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The violent history of colonialism has plagued the American psyche for centuries. Some ghosts, however, are never laid to rest. When the Pequot Indians, exterminated by the white man in 1637, return to modern-day Connecticut to exact revenge upon the white man and his former allies, the Mohegan Indians, a violent supernatural confrontation erupts. A beautiful summer's day in the small village of Moodus is suddenly disrupted when a local man is discovered not only dead, but scalped; two others have been killed by arrows—all with white whales painted on their foreheads. Meanwhile, Sarah Gates and Rob Chapman, precocious teenagers with an eye for mischief, are searching for caves on Cave Mountain when they see something incredulous: a tall Indian carrying a tomahawk and bow and arrow. His face is covered in war paint and his eyes look dead below his Mohawk. Thinking no one will believe them, the youths decide to investigate on their own. But they soon find themselves involved in a war and moral travesty that stretches well beyond the limits of their experience or imagination. Moodus Noises is a fast-paced, compelling work of fantasy that questions modern reality and is also a poignant critical commentary on our nation, its history, and the repercussions of what it means to be both an American and a human being.
"It may seem like clambakes, the Red Sox, and the Patriots define New England, but boy did the Pilgrims land in one very strange spot! These six states are filled with odd curiosities and bizarre legends, such as the elusive Vermont hum, the hibernating hill folk, hillside whale tales, and the Holy Land (yes, you read that right). Tongue-in-cheek and filled with dry wit, this is a journey you'll not soon forget."--P. [4] of cover.
Eerie occurrences, spooky events, unsolved mysteries, and terrifying specters haunt Connecticut. Tales ofBlood-thirsty dolls, haunted lighthouses and a phantom plane crash tingle the spine of travelers to Haunted Connecticut. Connecticut is known for haunted islands; phantom ships, trains, and planes; sightings of UFOs, aliens, and real men in black (MIB); and encounters with Bigfoot and evil black dogs.There have been plenty of strange atmospheric anomalies, such as Connecticut’s Dark Day; solid clouds that came crashing down from the sky in the Litchfield Hills in 1758; the Moodus Noises, which have yet to be fully understood; and Notch Hollow near Bolton, where car windows fog over for no apparent reason while passing an abandoned railroad track. Indeed, the stories in this book, covering the whole spectrum of the supernatural, are fun to read in a satisfyingly spooky kind of way.
Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrète Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses.
Many American legends have Celtic origins. Each chapter in this fascinating book presents a Celtic myth and a similar American one. Celtic immigrants brought these legends to all regions of the U.S. Old-world mythology morphs into New World folklore. Curran recounts America's oldest legends and traces their origins to the Celtic mythology of Ireland, Scotland, and Wales, presenting a similar old-world tale alongside each American version. Once transported to America, the original Celtic tales evolved to assimilate the new population's geographic, social, and religious customs, weaving their way into the fabric of American folk history.
In a series of entertaining essays, geoscientist Jelle Zeilinga de Boer describes how early settlers discovered and exploited Connecticut's natural resources. Their successes as well as failures form the very basis of the state's history: Chatham's gold played a role in the acquisition of its Charter, and Middletown's lead helped the colony gain its freedom during the Revolution. Fertile soils in the Central Valley fueled the state's development into an agricultural power house, and iron ores discovered in the western highlands helped trigger its manufacturing eminence. The Statue of Liberty, a quintessential symbol of America, rests on Connecticut's Stony Creek granite. Geology not only shaped the state's physical landscape, but also provided an economic base and played a cultural role by inspiring folklore, paintings, and poems. Illuminated by 50 illustrations and 12 color plates, Stories in Stone describes the marvel of Connecticut's geologic diversity and also recounts the impact of past climates, earthquakes, and meteorites on the lives of the people who made Connecticut their home.
The past few decades have witnessed the growth of the Earth Sciences in the pursuit of knowledge and understanding of the planet that we live on. This development addresses the challenging endeavor to enrich human lives with the bounties of Nature as well as to preserve the planet for the generations to come. Solid Earth Geophysics aspires to define and quantify the internal structure and processes of the Earth in terms of the principles of physics and forms the intrinsic framework, which other allied disciplines utilize for more specific investigations. The first edition of the Encyclopedia of Solid Earth Geophysics was published in 1989 by Van Nostrand Reinhold publishing company. More than two decades later, this new volume, edited by Prof. Harsh K. Gupta, represents a thoroughly revised and expanded reference work. It brings together more than 200 articles covering established and new concepts of Geophysics across the various sub-disciplines such as Gravity, Geodesy, Geomagnetism, Seismology, Seismics, Deep Earth Processes, Plate Tectonics, Thermal Domains, Computational Methods, etc. in a systematic and consistent format and standard. It is an authoritative and current reference source with extraordinary width of scope. It draws its unique strength from the expert contributions of editors and authors across the globe. It is designed to serve as a valuable and cherished source of information for current and future generations of professionals.
A collection of folktales from different regions of the United States.