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Monogram Pictures Corporation, one of several famed "poverty row" studios, produced over 700 feature films--cheap, often inept, frequently forgettable, but so inexpensive profit was unavoidable. The Bowery Boys and Charlie Chan series were extremely popular. This, the first such reference book, corrects errors in other sources while giving movie titles, casts, credits, plot synopses, running times, release dates, alternate and remake titles.
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
"In this detailed biography, Marshall chronicles Beaudine's swift rise through the ranks, his triumph as one of the most successful directors of British comedies, accumulation and loss of personal fortunes, and prolific work in television. William Beaudine: From Silents to Television also corrects much misinformation that has been written about the director. With the most complete list of his directorial credits to date, this volume serves as the ultimate authority on Beaudine's life and career."--Jacket.
The New Historical Dictionary of the American Film Industry is a completely revised and updated edition of Anthony Slide's The American Film Industry, originally published in 1986 and recipient of the American Library Association's Outstanding Reference Book award for that year. More than 200 new entries have been added, and all original entries have been updated; each entry is followed by a short bibliography. As its predecessor, the new dictionary is unique in that it is not a who's who of the industry, but rather a what's what: a dictionary of producing and releasing companies, technical innovations, industry terms, studios, genres, color systems, institutions and organizations, etc. More than 800 entries include everything from Academy of Motion Pictures Arts and Sciences to Zoom Lens, from Astoria Studios to Zoetrope. Outstanding Reference Source - American Library Association
"John Wayne remains a constant in American popular culture. Middle America grew up with him in the late 1920s and 1930s, went to war with him in the 1940s, matured with him in the 1950s, and kept the faith with him in the 1960s and 1970s. . . . In his person and in the persona he so carefully constructed, middle America saw itself, its past, and its future. John Wayne was his country’s alter ego." Thus begins John Wayne: American, a biography bursting with vitality and revealing the changing scene in Hollywood and America from the Great Depression through the Vietnam War. During a long movie career, John Wayne defined the role of the cowboy and soldier, the gruff man of decency, the hero who prevailed when the chips were down. But who was he, really? Here is the first substantive, serious view of a contradictory private and public figure.
From the late 1940's through the early 1970's, local TV stations created a golden age of children's television. These programs were rich in imagination, inventiveness, and devoted fans. This book tells the back stories and details of the special Chicago children's programming created during this period.
This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress. This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.
On the Western Front in World War I, a generation faced a horrifying reality that ushered in the modern age. But in the previous century, many of the fears we still face were first given form in the pages of popular fiction. Books such as Frankenstein, Dr. Jekyll and Mr. Hyde, and Dracula became modern myths because they gave people a safe way to confront modern fears also taking shape at that time. By looking at such varied subjects as Victorian architecture, urban crime, women's rights, and the impact of new technology, we can come to understand the peculiar relationship between horror in literature and the horror of daily life. World War I made it clear that the images of horror in popular fiction had not been an escape from the world around us, but a way of seeing deeper into it, as well as revealing the shape of things to come.
Mickey Rooney is a cinematic icon whose career lasted from the silent era into the twenty-first century. From the shorts he made as Mickey McGuire to supporting roles in such films as Night at the Museum, Rooney had more than 300 film appearances to his credit. Mickey Rooney was not just a movie star, he was the most popular film performer for several years in a row in the 1930s. In addition to his four Academy Award nominations, Rooney received two special Oscars, including an honorary award for his variety of memorable performances spanning several decades. In The Essential Mickey Rooney, James L. Neibaur examines more than sixty feature films in which the actor appeared, from starring roles in Boys Town, Babes in Arms, and The Human Comedy to acclaimed supporting performances in The Bold and the Brave and The Black Stallion. In addition to familiar works like the Andy Hardy comedies or musicals opposite Judy Garland, lesser known films like Quicksand and Drive a Crooked Road are discussed as examples of the masterful performances he offered again and again. An actor of rare talent and unrestrained exuberance, Rooney appeared so often on film that it probably is impossible to view every performance of his career—one that lasted longer than any other actor in Hollywood. While minor roles are not discussed here, all of his vintage works are, making The Essential Mickey Rooney an indispensable resource for anyone wanting to learn more about the best work of this film icon.
Best known for his television series "Perry Mason" and "Ironside," Burr had a career spanning over fifty years. His life is meticulously documented here, including movie roles in such Hollywood productions as Rear Window and Key to the City, and other work in television. Also discussed are his family, Fiji Island home, work in Canadian films, and trips to Korea and Vietnam to entertain American troops. The appendices include a complete episode guide to the "Perry Mason" series.