Download Free The Modernization Process Of Egypt And Turkey In Selected Novels Of Naguip Mahfouz And Orhan Pamuk Book in PDF and EPUB Free Download. You can read online The Modernization Process Of Egypt And Turkey In Selected Novels Of Naguip Mahfouz And Orhan Pamuk and write the review.

This study discusses the modernization process of Egypt and Turkey from the beginning of the 20th century through The Cairo Trilogy by Naguib Mahfouz and Cevdet Bey and Sons by Orhan Pamuk. These works of two Nobel Prize winning authors project the stories of three generations, reflecting the historical, social and cultural transformations Egypt and Turkey went through. In their generational novels, both, Mahfouz and Pamuk portray extended families that have close relationships which fade through time as each new generation moves away from the traditional lifestyles and tries to adopt a new way of life under the influences of the social and economic conditions of their countries. This book analyses the way each succeeding generation operates in the process of transition from conservatism to modernity in Egypt and Turkey by contextualizing book texts and shedding light on the modernization experiences of these two countries.
The Turkish Novel and the Quest for Rationality is the first book to contextualize the Turkish novel with regard to the intellectual developments motivating the Turkish modernization project since the 18th century. The book provides a dialectical narrative for the emergence and development of the Turkish novel in order to highlight the genre’s critical role within the modernization project. In doing so, it also delineates the changing forms the novel assumes in the Turkish context from a platform for new literature to a manifestation of crisis in the face of totalizing rationality. Vis-a-vis modernization's engagement with rationality, The Turkish Novel and the Quest for Rationality reveals unexplored ways of conceptualizing the development of the genre in non-western contexts.
Explores existential and political themes in Orhan Pamuk's work and investigates the apparent contradictions in an arena where Islam and democracy are often seen as opposing and irreconcilable terms. Existential themes delve into literary nuances in Pamuk that discuss love, happiness, suffering, memory and death.
A novel on Turkey featuring a group of students infatuated with a book. One of them has even abandoned his studies to make copies by hand so others can share it. It is never made clear what the book contains, but while the young are enthusiastic their elders think the contents are degenerate, another example of foreign influence ruining the country.
This collection of essays brings together scholarly examinations of a writer who—despite the prestige that the Nobel Prize has earned him—remains controversial with respect to his place in the literary tradition of his home country. This is in part because the positioning of Turkey itself in relation to the cultural divide between East and West has been the subject of a debate going back to the beginnings of the modern Turkish state and earlier. The present essays, written mostly by literary scholars, range widely across Pamuk’s novelistic oeuvre, dealing with how the writer, often adding an allegorical level to the personages depicted in his experimental narratives, portrays tensions such as those between Western secularism and traditional Islam and different conceptions of national identity.
This work provides extensive critical analysis of Orhan Pamuk's work. The contributors establish Pamuk as a universal author whose contributions to the genre of novel have not only enriched our understanding of modern Turkish literature, but have generated discussions on national identity.
Displacing Fictions of Orhan Pamuk: Beyond the Bridge questions the prevailing relevance and violence of the bridge metaphor for literature through new readings of Orhan Pamuk. This book argues that despite its association with connection, dialogue, and reconciliation, the bridge is an inherently violent structure that controls movement by regulating it. Drawing on deconstruction and Derrida, the author argues for a rethinking of the intrinsic connection between the bridge and the writings of Orhan Pamuk. Exploring Pamuk’s significance as an author of the world literature canon, this book investigates the history and theory of the discipline as a bridge. Identifying new metaphors in Pamuk’s work, Hande Gürses shows the political potential of moving beyond the bridge. As people, lands, and ideas keep moving, Displacing Fictions of Orhan Pamuk argues for an urgent need for new metaphors to understand and represent the realities of our contemporary world.
Knopf Canada is proud to welcome Orhan Pamuk to the list with an inspiring and engaging collection of essays on literary and personal subjects–his first new book since winning the Nobel Prize. In the three decades that Pamuk has devoted to writing fiction, he has also produced scores of witty, moving and provocative essays and articles. Here is a thoughtful compilation of a dazzling novelist’s best non-fiction, offering different perspectives on his lifelong obsessions. Pamuk’s criticism, autobiographical writing and meditations are presented alongside interviews he has given and selections from his private notebooks. He engages the work of other novelists, including Sterne and Dostoyevsky, Salman Rushdie and Patricia Highsmith, and he discusses his own books and writing process. We learn not just how he writes but how he lives as he recounts his successful struggle to quit smoking and describes his relationship with his daughter. Ordinary events–applying for a passport, the death of a relative–inspire extraordinary flights of association as the novelist reflects on everything from the child’s state of being to divergent attitudes towards art in the East and West. Illustrated with photographs, paintings and the author’s own sketches, Other Colors gives us Orhan Pamuk’s world through a kaleidoscope whose brilliant, shifting themes and moods together become a radiant and meaningful whole.
Right to the City Novels in Turkish Literature from the 1960s to the Present analyses the representation of rural migration to Istanbul in literature, placing Henri Lefebvre’s concept of the right to the city at the centre of the argument. Using a framework of critical urban theory, the book examines Orhan Kemal’s Gurbet Kuşları [The Homesick Birds] (1962); Muzaffer İzgü’s Halo Dayı ve İki Öküz [Uncle Halo and Two Oxen] (1973); Latife Tekin’s Berci Kristin Çöp Masalları [Berji Kristin: Tales From the Garbage Hills] (1984); Metin Kaçan’s Ağır Roman [Heavy Roman(i)] (1990); Ayhan Geçgin’s Kenarda [On the Periphery] (2003); Hatice Meryem’s İnsan Kısım Kısım, Yer Damar Damar [It Takes All Kinds] (2008); and Orhan Pamuk’s Kafamda Bir Tuhaflık [A Strangeness in My Mind] (2014) in the historical context as regards rural migration to Istanbul, urbanization of migrants, and anti-migrant nostalgia. Situating these works as a counterpoint to nostalgic novels and categorising them as right to the city novels, the book aims to offer a conceptual framework that can be implemented on internal as well as international migration in other global(ising) cities; and on cultural products other than literature, such as film.
This book examines the literary politics of Orhan Pamuk's novels within the framework of contestations over "Turkishness," Islam, and secularization. Moving beyond a traditional study of literature, this book turns to literature to ask larger questions about Turkish history, identity, collective memory, and cultural practice. It concludes with an interview with Orhan Pamuk.