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The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.
The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.
A recent string of popular-level books written by the New Atheists have leveled the accusation that the God of the Old Testament is nothing but a bully, a murderer, and a cosmic child abuser. This viewpoint is even making inroads into the church. How are Christians to respond to such accusations? And how are we to reconcile the seemingly disconnected natures of God portrayed in the two testaments? In this timely and readable book, apologist Paul Copan takes on some of the most vexing accusations of our time, including: God is arrogant and jealous God punishes people too harshly God is guilty of ethnic cleansing God oppresses women God endorses slavery Christianity causes violence and more Copan not only answers God's critics, he also shows how to read both the Old and New Testaments faithfully, seeing an unchanging, righteous, and loving God in both.
God has a bad reputation. Many think of God as wrathful and angry, smiting people for no apparent reason. But the story is more complicated than that. Without minimizing the sometimes harsh realities of the biblical record, David Lamb unpacks the complexity of the Old Testament and assembles an overall picture that gives coherence to our understanding of God in both Old and New Testaments.
For centuries the moral argument—that objective morality points to the existence of God—has been a powerful apologetic tool. In this volume, David and Marybeth Baggett offer a dramatic, robust, and even playful version of the moral argument, showing that it not only points to God's existence but that it also contributes to our ongoing spiritual transformation.
Creativity and Morality summarizes and integrates research on creativity used to achieve bad or immoral ends. The book includes the use of deception, novel ideas to commit wrongdoings across contexts, including in organizations, the classroom and terrorism. Morality is discussed from an individual perspective and relative to broader sociocultural norms that allow people to believe actions are justified. Chapters explore this research from an interdisciplinary perspective, including from psychology, philosophy, media studies, aesthetics and ethics. Summarizes research on creativity used for immoral purposes Identifies individual and sociocultural perspectives on morality Explores creativity in business, education, design and criminal behavior Includes research from psychology, philosophy, ethics, and more
A stunning graphic novel adaptation of Walter Dean Myers's New York Times bestseller Monster. Monster is a multi-award-winning, provocative coming-of-age story about Steve Harmon, a teenager awaiting trial for a murder and robbery. As Steve acclimates to juvenile detention and goes to trial, he envisions how his ordeal would play out on the big screen. Guy A. Sims, the acclaimed author of the Brotherman series of comic books, collaborated with his brother, the illustrator Dawud Anyabwile, in this thrilling black-and-white graphic novel adaption of Monster. Monster was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist. Monster is also now a major motion picture called All Rise starring Jennifer Hudson, Kelvin Harrison, Jr., Nas, and A$AP Rocky. Fans of Monster and of the work of Walter Dean Myers—and even kids who think they don't like to read—will devour this graphic adaptation.
About Book The book "Penny and The Monster" is a story of a girl named Penny who moves to a new house and slowly discovers there are monsters in the house. It’s a combination of horror with a touch of humor and has a moral "how one can overcome their fear." "Penny and the Monsters" is the fourth book in the short moral story series by Ridhhaan Jaiin. The first book "Once Upon In My Mind" is an anthology of 10 short moral stories and received lots of love from his friends, teachers and other readers. His second book "The Mirror and The Greedy Man" is very close to his heart as it gives a message that we should value everything and every being around us, misusing will only make you lose what you earned. The third book "The Despicable Virus" is inspired from the pandemic and is narrated from the perspective of the virus. This story concludes a moral how bad influence can negatively impact on yourself and surrounding.
Monster fables is a fairy tale story about a kindly wizard who lives in a castle and uses his magic to teach and help children who have various social and moral difficulties. It is a collection of 5 different stories, about an ice cream monster, a toy thief monster, a playground bully monster, a homeless, shy monster, and 3 class clown monsters. Each monster is actually a child that struggles with a problem related to the type of monster that they are transformed into. Near the end of the book, the wizard is revealed and his gift of a special magic potion that transforms each child is explained. The wizard's history and his personal life are explained also in the last section of the book. It was primarily influenced by Disney, and by experiences that I have had while babysitting for my sisters.
Leonardo is a terrible monster. He can't seem to frighten anyone. Then, one day, he meets a nervous boy called Sam and finds out that being a good friend is a whole lot more rewarding than trying to scare people.