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Controversial literary legend Amiri Baraka's new short story collection will shock and awe.
The prize-winning verse translation of Dante’s epic journey through hell: “splendid . . . fast-paced, idiomatic, and accurate” (Edward Hirsch, The New Yorker). This widely praised version of Dante’s masterpiece, which won the Los Angeles Times Book Prize and the Harold Morton Landon Translation Award of the Academy of American Poets, is more idiomatic and approachable than its many predecessors. Former US Poet Laureate Robert Pinsky employs slant rhyme and near rhyme to preserve Dante’s terza rima form without distorting the flow of English idiom. The result is a clear and vigorous translation that is also unique, student-friendly, and faithful to the original: “A brilliant success,” as Bernard Knox wrote in The New York Review of Books.
This book provides a recipe for healthy moral and personal transformation. Belliotti takes seriously Dante’s deepest yearnings: to guide human well-being; to elevate social and political communities; to remedy the poisons spewed by the seven capital vices; and to celebrate the connections between human self-interest, virtuous living, and spiritual salvation. By closely examining and analyzing five of Dante’s more vivid characters in hell—Piero della Vigna, Brunetto Latini, Farinata degli Uberti, Cavalcante de’ Cavalcanti, and Guido da Montefeltro—and extracting the moral lessons Dante intends them to convey, and by conceptually analyzing envy, arrogance, pride, and human flourishing, the author challenges readers to interrogate and refine their modes of living.
The guiding principle of this volume is the concept of the artes liberales, the trivium and quadrivium, as branches of learning that are rooted in Dante Alighieri’s mind. The present volume contains essays by leading international scholars on the various scientific and artistic disciplines which form the background, sources, and presence in Dante’s opus.
One of the greatest works of world literature, Dante Alighieri’s The Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until now, students of the Inferno have lacked a suitable resource to guide their reading. Welcome to Danteworlds, the first substantial guide to the Inferno in English. Guy P. Raffa takes readers on a geographic journey through Dante’s underworld circle by circle—from the Dark Wood down to the ninth circle of Hell—in much the same way Dante and Virgil proceed in their infernal descent. Each chapter—or “region”—of the book begins with a summary of the action, followed by detailed entries, significant verses, and useful study questions. The entries, based on a close examination of the poet’s biblical, classical, and medieval sources, help locate the characters and creatures Dante encounters and assist in decoding the poem’s vast array of references to religion, philosophy, history, politics, and other works of literature. Written by an established Dante scholar and tested in the fire of extensive classroom experience, Danteworlds will be heralded by readers at all levels of expertise, from students and general readers to teachers and scholars.
“A fevered and impressionistic riff on the struggles of blacks in the urban North and rural South, as told through the prism of The Inferno.” —Kirkus Reviews This 1965 novel is a remarkable narrative of childhood and youth, structured on the themes of Dante’s Inferno: violence, incontinence, fraud, and treachery. With a poet’s skill, Baraka creates the atmosphere of hell, and with dramatic power he reconstructs the brutality of the black slums of Newark, a small Southern town, and New York City. The episodes contained within the novel represent both states of mind and states of the soul—lyrical, fragmentary, and allusive. With an introduction by Woodie King Jr. “Much of the novel is an expression of the intellectual and moral lost motion of the age . . . the special agony of the American Negro.” —The New York Times Book Review “It’s a tortured nightmare, excruciatingly honest and alive, painful and beautiful . . .” —Michael Rumaker, author of A Day and a Night at the Baths
Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago. Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem. Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.