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Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?
Featuring two previously unpublished short stories! Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?
Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini's Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It - or, better, she - was conceived of as a means to teach human anatomy without need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a beatific foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students, but also delighted the general public. Deftly crafted dissectable female wax models and slashed beauties of the world's anatomy museums and fairgrounds of the 18th and 19th centuries take centre stage in this disquieting volume. Since their creation in late 18th-century Florence, these wax women have seduced, intrigued and amazed. Today, they also confound, troubling the edges of our neat categorical divides: life and death, science and art, body and soul, effigy and pedagogy, spectacle and education, kitsch and art. Incisive commentary and captivating imagery reveal the evolution of these enigmatic sculptures from wax effigy to fetish figure and the embodiment of the uncanny.
"Witches are gathering." When most people hear the word "witches," they think of horror films and Halloween, but to the nearly one million Americans who practice Paganism today, witchcraft is a nature-worshipping, polytheistic, and very real religion. So Alex Mar discovers when she sets out to film a documentary and finds herself drawn deep into the world of present-day magic. Witches of America follows Mar on her immersive five-year trip into the occult, charting modern Paganism from its roots in 1950s England to its current American mecca in the San Francisco Bay Area; from a gathering of more than a thousand witches in the Illinois woods to the New Orleans branch of one of the world's most influential magical societies. Along the way she takes part in dozens of rituals and becomes involved with a wild array of characters. This sprawling magical community compels Mar to confront what she believes is possible--or hopes might be. With keen intelligence and wit, Mar illuminates the world of witchcraft while grappling in fresh and unexpected ways with the question underlying every faith: Why do we choose to believe in anything at all?--Adapted from book jacket.
Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?
Presents a eclectic collection of essays on death and the intersection of anatomy and medicine, including pieces on such topics as post-mortem photography, books bound in human skin, eroticized anatomical wax models, and taxidermied humans.
This horror story has a man unable to distinguish between what is real and not real in a museum and finding out in a very horrific way. Stephen King said "H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale."
An in-depth study of the variety of collections of human remains in Britain in the long nineteenth century
For centuries, humankind has sought to know itself through an understanding of the body, in sickness and in health, inside and out. This fascination left in its wake a rich body of artworks that demonstrate not only the facts of the human body, but also the ways in which our ideas about the body and its proper representation have changed over time. At times both beautiful and repulsive, illustrated anatomy continues to hold our interest today, and is frequently referenced in popular culture. Anatomica brings together some of the most striking, fascinating and bizarre artworks from the 16th through to the 20th century, exploring human anatomy in one beautiful volume.