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What has been the function of monarchy in the political and social life of Britain?
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Moving images of the British monarchy are almost as old as the moving image itself, dating back to an 1895 American drama, The Execution of Mary Queen of Scots. And from 1896, actual British monarchs appeared in the new 'animated photography', led by Queen Victoria. Half a century later the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. In the first book length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyze the screen representations of royalty from Henry VIII to 'William and Kate'. Seventeen essays by Ian Christie, Elisabeth Bronfen, Andrew Higson, Karen Lury, Glynn Davies, Jane Landman and other international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. A long overdue contribution to film and television studies, this book will be essential reading for scholars and students of British media and political history.
In this original volume, Jennifer J. Purcell and Fiona Courage curate and contextualize the rich archival materials of social research organisation Mass-Observation on the British popular imagination of the monarchy and the royal family between 1937 and 2022. From the coronation of George VI in 1937 to Elizabeth II's death – via war, weddings, a jubilee and a tragedy – this book incorporates everything from diaries and detailed responses to questionnaires, internal organisational documents and published reports on popular attitudes to royalty in order to reveal the complex nature of Britain's relationship with its monarchy in the modern era. How does the British public imagine the monarchy and its role in British society and governance? What is the relationship between the British people and the Crown? Using material from Mass-Observation, which has been asking these questions for over 80 years, Reflections on British Royalty gets to the heart of these issues and more besides.
Winner of the Society of the Cincinnati History Prize, Society of the Cincinnati in the State of New Jersey Finalist, George Washington Prize A Choice Outstanding Academic Title of 2015 Generations of students have been taught that the American Revolution was a revolt against royal tyranny. In this revisionist account, Eric Nelson argues that a great many of our “founding fathers” saw themselves as rebels against the British Parliament, not the Crown. The Royalist Revolution interprets the patriot campaign of the 1770s as an insurrection in favor of royal power—driven by the conviction that the Lords and Commons had usurped the just prerogatives of the monarch. “The Royalist Revolution is a thought-provoking book, and Nelson is to be commended for reviving discussion of the complex ideology of the American Revolution. He reminds us that there was a spectrum of opinion even among the most ardent patriots and a deep British influence on the political institutions of the new country.” —Andrew O’Shaughnessy, Wall Street Journal “A scrupulous archaeology of American revolutionary thought.” —Thomas Meaney, The Nation “A powerful double-barrelled challenge to historiographical orthodoxy.” —Colin Kidd, London Review of Books “[A] brilliant and provocative analysis of the American Revolution.” —John Brewer, New York Review of Books
Moving images of the British monarchy are almost as old as the moving image itself, dating back to an 1895 American drama, The Execution of Mary Queen of Scots. And from 1896, actual British monarchs appeared in the new 'animated photography', led by Queen Victoria. Half a century later the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. In the first book length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyze the screen representations of royalty from Henry VIII to 'William and Kate'. Seventeen essays by Ian Christie, Elisabeth Bronfen, Andrew Higson, Karen Lury, Glynn Davies, Jane Landman and other international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. A long overdue contribution to film and television studies, this book will be essential reading for scholars and students of British media and political history.
Between 1780 and 1918, over one million petitions from across the four nations were sent to the House of Commons. A Nation of Petitioners is the first study of this nineteenth-century heyday of petitioning in the United Kingdom. It explores how ordinary men and women engaged with politics in an era of democratisation, but not democracy, and restores their voices and actions to the story of UK political culture. Drawing on more than a million petitions, as well as archives of leading politicians, institutions, and pressure groups, Henry J. Miller demonstrates the centrality of petitions and petitioning to mass campaigning, representation, collective action, and forging collective identities at the local and national level. From the early nineteenth century, the massive growth of petitions underpinned and reshaped the popular authority of the UK state, including Parliament, the monarchy, and government. Challenging accounts that have stressed disciplinary or exclusionary processes in the evolution of popular politics, A Nation of Petitioners conclusively establishes the importance of the mass participation of ordinary people through petitions.
This is a ground-breaking history of the British monarchy in the First World War and of the social and cultural functions of monarchism in the British war effort. Heather Jones examines how the conflict changed British cultural attitudes to the monarchy, arguing that the conflict ultimately helped to consolidate the crown's sacralised status. She looks at how the monarchy engaged with war recruitment, bereavement, gender norms, as well as at its political and military powers and its relationship with Ireland and the empire. She considers the role that monarchism played in military culture and examines royal visits to the front, as well as the monarchy's role in home front morale and in interwar war commemoration. Her findings suggest that the rise of republicanism in wartime Britain has been overestimated and that war commemoration was central to the monarchy's revered interwar status up to the abdication crisis.
"Until the 1960s, it was widely assumed that in Western Europe the 'New Monarchy' propelled kingdoms and principalities onto a modern nation-state trajectory. John I of Portugal (1358-1433), Charles VII (1403-1461) and Louis XI (1423-1483) of France, Henry VII and Henry VIII of England (1457-1509, 1509-1553), Isabella of Castile (1474-1504) and Ferdinand of Aragon (1479-1516) were, by improving royal administration, by bringing more continuity to communication with their estates and by introducing more regular taxation, all seen to have served that goal. In this view, princes were assigned to the role of developing and implementing the sinews of state as a sovereign entity characterized by the coherence of its territorial borders and its central administration and government. They shed medieval traditions of counsel and instead enforced relations of obedience toward the emerging 'state'."--Provided by publisher.
The British monarchy has been through turbulent times of late. Rocked by scandal and strife, and without it seems a clear plan for the future following the death of Queen Elizabeth II, we have been left wondering: what happens next? Nothing seems certain. Will the monarchy survive with its continuing echoes of an Imperial past? Will young people - disenchanted with the political status quo - find the ritual and practice of the monarchy quite so mesmerising as previous generations have done? What might a republican Britain look like? Ed Owens argues that the monarchy must embrace reform and transform itself radically. No more private jets while preaching about the importance of the environment; no more secrecy obscuring royal influence in high places; and no more hangers on enjoying grace-and-favour homes. A major slimming down is essential. And it's time the family archives were opened. All these issues will have a direct effect on the common good of the nation as it tries to reinvent itself as a modern working democracy, and endeavours to equip itself for the coming decades. Ed Owens situates this critical moment of royal transition in its historical context in order to set out a vision for monarchy that is future-proof, but which would also see the crown play an integral role in the evolution of 21st-century Britain.
In the first detailed study of its kind, James Gregory's book takes a historical approach to mercy by focusing on widespread and varied discussions about the quality, virtue or feeling of mercy in the British world during Victoria's reign. Gregory covers an impressive range of themes from the gendered discourses of 'emotional' appeal surrounding Queen Victoria to the exercise and withholding of royal mercy in the wake of colonial rebellion throughout the British empire. Against the backdrop of major events and their historical significance, a masterful synthesis of rich source material is analysed, including visual depictions (paintings and cartoons in periodicals and popular literature) and literary ones (in sermons, novels, plays and poetry). Gregory's sophisticated analysis of the multiple meanings, uses and operations of royal mercy duly emphasise its significance as a major theme in British cultural history during the 'long 19th century'. This will be essential reading for those interested in the history of mercy, the history of gender, British social and cultural history and the legacy of Queen Victoria's reign.