Download Free The Moon And The Zither Book in PDF and EPUB Free Download. You can read online The Moon And The Zither and write the review.

A lonely soul£¬which was placed under the care of the Lord Protector¡¯s Manor, ended up having her lover stolen by the family¡¯s eldest daughter and dying tragically the day before her wedding. Somehow, she was reborn in the family as their 14-year-old first wife¡¯s daughter, Ning Xueyan, with a startlingly familiar face. Step by step, she will ruthlessly scheme to seek revenge as well as uncover the mystery of her tragic death. Her former fiancee, the flirty crown prince and the bloodthirsty prince, will now bear witness to a vengeful Ning Xueyan becoming the peerless lady of her generation...
China's most important love comedy, Wang Shifu's Xixiangji, or The Story of the Western Wing, is a rollicking play that chronicles the adventures of the star-crossed lovers Oriole and Student Zhang. Since its appearance in the thirteenth century, it has enjoyed unparalleled popularity. The play has given rise to innumerable sequels, parodies, and rewritings; it has influenced countless later plays, short stories, and novels and has played a crucial role in the development of drama criticism. This translation of the full and complete text of the earliest extant version is available in paperback for the first time. The editors' introduction will inform students of Chinese cultural and literary traditions. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991. China's most important love comedy, Wang Shifu's Xixiangji, or The Story of the Western Wing, is a rollicking play that chronicles the adventures of the star-crossed lovers Oriole and Student Zhang. Since its appearance in the thirteenth cen
Enth.: Papers presented at the first International conference on the translation of Chinese literature held in Taipei, Nov. 19-21, 1990.
A lonely soul£¬which was placed under the care of the Lord Protector¡¯s Manor, ended up having her lover stolen by the family¡¯s eldest daughter and dying tragically the day before her wedding. Somehow, she was reborn in the family as their 14-year-old first wife¡¯s daughter, Ning Xueyan, with a startlingly familiar face. Step by step, she will ruthlessly scheme to seek revenge as well as uncover the mystery of her tragic death. Her former fiancee, the flirty crown prince and the bloodthirsty prince, will now bear witness to a vengeful Ning Xueyan becoming the peerless lady of her generation...
Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included.--amazon.com.
Fujiwara Teika is known as the premier poet and literary scholar of the early 13th century. It is not so widely known that he also tried his hand at fiction: Mumyōzōshi (Untitled Leaves; ca. 1201) refers to “several works” by Teika and then names Matsura no miya monogatari (The Tale of Matsura; ca. 1190) as the only one that can be considered successful. The work is here translated in full, with annotation. Set in the pre-Nara period, The Tale of Matsura is the story of a young Japanese courtier, Ujitada, who is sent to China with an embassy and has a number of supernatural experiences while there. Affairs of the heart dominate The Tale of Matsura, as is standard for courtly tales. Several of its other features break the usual mold, however: its time and setting; the military episode that would seem to belong instead in a war tale; scenes depicting the sovereign’s daily audiences, in which formal court business is conducted; a substantial degree of specificity in referring to things Chinese; a heavy reliance on fantastic and supernatural elements; an obvious effort to avoid imitating The Tale of Genji as other late-Heian tales had done; and a most inventive ending. The discussion in the introduction briefly touches upon each of these features, and then focuses at some length on how characteristics associated with the poetic ideal of yōen inform the tale. Evidence relating to the date and authorship of the tale is explored in two appendixes.
At the peak of the Yellow Mountain, the devil was reborn; on the banks of the Karas Lake, the mysterious master manipulated the devil; in the distant skies, the Heavenly Wolf Lady and the Dark King descended, entangling each other for countless years. the Great Song and Mongolia, the two strongest forces in the north and south, battled endlessly from the martial arts world to the temple.
This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
The young instructor of the special forces, Long Tian Yu, had participated in protecting a treasure unearthed from the Mystical Royal Tomb, and accidentally went through time and space, arriving at the end of the Qin Dynasty. At this time, the Great Qin Empire was already in a state of turmoil, with dragons and snakes rising from the ground, metal horses rising from the ground, and wolves smoking everywhere.
This book is an Introduction to Tang Dynasty Poet Li He Chang-ji, with English Translations of The Chinese Songs and Ballads of Li He Chang-ji. An American Female paying an Homage to a Chinese Tang Dynasty Poet. With an introduction to Han Yu included. A few illustrations are within this charming, First Edition, alphabetized book, which will capture your heart and soul. NOT A TRANSLATION but an introduction to a most interesting poet.