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A guide to the Nubian Monuments with an introduction to the history and culture of Nubia during the pharaonic period
The launching of this hitherto unpublished book by the great nineteenth-century British traveler Edward William Lane (1801-76), a name known to almost everyone in all the many fields of Middle East studies, is a major publishing event. Lane was the author of a number of highly influential works: An Account of the Manners and Customs of the Modern Egyptians (1836), his translation of The Thousand and One Nights (1839-41), Selections from the Kur-an (1843), and the Arabic-English Lexicon (1863-93). Yet one of his greatest works was never published: after years of labor and despite an enthusiastic reception by the publishing firm of John Murray in 1831, publication of his first book, Description of Egypt, was delayed and eventually dropped, mainly for financial reasons. The manuscript was sold to the British Library by Lane's widow in 1891, and has only now been salvaged for publication by Dr. Jason Thompson, nearly 170 years after its completion. This enormously important book, which takes the form of a journey through Egypt from north to south, with descriptions of all the ancient monuments and contemporary life that Lane explored along the way, will be of immense interest to both ancient and modern historians of Egypt, and will become an essential companion to his Manners and Customs. ''Jason Thompson's exact and dedicated edition deserves much praise.''-Astene Newsletter, June 2002. ''Thompson, a historian at AUC, has done signal service in taking a manuscript dating from 1831 and preparing it for publication so many years later; AUC Press deserves praise for making so major a work available, and at so reasonable a price.''-Daniel Pipes, Middle East Quarterly, June 2001. ''In all, the appearance of this major work of scholarship at this late date is a major boon to the study of Egypt's history between the pharaohs and 18280.''-Daniel Pipes, Middle East Quarterly, June 2001.
Following the Napoleonic military campaign in Egypt (1798-1801), Europe rediscovered the ancient Egyptian civilization, and later expeditions deepened and amplified knowledge of the country's archaeological monuments, giving birth to a new science, Egyptology, which is still very active. In 1828, Charles X of France and Grand Duke Leopold II of Tuscany financed the first international scientific expedition to Egypt, the aim of which was to explore the historic monuments of the country. Unlike the Napoleonic Commission, the Franco-Tuscan expedition was able to take advantage of the understanding of hieroglyphic script and therefore examine the antiquities more systematically. The leaders of the expedition were Jean-François Champollion, the man who deciphered the hieroglyphs using the Rosetta Stone, and Ippolito Rosellini. Born in Pisa in 1800, Rosellini was noted for his study of the monuments, deciphering of the hieroglyphs and, above all, for his contribution to science in the form of his illustrated work, The Monuments of Egypt and Nubia. This volume recounts the era of early Egyptology at the start of the nineteenth century, and presents the most beautiful plates from Rosellini's original work made following the long expedition.
The volume will interest specialists as well as a wider public concerned with Egyptology."--BOOK JACKET.
Collected Studies CS1070 The present book collects 31 articles that Jacques van der Vliet, a leading scholar in the field of Coptic Studies (Leiden University / Radboud University, Nijmegen), has published since 1999 on Christian inscriptions from Egypt and Nubia. These inscriptions are dated between the third/fourth and the fourteenth centuries, and are often written in Coptic and/or Greek, once in Latin, and sometimes (partly) in Arabic, Syriac or Old Nubian. They include inscriptions on tomb stones, walls of religious buildings, tools, vessels, furniture, amulets and even texts on luxury garments. Whereas earlier scholars in the field of Coptic Studies often focused on either Coptic or Greek, Van der Vliet argues that inscriptions in different languages that appear in the same space or on the same kind of objects should be examined together. In addition, he aims to combine the information from documentary texts, archaeological remains and inscriptions, in order to reconstruct the economic, social and religious life of monastic or civil communities. He practiced this methodology in his studies on the Fayum, Wadi al-Natrun, Sohag, Western Thebes and the region of Aswan and Northern Nubia, which are all included in this book.
Numerous research projects have studied the Nubian cultures of Sudan and Egypt over the last thirty years, leading to significant new insights. The contributions to this handbook illuminate our current understanding of the cultural history of this fascinating region, including its interconnections to the natural world.
The cultures of Nubia built the earliest cities, states, and empires of inner Africa, but they remain relatively poorly known outside their modern descendants and the community of archaeologists, historians, and art historians researching them. The earliest archaeological work in Nubia was motivated by the region's role as neighbor, trade partner, and enemy of ancient Egypt. Increasingly, however, ancient Nile-based Nubian cultures are recognized in their own right as the earliest complex societies in inner Africa. As agro-pastoral cultures, Nubian settlement, economy, political organization, and religious ideologies were often organized differently from those of the urban, bureaucratic, and predominantly agricultural states of Egypt and the ancient Near East. Nubian societies are thus of great interest in comparative study, and are also recognized for their broader impact on the histories of the eastern Mediterranean and the Near East. The Oxford Handbook of Ancient Nubia brings together chapters by an international group of scholars on a wide variety of topics that relate to the history and archaeology of the region. After important introductory chapters on the history of research in Nubia and on its climate and physical environment, the largest part of the volume focuses on the sequence of cultures that lead almost to the present day. Several cross-cutting themes are woven through these chapters, including essays on desert cultures and on Nubians in Egypt. Eleven final chapters synthesize subjects across all historical phases, including gender and the body, economy and trade, landscape archaeology, iron working, and stone quarrying.
Egyptologist Jack A. Josephson, a writer and researcher in the tradition of the gentleman scholar, has achieved broad recognition as an authority in Egyptian art history. His lucid investigative analyses have probed and redefined the limits of inquiry, expanded research parameters, and broadened perspectives, emphasizing the undeniable contributions of art history in an intra-disciplinary framework. This volume of collected essays is dedicated to Josephson by distinguished friends and colleagues, a select roster including eminent, established scholars in the field of Egyptology and rising stars of the younger generation. Josephson views Egyptian art history as a critical but neglected area of study, and is a strong proponent of its reinstatement in the academic curriculum as an essential component in the formation of new cadres. The quality of the articles in this Egyptological medley is a tribute to the honoree and an affirmation of the esteem of his peers, while the range of subjects and variety of themes addressed reflect the degree to which he has, in his own scholarship, undertaken to implement his ideal.
Ancient Nubia was home to a series of civilizations between the sixth millennium BCE and 350 CE that produced towering monuments, including more pyramids than in neighboring Egypt, and artifacts of enduring beauty and significance. Nubia's trade network reached across the Mediterranean and far into Africa. At the time that Nubian kings conquered Egypt, in the middle of the eighth century BCE, they controlled one of the largest empires of the ancient world. The Museum of Fine Arts, Boston, has the most extensive and important collection of ancient Nubian art outside of Khartoum, mostly gathered during the pioneering Harvard University-Boston Museum of Fine Arts Expedition in the first half of the 20th century. The objects highlighted in this volume include refined early ceramics, monumental statues and relief carvings made for royal pyramids, exquisite gold and enamel jewelry, playful decorations for furniture and clothing, and luxury goods traded from around the Mediterranean world.
"Ancient Nubia ... will introduce you to the peoples and culture of the ancient land of Nubia. A civilization sometimes threatened by, but more often competitive with, its more powerful northern neighbor, Egypt. Ancient Nubia had an identitiy and a diversity of tradition that is extraordinary to investigate."--Cover.