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The Moldenhauer Archives at the Library of Congress contain approximately 3,500 items documenting the history of Western music from the medieval period through the modern era and is the richest composite gift of musical documents ever received by the Library. Before his death, Hans Moldenhauer (1906-1987) established a directive and provided funds for the Library of Congress to publish The Rosaleen Moldenhauer Memorial: Music History from Primary Sources: a Guide to the Moldenhauer Archives (2000). The book features a series of essays by musicologists discussing individual items from the Archives and contains a comprehensive inventory of the Moldenhauer Archives that are held in ten institutions worldwide. This online presentation includes representative examples of more than 130 items from the Archives including many complete works and, as a special presentation, an electronic version of the book's text, which is intended to replace the printed edition. In addition, the book's inventory of the Archives appears as a finding aid.
An amply-illustrated book on the Moldenhauer Archives, spanning the history of Western classical music, with essays by noted experts.
The ArQuives, the largest independent LGBTQ2+ archive in the world, is dedicated to collecting, preserving, and celebrating the stories and histories of LGBTQ2+ people in Canada. Since 1973, volunteers have amassed a vast collection of important artifacts that speak to personal experiences and significant historical moments for Canadian queer communities. Out North: An Archive of Queer Activism and Kinship in Canada is a fascinating exploration and examination of one nation’s queer history and activism, and Canada’s definitive visual guide to LGBTQ2+ movements, struggles, and achievements.
This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.