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The Moment of Truth & The Arrival of the Stupor of Death If only Id taken the path of the messenger! Lest We Say, If only Id been Muslim enough! This book is not a philosophical, political, biographical, or historical account of anybody nor is it an account of the United States elections, which catapulted a pharaoh-qarun like Donald Trump to become the president of the United States of America, but it is a plea to the genus of man, believers, and atheists, Jewish, Christian, Hindu, Buddhist, and Muslim, including the fascist new president of the USA to return to the Lord of Moses, who spoke to Moses from beyond the seventh sky, Verily! I am Allah! La ilaha illa Ana (none has the right to be worshipped but I), so worship me, and perform as-salat (prayers) for my remembrance. O Musa (Moses)! Verily! I am Allah, the Lord of Al-Alamin (mankind, jinn, and all that exists)! Verily, the hour is coming, and my will is to keep it hidden so that every person may be rewarded for that which he strives. There is no doubt, this is a perfect creed which served its time but was complemented and superseded first by Christianity and then both were later superseded by the last and universal faith, Islam, the message Mohammad preached to humanity. No wonder the name of the Lord (Allah), which he taught Moses and to all, is the simplest that can be said easily by an infant starting to speak. Any other name does not apply to nor fit him of glory!
Discussions on Resurrection and life after death from Islamic perspective.
NEW YORK TIMES BESTSELLER • From the Pulitzer Prize–winning critic comes an impassioned critique of America’s retreat from reason We live in a time when the very idea of objective truth is mocked and discounted by the occupants of the White House. Discredited conspiracy theories and ideologies have resurfaced, proven science is once more up for debate, and Russian propaganda floods our screens. The wisdom of the crowd has usurped research and expertise, and we are each left clinging to the beliefs that best confirm our biases. How did truth become an endangered species in contemporary America? This decline began decades ago, and in The Death of Truth, former New York Times critic Michiko Kakutani takes a penetrating look at the cultural forces that contributed to this gathering storm. In social media and literature, television, academia, and politics, Kakutani identifies the trends—originating on both the right and the left—that have combined to elevate subjectivity over factuality, science, and common values. And she returns us to the words of the great critics of authoritarianism, writers like George Orwell and Hannah Arendt, whose work is newly and eerily relevant. With remarkable erudition and insight, Kakutani offers a provocative diagnosis of our current condition and points toward a new path for our truth-challenged times.
A British detective must find the killer of a much-despised villager in this mystery from “a modern-day version of Agatha Christie” (Booklist). Det. Inspector Luke Thanet is brought in when a dead man is found in bed, apparently killed by a single blow with a blunt object. When the corpse is identified as Steven Long, the question is no longer who wanted to kill him, but who didn’t? A troublemaker with enemies wherever he went, Long was loathed by everyone in town, from his long-suffering ex-wife to the man whose family he killed in a driving accident. To find the culprit, Thanet will have to get to the bottom of a lifetime of hate. The long-running series featuring Detective Inspector Thanet, which includes The Night She Died and CWA Silver Dagger winner Last Seen Alive, is perfect for fans of P. D. James and classic police procedurals. Dead on Arrival is “an intriguing tale not to be missed” (Yorkshire Post). Dead on Arrival is the 6th book in the Inspector Thanet Mysteries, but you may enjoy reading the series in any order.
An Agatha Christie short story from the collection The Golden Ball and Other Stories. A young Englishman visiting Cornwall finds himself delving into the legend of a Belgian nun who is living as a refugee in the village. Possessed of supernatural powers, she is said to have caused her entire convent to explode when it was occupied by invading German soldiers during World War I. Sister Angelique was the only survivor. Could such a tall tale possibly be true?
A collection of essays, first published in 1914, by influential British Idealist philosopher F. H. Bradley (1846-1924).
If the academic field of death studies is a prosperous one, there still seems to be a level of mistrust concerning the capacity of literature to provide socially relevant information about death and to help improve the anthropological understanding of how culture is shaped by the human condition of mortality. Furthermore, the relationship between literature and death tends to be trivialized, in the sense that death representations are interpreted in an over-aestheticized manner. As such, this approach has a propensity to consider death in literature to be significant only for literary studies, and gives rise to certain persistent clichés, such as the power of literature to annihilate death. This volume overcomes such stereotypes, and reveals the great potential of literary studies to provide fresh and accurate ways of interrogating death as a steady and unavoidable human reality and as an ever-continuing socio-cultural construction. The volume brings together researchers from various countries – the USA, the UK, France, Poland, New Zealand, Canada, India, Germany, Greece, and Romania – with different academic backgrounds in fields as diverse as literature, art history, social studies, criminology, musicology, and cultural studies, and provides answers to questions such as: What are the features of death representations in certain literary genres? Is it possible to speak of an homogeneous vision of death in the case of some literary movements? How do writers perceive, imagine, and describe their death through their personal diaries, or how do they metabolize the death of the “significant others” through their writings? To what extent does the literary representation of death refer to the extra-fictional, socio-historically constructed “Death”? Is it moral to represent death in children’s literature? What are the differences and similarities between representing death in literature and death representations in other connected fields? Are metaphors and literary representations of death forms of death denial, or, on the contrary, a more insightful way of capturing the meaning of death?