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This volume brings together five translations of Aesopian fables that range from the beginning to the end of the English Renaissance. At the centre of the volume is an edition of the entirety of Arthur Golding’s manuscript translation of emblematic fables, A Morall Fabletalke (c. 1580s). By situating Golding’s text alongside William Caxton’s early printed translation from French (1485), Richard Smith’s English version of Robert Henryson’s Middle-Scots Moral Fabillis (1577), John Brinsley’s grammar school translation (1617), and John Ogilby’s politicized fables translated at the end of the English Civil War (1651), this book shows the wide-ranging forms and functions of the fable during this period.
In this new edition of the poems of Robert Henryson, David Parkinson offers editions of Henryson's Fables, The Testament of Cresseid, Orpheus and Eurydice and twelve shorter poems, grouped according to the strength of their attribution to Henryson, as well as the glosses and explanatory and textual notes characteristic of Middle English Texts Series volumes. Henryson was a prominent Scottish poet writing in the late fifteenth and early sixteenth century. This edition serves as an excellent addition to the Scots language and late medieval Scottish poetry.
For hundreds of years English people have claimed that fair play is at the core of their national identity. Jonathan Duke-Evans looks at the history of fair play in Britain from earliest times to the present, asking whether it is in fact a British, or alternatively an English, characteristic at all - and if so, whether fair play still matters today? In An English Tradition?, Jonathan Duke-Evans explores the origins of the idea of fair play, tracing it back to the classical world and the Dark Ages, and finding its genesis deep within England's social structure. Charting its early development through both the tales of chivalry and the stories of popular legend, the book shows how fair play manifested itself in literature, the law, the Christian religion, and the family. It examines the way in which fair play was conceived during the ages of slavery and empire, and it proposes a new account of the birth of modern sport in the encounter between age-old popular games and the Victorian cult of amateurism. Taking in the Scottish, Irish, and Welsh manifestations of fair play, Duke-Evans offers contrasts and comparisons from cultures all around the world, and suggests new perspectives on the relevance of fair play in the twenty-first century.
This text is a survey of Scots literary translations from the 15th to the 20th century. It argues that translation has played a central role in the development of literature in Scots, lending authority to the vernacular and extending the stylistic range open to writers in Scots.
This book is about English Literature. First part covers English literature from the AGE of Chaucer to Elizabethan Age. The book has been designed in systematic way.