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Kierkegaard, a poet of ideals and practitioner of the indirect method, also had a direct and polemical side. He revealed this in several writings throughout his career, culminating in The Moment, his attack against the established ecclesiastical order. Kierkegaard was moved to criticize the church by his differences with Bishop Mynster, Primate of the Church of Denmark. Although Mynster saw in Kierkegaard a complement to himself and his outlook, Kierkegaard challenged Mynster to acknowledge the emptying and estheticizing of Christianity that had occurred in modern Christendom. For three years Kierkegaard was silent, waiting. When Mynster died, he was memorialized as "an authentic truth-witness" in the "holy chain of truth-witnesses that stretches through the ages from the days of the apostles." This struck Kierkegaard as blasphemous and inspired him to write a series of articles in Fædrelandet, which he followed with ten numbers of the pamphlet The Moment. This volume includes the articles from Fædrelandet, all numbers of The Moment, and several other late pieces of Kierkegaard's writing.
On 18 December 1854 Kierkegaard began to publish a series of newspaper articles critical of the Danish state church. This book views these writings not only in the context of the theological, philosophical, and social events of that time but also the 2005-2006 Danish cartoon controversy.
Kierkegaard, a poet of ideals and practitioner of the indirect method, also had a direct and polemical side. He revealed this in several writings throughout his career, culminating in The Moment, his attack against the established ecclesiastical order. Kierkegaard was moved to criticize the church by his differences with Bishop Mynster, Primate of the Church of Denmark. Although Mynster saw in Kierkegaard a complement to himself and his outlook, Kierkegaard challenged Mynster to acknowledge the emptying and estheticizing of Christianity that had occurred in modern Christendom. For three years Kierkegaard was silent, waiting. When Mynster died, he was memorialized as "an authentic truth-witness" in the "holy chain of truth-witnesses that stretches through the ages from the days of the apostles." This struck Kierkegaard as blasphemous and inspired him to write a series of articles in Fædrelandet, which he followed with ten numbers of the pamphlet The Moment. This volume includes the articles from Fædrelandet, all numbers of The Moment, and several other late pieces of Kierkegaard's writing.
From the New York Times columnist, a portrait of a family and the cycles of joy and grief that mark the natural world: “Has the makings of an American classic.” —Ann Patchett Growing up in Alabama, Margaret Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver. And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.” Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut. “Magnificent . . . Readers will savor each page and the many gems of wisdom they contain.” —Publishers Weekly (starred review)
In our time nobody is content to stop with faith but wants to go further. It would perhaps be rash to ask where these people are going, but it is surely a sign of breeding and culture for me to assume that everybody has faith, for otherwise it would be queer for them to be . . . going further. In those old days it was different, then faith was a task for a whole lifetime, because it was assumed that dexterity in faith is not acquired in a few days or weeks. When the tried oldster drew near to his last hour, having fought the good fight and kept the faith, his heart was still young enough not to have forgotten that fear and trembling which chastened the youth, which the man indeed held in check, but which no man quite outgrows. . . except as he might succeed at the earliest opportunity in going further. Where these revered figures arrived, that is the point where everybody in our day begins to go further.
Originally published in 1961, this study challenges the stereotype of Kierkegaard as being socially aloof and politically conservative. Bukdahl does a through job of contextualizing Kierkegaard in nineteenth-century Denmark, shedding light on his relationships with his family, various religious groups, and the leading intellectual figures of his time. At the same time, Kierkegaards fundamental interest in the plight of the common man is revealed both from his writings and his social encounters. In addition to crafting a fine translation, Bruce Kirmmse has expanded the usefulness of Bukdahl's work by including a significant biographical introduction, informative notes identifying events and figures referenced in the text, and a guide pointing readers to English translations of all of Kierkegaard's writings.
The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created some of his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist’s response to his personal difficulties and the era’s broader realities through imagery that is tirelessly inventive—by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee’s restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life—their titles, among them Monsters in readiness and Struggles with himself, signal Klee’s frame of mind. Renowned art historian Dawn Ades looks at this group of paintings and drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee’s oeuvre, American artist Richard Tuttle responds to specific works in the form of dialogical poems. This stunning publication highlights the novelty and ingenuity of Klee’s late works, which deeply affected the generation of artists—including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou-Ki—that emerged after World War II and continues to captivate artists and viewers alike today
The concept of sin permeates Søren Kierkegaard’s writing. This study looks at the entirety of his works in order to systematize his doctrine of sin. It demonstrates four key aspects: sin as misrelation, sin as untruth, sin as an existence state, and sin as redoubling in the crowd. Upon categorizing Kierkegaard’s doctrine of sin, his writings are examined to determine if his hamartiology is consistent across his numerous pseudonyms. To conclude, the study places Kierkegaard’s doctrine of sin within the broader theological discussion.
We are now becoming numbed by the outrageous events taking place within the political arena of our country. Throughout our nation, the division between factions continues to hold firm. The issue of how movement toward reconciliation can occur has become ever more pressing. Nothing short of our democracy is at stake. This book looks to the writings of the nineteenth-century Danish religious philosopher Søren Kierkegaard as a resource for thinking in fresh ways about how the divine power of creative transformation is at work in the world. Through divinity’s empowering of our practices in relating to others, democracy can be resurrected to a new, healthy life. Six important themes from Kierkegaard’s thought are used to do a comparative examination of Donald Trump together with his world and Kierkegaard and his world. The story of this standoff—between one of the world’s most famous and well-publicized figures and one of the world’s greatest thinkers—constitutes a compelling investigation and presents quite a contrast. Uncovered in the storytelling process of Kierkegaard trumping Trump are the “Sweet 16”: sixteen ways in which resurrection can be practiced in people’s lives and help to restore our democracy to a fuller and more vibrant version of itself.