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The Montana Cree is a study of religion as a sustaining force in American Indian life. On the small Rocky Boy reservation in northern Montana, the Cree Indians provide an example of how a people transplanted and persecuted throughout their history can maintain and develop a tribal identity and unity through the continuance of their religious values. As the adopted son of Mose Michelle, a hereditary Pend O’Reille chief, Verne Dusenberry moved easily within Indian circles as an accepted participant-observer in many religious ceremonies. His ethnographic study provides detailed descriptions of ceremonies - the Shaking Tent, Ghost Dance, and Sun Dance - which are seldom accurately described elsewhere.
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They know who they are. Of predominantly Chippewa, Cree, French, and Scottish descent, the Métis people have flourished as a distinct ethnic group in Canada and the northwestern United States for nearly two hundred years. Yet their Métis identity is often ignored or misunderstood in the United States. Unlike their counterparts in Canada, the U.S. Métis have never received federal recognition. In fact, their very identity has been questioned. In this rich examination of a Métis community—the first book-length work to focus on the Montana Métis—Martha Harroun Foster combines social, political, and economic analysis to show how its people have adapted to changing conditions while retaining a strong sense of their own unique culture and traditions. Despite overwhelming obstacles, the Métis have used the bonds of kinship and common history to strengthen and build their community. As Foster carefully traces the lineage of Métis families from the Spring Creek area, she shows how the people retained their sense of communal identity. She traces the common threads linking diverse Métis communities throughout Montana and lends insight into the nature of Métis identity in general. And in raising basic questions about the nature of ethnicity, this pathbreaking work speaks to the difficulties of ethnic identification encountered by all peoples of mixed descent.
150 colorful photos and a chapter on each of Montana's reservations give readers a complete view of each of the ten tribes, past, present and future.
Winner, 2019 Spur Award for Best Historical Nonfiction Book, sponsored by Western Writers of America In Native but Foreign, historian Brenden W. Rensink presents an innovative comparison of indigenous peoples who traversed North American borders in the nineteenth and twentieth centuries, examining Crees and Chippewas, who crossed the border from Canada into Montana, and Yaquis from Mexico who migrated into Arizona. The resulting history questions how opposing national borders affect and react differently to Native identity and offers new insights into what it has meant to be “indigenous” or an “immigrant.” Rensink’s findings counter a prevailing theme in histories of the American West—namely, that the East was the center that dictated policy to the western periphery. On the contrary, Rensink employs experiences of the Yaquis, Crees, and Chippewas to depict Arizona and Montana as an active and mercurial blend of local political, economic, and social interests pushing back against and even reshaping broader federal policy. Rensink argues that as immediate forces in the borderlands molded the formation of federal policy, these Native groups moved from being categorized as political refugees to being cast as illegal immigrants, subject to deportation or segregation; in both cases, this legal transition was turbulent. Despite continued staunch opposition, Crees, Chippewas, and Yaquis gained legal and permanent settlements in the United States and successfully broke free of imposed transnational identities. Accompanying the thought-provoking text, a vast guide to archival sources across states, provinces, and countries is included to aid future scholarship. Native but Foreign is an essential work for scholars of immigration, indigenous peoples, and borderlands studies.
Hope is hard to come by in the hard-luck town of Willow Creek. Sam Pickett and five young men are about to change that. Sam Pickett never expected to settle in this dried-up shell of a town on the western edge of the world. He's come here to hide from the violence and madness that have shattered his life, but what he finds is what he least expects. There's a spirit that endures in Willow Creek, Montana. It seems that every inhabitant of this forgotten outpost has a story, a reason for taking a detour to this place--or a reason for staying. As the coach of the hapless high school basketball team (zero wins, ninety-three losses), Sam can't help but be moved by the bravery he witnesses in the everyday lives of people--including his own young players--bearing their sorrows and broken dreams. How do they carry on, believing in a future that seems to be based on the flimsiest of promises? Drawing on the strength of the boys on the team, sharing the hope they display despite insurmountable odds, Sam finally begins to see a future worth living. Author Stanley Gordon West has filled the town of Willow Creek with characters so vividly cast that they become real as relatives, and their stories--so full of humor and passion, loss and determination--illuminate a path into the human heart.
A “plain-spoken, deep-thinking Montana cattle inspector” takes on a serial killer in DC (The New York Times Book Review). With misgivings, cattle inspector and sometime deputy Gabriel Du Pré has left his hometown of Toussaint, Montana, for big-city Washington, DC, where the Métis Indian fiddler has agreed to play his people’s music for a Smithsonian festival. But like the frightened and confused horse galloping wildly down the National Mall, Du Pré is very much out of his element. He does know how to catch and calm a runaway horse, however. If only catching a killer could be so simple. When a Cree woman from Canada who came to sing in the festival is found murdered, her death is just the first in a series of fatal attacks on Native Americans. Each killing is foretold by a shaman, and each time a primitive weapon is used. As the body count rises, Du Pré fears he might be the serial killer’s ultimate target. New York Times–bestselling author Ridley Pearson says about Peter Bowen’s Montana mysteries: “The best of Tony Hillerman meets Zane Grey . . . Du Pré is a character of legendary proportions.” And Booklist calls Gabriel Du Pré “one of the most unusual characters working the fictional homicide beat.” Specimen Song is the 2nd book in The Montana Mysteries Featuring Gabriel Du Pré series, but you may enjoy reading the series in any order.