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The first English-language book to present a complete picture of this intriguing East European borderland, The Moldovans: Romania, Russia, and the Politics of Culture, illuminates the perennial problems of identity politics and cultural change that the country has endured.
It doesn't take much - "£100 is usually sufficient" - to persuade Tony Hawks to take off on notoriously bizarre and hilarious adventures in response to a bet. And so it is, a pointless argument with a friend concludes in a bet - that Tony can't beat all eleven members of the Moldovan soccer team at tennis. And with the loser of the bet agreeing to strip naked on Balham High Road and sing the Moldovan national anthem, this one was just too good to resist. The ensuing unpredictable and often hilarious adventure sees him being taken in by Moldovan gypsies and narrowly avoid kidnap in Transnistria. It sees him smuggle his way on to the Moldovan National Team coach in Coleraine and witness (almost) divine intervention in the Holy Land. In this inspiring and exceptionally funny book, Tony Hawks has done it again, proving against all odds that there is no reason in the world why you can't do something a bit stupid and prove all of your doubters wrong. Or at least that was the idea....
Who are the Moldovans? The Language of the Moldovans explores this question from the perspective of debates about the languages spoken by the people of this ex-Soviet state. Locating language as a central point of both cohesion and conflict in the region's recent history, the peculiarities of the Moldovans are illustrated by a survey of language attitudes, a series of ethnographic interviews, and extensive observations by the author. The result is an image of an emerging nation that is, at once, similar to the experiences of other ex-Soviet states and uniquely complex. Much of that complexity lies in the population's extensive multilingualism and in uncertainty about the Romanian-ness of the official language. This cross-discipline volume is of great interest to advanced students and researchers of linguistics, political science, and Eastern European studies.
The funniest book about travel you will ever read: a travel guide to the fictional European republic 'Molvania', birthplace of the polka and whooping cough. The text and design draw on the standard travel guide format and include: background information on the destination, including cultural details, useful phrases, holidays, and calendar of events; accommodation and restaurant listings; activities and excursions; as well as text break-outs, colour photos and maps throughout.
Recounts the author's experiences hitchhiking on a bet all the way around Ireland with a small refrigerator, and shares his impressions of the people and places along the way.
Kaufman begins by surveying the stories various reporters and analysts have told about the conflict in Yugoslavia. From these stories he unravels some underlying assumptions, then gleans insights from each type of analysis, and combines them into a more comprehensive explanation for the causes of ethnic war. He writes clearly of the complexities, teasing out relationships among the factors of history, symbols, attitudes, leadership, and the economy. Kaufman acknowledges support for this study from the United States Institute of Peace and the University of Kentucky, among other institutions, but his current affiliation is not stated in the book. c. Book News Inc.
For more than twenty years, Tony Hawks has been mistaken for Tony Hawk, the American skateboarder. Even though it is abundantly clear on his website that he is an English comedian and author, people still write to him asking the best way to do a kickflip or land a melon. One mischievous day he started writing back in a pompous tone, goading his correspondents for their spelling mistakes and poor grammar, while offering bogus or downright silly advice on how to improve their skateboarding. Featuring entries on parents' pain, disappointment, underachievers, Quorn and the Vatican, this is his A to Z guide to the world of skateboarding, as seen through the eyes of someone who knows absolutely nothing about it.
Villages on Stage examines the contribution of folklore and ethnography to the construction of national identity in post-Soviet Moldova through the development of a new genre of folkloric performance. By highlighting the contribution of villages to the creation of national culture and identity, the standards of authenticity for amateur folkloric ensembles generate an alternative discourse to the State's official, but contentious, promotion of multiethnic policies. At once inclusive and exclusive of the country's multiple ethnic groups, the goals, practices, and ideologies embodied in folkloric performance portray both the local dilemmas of post-socialist nation-building and the shared challenge for folklore and ethnography to participate in public debates about cultural diversity. (Series: Halle Studies in the Anthropology of Eurasia - Vol. 26)
In The Slavic Dossier, Iurie Stamati’s objective is to understand the reasons for the emergence of two different discourses on the place of the Slavs on the territory of Moldova and their role in the genesis of Moldovans and their culture during the medieval period in the Soviet archaeology. His analysis goes beyond the utilitarian perception of Soviet archeology. To achieve this, Stamati not only questions the political contexts in which these discourses emerged, but also looks at the history of the Moldovan archaeological field, personal profiles of archaeologists, their theoretical and ideological attachment, relationships and interactions with each other inside and outside the archaeological field.
The Republic of Moldova claims a European lineage reaching back in time long before its 14th century accession to statehood. In the 15th century, it managed against all odds to avoid being conquered by Islam and_albeit an intermittent vassal after 1485_it maintained its autonomy and was never turned into a province of the Ottoman Empire. After this period, however, Moldova would not be so fortunate, as it altered between Russian, Romanian, and Soviet control until it finally gained its independence in 1991 from the Soviet Union. The second edition of the Historical Dictionary of Moldova, through its chronology, introduction, appendixes, maps, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects, traces the history of this small, but densely populated country, providing a compass for the direction it is heading.