Download Free The Monkey And The Maize Book in PDF and EPUB Free Download. You can read online The Monkey And The Maize and write the review.

An allegorical tale that teaches core lifetime and business management principles through the life story of a monkey named Pete. Meet Pete. As a young monkey growing up on the safe side of The Hedge, he longs for adventure, fame, and fortune, and eventually leaves the security of his home to explore new horizons. Along the way, Pete becomes a husband, a father, and a business leader. New communities, characters and experiences present opportunities to learn management and life skills. Pete eventually reaches The City and is tasked with managing the critical shortage of The City’s primary resource. Pete is sent on a risky journey to find more resources and uncovers impending catastrophe heading toward his home community and The City. All of Pete’s leadership skills are tested as he races to save his family, his community, and even his foes from certain destruction. The Monkey and the Maize is a fictional story with core messages about leadership, management, community and integrity that span multiple life roles—from a young couple learning how to be good parents to a first-time manager learning how to lead to a corporate CEO who wants to continue to grow. The five roots of life—Faith, Family, Fellowship, Food [Work], and Forgiveness—are woven throughout this tale providing its firm foundation. “Mr. Marble hasn’t just penned another book on leadership. At the core, he brilliantly describes a journey that is both relatable yet inspiring. The Monkey and the Maize will create a moment of self-reflection and awareness for its readers by being real, not superficially didactic.” —Dave Kipe, Chief Operating Officer, Majestic Steel USA
This remarkable study explores the use of the visual and performing arts to promote nonviolence and social harmony in sub-Saharan Africa. It focuses on Gelede, a popular community festival of masquerade, dance, and song, held several times a year by the Yoruba of Southwestern Nigeria and the Republic of Benin. Babatunde Lawal, an art historian and African scholar who has taught in Nigeria, Brazil, and the United States, is himself a Yoruba and has taken an active part in Gelede. He writes from the perspective of an informed participant/observer of his own culture. Lawal bases his book on extensive field research--observations and interviews--conducted over more than two decades as well as on numerous published and unpublished scholarly sources. He casts significant new light on many previously obscure aspects of Gelede, and he demonstrates a useful methodological approach to the study of non-Western art. The book systematically covers the major aspects of the Gelede spectacle, presenting its cultural background and historical origins as preface to a vivid and detailed description of an actual performance. This is followed by a discussion of the iconography and aesthetics of costume, and an examination of the sculpted images on the masks. The book concludes with a discussion of the moral and aesthetic philosophy of Gelede and its responsiveness to technological and social change. The Gelede Spectacle is illustrated in color and black-and-white with over 100 field and museum photographs, including a rare sequence on the dressing of a masquerader. It offers, in addition, more than 60 Gelede song texts, proverbs, and divination verses, each in the original Yoruba as well as in translation. Lawal's interpretations of these pieces indicate the rich complexities of metaphor and analogy inherent in the Yoruba language and art.
Assemblies of rectangular stone pillars, or stelae, fill the plazas and courts of ancient Maya cities throughout the lowlands of southern Mexico, Guatemala, Belize, and western Honduras. Mute testimony to state rituals that linked the king's power to rule with the rhythms and renewal of time, the stelae document the ritual acts of rulers who sacrificed, danced, and experienced visionary ecstasy in connection with celebrations marking the end of major calendrical cycles. The kings' portraits are carved in relief on the main surfaces of the stones, deifying them as incarnations of the mythical trees of life. Based on a thorough analysis of the imagery and inscriptions of seven stelae erected in the Great Plaza at Copan, Honduras, by the Classic Period ruler "18-Rabbit-God K," this ambitious study argues that stelae were erected not only to support a ruler's temporal claims to power but more importantly to express the fundamental connection in Maya worldview between rulership and the cosmology inherent in their vision of cyclical time. After an overview of the archaeology and history of Copan and the reign and monuments of "18-Rabbit-God K," Elizabeth Newsome interprets the iconography and inscriptions on the stelae, illustrating the way they fulfilled a coordinated vision of the king's ceremonial role in Copan's period-ending rites. She also links their imagery to key Maya concepts about the origin of the universe, expressed in the cosmologies and mythic lore of ancient and living Maya peoples.
This is a study in oral poetic composition. It examines how oral poets compose their recitations. Specifically, it is a study of the recitations of 17 separate master poets from the Island of Rote recorded over a period of 50 years. Each of these poets offers his version of what is culturally considered to be the ‘same’ ritual chant. These compositions are examined in detail and their oral formulae are carefully compared to one another. Professor James J. Fox is an anthropologist who carried out his doctoral field research on the Island of Rote in eastern Indonesia in 1965–66. In 1965, he began recording the oral traditions of the island and developed a close association with numerous oral poets on the island. After many subsequent visits, in 2006, he began a nine-year project that brought groups of oral poets to Bali for week-long recording sessions. Recitations gathered over a period of 50 years are the basis for this book.
Copán, one of the most important Classic Maya sites, is renowned for the artistry of its high-relief stelae and altars and for the wealth of detail on its freestanding and architectural sculpture. In Maya Sculpture of Copán: The Iconography, internationally known Mayanist Claude-François Baudez provides a masterful survey of these elaborate and intriguing carved images. In Part I, Baudez identifies and deciphers the specific motifs on each monument and shows how the elements were combined to produce meaningful iconographic messages. The architectural sculpture expresses the meaning and function of the buildings and complexes, many designed to represent the sky, earth, and underworld and to serve as stages for rituals. Photographs and drawings clarify the intricate forms. Part II relates the iconography to the religion and politics of the city-state. Baudez traces the evolution of the motifs in relation to the history of Copán and the multiple functions of the king—his cosmic role, the continuous reference to his ancestors, and the dynastic cycles. Sacrifice—bloodletting by the king and the sacrifice of captives—is of paramount importance. Growth and rebirth required constant offerings of blood to the earth and to the sun, to ensure its rebirth at dawn after its nocturnal journey through the underworld. The monuments give a coherent picture of Maya cosmology.
Sako Ma is an explorative look at the monkey as a sacred animal totem, ancestor, cult figure and religious icon in indigenous cultures in the East and West. Never before has a document looked at simian folklore and mythology cross-culturally.