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With its challenging, paradoxical thesis that Elizabethan England was a 'republic which happened also to be a monarchy', Patrick Collinson's 1987 essay 'The Monarchical Republic of Queen Elizabeth I' instigated a proliferation of research and lively debate about quasi-republican aspects of Tudor and Stuart England. In this volume, a distinguished international group of scholars examines the idea of the 'monarchical republic' from the 1530s to the 1640s, and tests the concept from a variety of points of view. New suggestions are advanced about the pattern of development of quasi-republican tendencies and of opposition to them, and about their relation to the politics of earlier and later periods. A number of essays focus on the political activity of leading figures at court; several analyse political life in towns or rural areas; others discuss education, rhetoric, linguistic thought and reading practices, poetic and dramatic texts, the relations of politics to religious conflict, gendered conceptions of the monarchy, and 'monarchical republicanism' in the new American colonies. Differing positions in the scholarly debate about early modern English republicanism are represented, and fresh archival research advances the study of quasi-republican elements in early modern English politics.
The 14 essays in this volume look at both the theory and practice of monarchical governments from the Thirty Years War up until the time of the French Revolution. Contributors aim to unravel the constructs of ‘absolutism’ and ‘monarchism’, examining how the power and authority of monarchs was defined through contemporary politics and philosophy.
Includes contributions from key early modern historians, this book uses and critiques the notion of the public sphere to produce a new account of England in the post-reformation period from the 1530s to the early eighteenth century. Makes a substantive contribution to the historiography of early modern England.
Bad Queen Bess? analyses the back and forth between the Elizabethan regime and various Catholic critics, who, from the early 1570s to the early 1590s, sought to characterise that regime as a conspiracy of evil counsel. Through a genre novel - the libellous secret history - to English political discourse, various (usually anonymous) Catholic authors claimed to reveal to the public what was 'really happening' behind the curtain of official lies and disinformation with which the clique of evil counsellors at the heart of the Elizabethan state habitually cloaked their sinister manoeuvres. Elements within the regime, centred on William Cecil and his circle, replied to these assaults with their own species of plot talk and libellous secret history, specialising in conspiracy-driven accounts of the Catholic, Marian, and then, latterly, Spanish threats. Peter Lake presents a series of (mutually constitutive) moves and counter moves, in the course of which the regime's claims to represent a form of public political virtue, to speak for the commonweal and true religion, elicited from certain Catholic critics a simply inverted rhetoric of private political vice, persecution, and tyranny. The resulting exchanges are read not only as a species of 'political thought', but as a way of thinking about politics as process and of distinguishing between 'politics' and 'religion'. They are also analysed as modes of political communication and pitch-making - involving print, circulating manuscripts, performance, and rumour - and thus as constitutive of an emergent mode of 'public politics' and perhaps of a 'post reformation public sphere'. While the focus is primarily English, the origins and imbrication of these texts within, and their direct address to, wider European events and audiences is always present. The aim is thus to contribute simultaneously to the political, cultural, intellectual, and religious histories of the period.
First modern analysis of the custom of the "royal touch" in the Tudor and Stuart reigns.
This book provides a fresh reassessment of English politics and political culture during the Commonwealth—the brief period of parliamentary republican rule (with no monarch, royal court, or House of Lords) between the execution of Charles I in 1649, and Cromwell’s seizure of power in 1653. It focuses particularly on the problem of how to legitimate governmental authority in the absence of a monarchy and in the absence of all the symbolic and ceremonial forms through which authority had traditionally been expressed and exercised. Finally, the author argues that the Commonwealth regime was not in fact the corrupt administrative failure that it was alleged to have been by its enemies and later by many historians; instead the republican experiment was brought down by a faction no less intent on enjoying the spoils of the Stuart regime, anxious about the Commonwealth’s successes rather than alarmed by its failures. The English revolution demolished almost all political landmarks, and this book describes in vivid detail how the new republican state successfully restored the dignity of civilian government by expressing its authority through a calculated range of imagery and symbolism. Individual chapters focus on the occupation and revival of the abandoned royal palace of Whitehall by members of the new regime; the public spectacle mounted to celebrate its military victories; the ritual and ceremony with which it dignified everyday politics; and the invention of a new state iconography to replace familiar forms such as the crown and the royal seal. These efforts of the Republic to graft its own symbols and rhetoric onto the familiar political culture of the monarchical Stuart state secured an increasingly broad degree of support and, indeed, enthusiasm from its citizens. However, the steady growth of the regime’s stability and prestige was seen by the army as a threat to its power, and in 1653 they acted, lest the Republic continue to harden into an unassailable form.
Rather than seeking to survey the historical 'background' to Shakespeare, the essays in the collection display a variety of perspectives, insights and methodologies found in current historical work that may also inform literary studies. In addition to Elizabethan and early seventeenth century polities, they examine such topics as the characteristics of the early modern political imagination; the growth of public controversy over religion and other issues duringthe period and ways in which this can be related to drama; attitudes about honour and shame and their relation to concepts of gender; histories of crime and murder; and ways in which changing attitudeswere expressed through architecture, printed images and the layout of Tudor gardens.
This collection of essays seeks to shed light on the politics of those people who are normally thought of as being excluded from the political nation in early modern England. If by political nation we mean those who sat in parliament, the governors of counties and towns, and the enfranchised classes in the constituencies, then the 'excluded' would be those who were neither actively involved in the process of governing nor had any say in choosing those who would rule over them - the bulk of the population at this time. Yet this volume shows that these people were not, in fact, excluded from politics. Not only did the masses possess political opinions which they were capable of articulating in a public forum, but they were alos often active participants in the political process themselves and taken seriously in that capacity by the governmental elite. The various essays deal with topics as wide-ranging as riots, rumours, libels, seditious words, public opinion, the structures of local government, and the gendered dimensions of popular political participation, and cover the period from the eve of the Reformation to the Industrial Revolution. They challenge many existing assumptions concerning the nature and significance of public opinion and politics out-of-doors in the early modern period and show us that the people mattered in politics, and thus why we, as historians, cannot afford to ignore them. Politics was more participatory, in this undemocratic age, than one might have thought. The contributors to this volume show that there was a lively and engaged public sphere throughout this period, from Tudor times to the Georgian era.
"Until the 1960s, it was widely assumed that in Western Europe the 'New Monarchy' propelled kingdoms and principalities onto a modern nation-state trajectory. John I of Portugal (1358-1433), Charles VII (1403-1461) and Louis XI (1423-1483) of France, Henry VII and Henry VIII of England (1457-1509, 1509-1553), Isabella of Castile (1474-1504) and Ferdinand of Aragon (1479-1516) were, by improving royal administration, by bringing more continuity to communication with their estates and by introducing more regular taxation, all seen to have served that goal. In this view, princes were assigned to the role of developing and implementing the sinews of state as a sovereign entity characterized by the coherence of its territorial borders and its central administration and government. They shed medieval traditions of counsel and instead enforced relations of obedience toward the emerging 'state'."--Provided by publisher.