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In the West, monastic ideals and scholastic pursuits are complementary; monks are popularly imagined copying classics, preserving learning through the Middle Ages, and establishing the first universities. But this dual identity is not without its contradictions. While monasticism emphasizes the virtues of poverty, chastity, and humility, the scholar, by contrast, requires expensive infrastructure—a library, a workplace, and the means of disseminating his work. In The Monk and the Book, Megan Hale Williams argues that Saint Jerome was the first to represent biblical study as a mode of asceticism appropriate for an inhabitant of a Christian monastery, thus pioneering the enduring linkage of monastic identities and institutions with scholarship. Revisiting Jerome with the analytical tools of recent cultural history—including the work of Bourdieu, Foucault, and Roger Chartier—Williams proposes new interpretations that remove obstacles to understanding the life and legacy of the saint. Examining issues such as the construction of Jerome’s literary persona, the form and contents of his library, and the intellectual framework of his commentaries, Williams shows that Jerome’s textual and exegetical work on the Hebrew scriptures helped to construct a new culture of learning. This fusion of the identities of scholar and monk, Williams shows, continues to reverberate in the culture of the modern university. "[Williams] has written a fascinating study, which provides a series of striking insights into the career of one of the most colorful and influential figures in Christian antiquity. Jerome's Latin Bible would become the foundational text for the intellectual development of the West, providing words for the deepest aspirations and most intensely held convictions of an entire civilization. Williams's book does much to illumine the circumstances in which that fundamental text was produced, and reminds us that great ideas, like great people, have particular origins, and their own complex settings."—Eamon Duffy, New York Review of Books
Reprint of the original, first published in 1872.
Space has always played a crucial part in defining the place that monks and nuns occupy in the world. Even during the first centuries of the monastic phenomenon, when the possible varieties of monastic practice were nearly infinite, there was a common thread in the need to differentiate the monk from the rest: whatever else they were supposed to be, monks were beings apart, unique, in some sense separate from the mainstream. The physical contours of monastic topographies, natural and constructed, are thus fundamental to an understanding of how early monks went about defining the parameters of their everyday lives, their modes of religious observance, and their interactions with the larger world around them. The group of eminent historians and archaeologists present at the American Academy in Rome in March, 2007 for the conference 'Western monasticism ante litteram. The spaces of early monastic observance, ' whose contributions comprise the bulk of this volume, have sought to reconsider the theory, the practice and above all the spaces of early monasticism in the West, in the hope of creating a more complete picture of that seminal period, from the fourth century until the ninth, when notions of what it meant to be a monk were as numerous as they were varied and (often) conflicting
Monasticism, in all of its variations, was a feature of almost every landscape in the medieval West. So ubiquitous were religious women and men throughout the Middle Ages that all medievalists encounter monasticism in their intellectual worlds. While there is enormous interest in medieval monasticism among Anglophone scholars, language is often a barrier to accessing some of the most important and groundbreaking research emerging from Europe. The Cambridge History of Medieval Monasticism in the Latin West offers a comprehensive treatment of medieval monasticism, from Late Antiquity to the end of the Middle Ages. The essays, specially commissioned for this volume and written by an international team of scholars, with contributors from Australia, Belgium, Canada, England, France, Germany, Italy, the Netherlands, Spain, Switzerland, and the United States, cover a range of topics and themes and represent the most up-to-date discoveries on this topic.
The Monks of the West, from St. Benedict to St. Bernard: book IV. St. Benedict. book V. St. Gregory the Great. Monastic Italy and Spain in the sixth and seventh centuries. book VI. The monks under the first Merovingians. book VII. St. Columbanus. The Irish in Gaul and the colonies of Luxeuil.
The author of this slender but profound book, a Cistercian monk, discovered as a young man the work of his fellow countryman Ren Gunon, whose writings introduced him to genuine metaphysical doctrine and to possibilities of spiritual realization. This discovery marked him indelibly, and he resolved to follow a monastic path in order to be free for the 'one thing needful'. The word Advaita, which designates Vedantic non-dualism, is Sanskrit for 'non-dual' or 'not two'; but the doctrine itself is by no means exclusively Hindu, being present in Buddhism, Islam, Taoism, and Judaism. In Christianity it has always been more implicit, though explicit with writers such as Dionysius the Areopagite, Eriugena, Eckhart, and even Dante. The great merit of this work by 'a Monk of the West' is that it shows that non-dualism is neither pantheism nor monism, and that there is no incompatibility between orthodox Christian doctrine and the strictest understanding of non-dualism in the Advaita Vedanta. The implication is that non-dualism can again find expression within a Christian ambiance. The cover design helps clarify this. In the background is the Omkara, the sacred monosyllable of Hinduism, considered the most funadamental of affirmations. In the foreground is the Christian symbol of the Chi-Rho, chrismon, or labarum, consisting of the first two letters-chi (X) and rho (P)-of the Greek Christos, XRISTOS. This figure is intrinsically three-dimensional but is usually projected onto a plane surface. The cruciform Greek letter chi (X) is placed horizontally within a circle; it measures the parameters of a given world. The rho intersects the chi at its center and is placed vertically to represent the axis mundi or world tree. The loop at the top of the rho represents the Supernal Sun at the summit of the world tree, from which all possibilities of creation proceed and to which they return. There can be no essential, but only an apparent, incompatibiity between the Universe and any of its constituent parts; all derive from a unique and common Principle. Similarly, there be be no essential conflict between the Chi-Rho representing a given world and the Omkara which represents all worlds, the entire Universe, notwithstanding the differing degrees of universality. Christianity and the Doctrine of Non-Dualism offers one approach to this doctrine and to the greatest possible spiritual / intellectual adventure that is implied.