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This study treats the entire corpus of stone and wood monuments from the Maya site of Tikal and lesser periphery locations. Each description includes details of provenience and condition. Every carved surface is illustrated by a standardized scale drawing, supplemented in almost every case by photographs.
This report is integral and pivotal to the entire Tikal publications series. Produced in six separate casebound volumes (3 of text, 2 of illustrations, a map box for oversize plans and sections), this monumental study looks at the very hub of Tikal. Tikal Report 14 is a tribute to its author, William R. Coe, who not only was able to salvage Tikal from the jungle but meticulously recorded all the resulting data in detailed plans, sections, drawings, and photographs, as well as the written word. This is an integrated site report of unprecedented size and scope. Tikal Report 14 will be of vital interest to field archaeologists and historians studying aspects of Mesoamerican culture. University Museum Monograph, 61
This volume offers a full review of the work of the Tikal Project of the University of Pennsylvania Museum of Archaeology and Anthropology. Topics include initial motivations and theoretical concerns, procedures and standards used in excavation, a complete inventory of all excavations undertaken, a list of anticipated publications, and a Project bibliography.
Copán, one of the most important Classic Maya sites, is renowned for the artistry of its high-relief stelae and altars and for the wealth of detail on its freestanding and architectural sculpture. In Maya Sculpture of Copán: The Iconography, internationally known Mayanist Claude-François Baudez provides a masterful survey of these elaborate and intriguing carved images. In Part I, Baudez identifies and deciphers the specific motifs on each monument and shows how the elements were combined to produce meaningful iconographic messages. The architectural sculpture expresses the meaning and function of the buildings and complexes, many designed to represent the sky, earth, and underworld and to serve as stages for rituals. Photographs and drawings clarify the intricate forms. Part II relates the iconography to the religion and politics of the city-state. Baudez traces the evolution of the motifs in relation to the history of Copán and the multiple functions of the king—his cosmic role, the continuous reference to his ancestors, and the dynastic cycles. Sacrifice—bloodletting by the king and the sacrifice of captives—is of paramount importance. Growth and rebirth required constant offerings of blood to the earth and to the sun, to ensure its rebirth at dawn after its nocturnal journey through the underworld. The monuments give a coherent picture of Maya cosmology.
Established in 1887, the University of Pennsylvania Museum of Archaeology and Anthropology is one of the oldest institutions of its kind in the nation. With quotations from letters, journals, and field notes, and numerous archival photographs, this handsome, oversized volume is not only a history of an influential institution but an important contribution to the history of archaeological and anthropological research.
The contents of this issue are: “Between Creation and Destruction,” by Finbarr Barry Flood and Zoë Sara Strother; “People Have Three Eyes: Ephemeral Art and the Archive in Southeastern Nigeria,” by Sarah Adams; “Beyond Monument Lies Empire: Mapping Songhay Space in Tenth- to Sixteenth-Century West Africa,” by Kristina Van Dyke; “Censorship and Iconoclasm—Unsettling Monuments,” by John Peffer; “Recycling Icons and Bodies in Chinese Anti-Buddhist Persecutions,” by Eric Reinders; “Modifications of Ancient Maya Sculpture,” by Bryan R. Just; “Roman Oscilla: An Assessment,” by Rabun Taylor; “Turning Tale into Vision: Time and Image in the Divina Commedia,” by Gervase Rosser; “Building outside Time in Alberti’s De re aedificatoria,” by Marvin Trachtenberg; and “Restoration as Re-creation at the Sainte-Chapelle,” by Meredith Cohen; and the documents and discussions “The Constitution of Pleasure: François-Joseph Belanger and the Chateau de Bagatelle,” by Taha Al-Douri; “Composing Vinteuil: Proust’s Unheard Music,” by Mauro Carbone; “Diskotel 1967: Israel and the Western Wall in the Aftermath of the Six Day War,” by Daniel Bertrand Monk; “The ‘Kulturbolschewiken’ I: Fluxus, the Abolition of Art, the Soviet Union, and ‘Pure Amusement,’” by Cuauhtémoc Medina; and “Aby Warburg in America Again: With an Edition of His Unpublished Correspondence with Edwin R. A. Seligman (1927–1928),” by Davide Stimilli.
The Great Maya center of Tikal in Guatemala is famous for its well-preserved architecture. This book presents detailed descriptions of a selection of unexcavated standing structures in the forests around the site center that complement the Museum's Architectural Survey conducted from 1960 to 1970. The survey produced measured drawings—plans, sections, elevations, and details—supplemented by descriptive text and quantitative tables for each structure. All structures are vaulted, and some are major works. TR 23 A is the primary record of important parts of Tikal's urban landscape, with clear, precise, and usable architectural analyses for Mayanists, archaeologists, art historians, architectural historians, urbanists, and those interested in construction techniques and in uses of Maya buildings. University Museum Monograph, 114