launch of the militant suffragette campaign in London coincided almost exactly. Launched by a rather forlorn band of rebels, the WSPU grew into a movement capable of inspiring loyalty and loathing in equal measure. The Morris revival developed from an entertainment in a club for impoverished girls into a nationwide initiative. Mary and Emmeline’s associates in the dance revival ranged from young girls who worked in the militant campaign’s offices to hunger-striking daughters of the aristocracy. Mary and Emmeline provided the leadership and commitment that enabled two radical movements to flourish in the early years of the 20th century, but both found themselves marginalised after policy disagreements – with the folklorist Cecil Sharp and Mrs Pankhurst respectively - led to devastating splits in their respective organisations. Both then found themselves misrepresented and written out of the histories of movements which might never have got off the ground without them. Only in recent decades have women begun to reclaim their place in the Morris dance movement, the very existence of which is a legacy of the militant campaign for the vote.