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Ingenious and amusing illustrated inventions from the brilliant mind of Dominic Wilcox 'I love this book. Laugh-out-loud funny. I want a salty thumb lolly now!' Harry Hill As we go about our day-to-day business, we see the same stuff every day. The bath, the fridge, the lamp post, the bicycle, the tree... so far, so humdrum. But not if you are Dominic Wilcox. Dominic sees things a little differently. For him, inside each of these everyday things are hundreds of surprising ideas waiting to be discovered. The Portable Bottom Seat, the Sick Bag Beard, Wrist Nets for the Butterfingered – Dominic's unexpected inventions, conflations and modifications promise to make your life that little bit easier, or at least more amusing. Normal will never seem quite so normal again.
Hasidism, a controversial, mystical-religious movement of Eastern European origin, has posed a serious challenge to mainstream Judaism from its earliest beginnings in the middle of the eighteenth century. Decimated by the Holocaust, it has risen like a phoenix from the ashes and has reconstituted itself as a major force in the world of ultra-Orthodox Judaism. Philosopher Martin Buber found inspiration in its original tenets and devoted much of his career to making its insights known to a wide readership. First published in 1958, Hasidism and Modern Man examines the life and religious experiences of Hasidic Jews, as well as Buber's personal response to them. From the autobiographical "My Way to Hasidism," to "Hasidism and Modern Man," and "Love of God and Love of Neighbor," the essays span nearly half a century and reflect the evolution of Buber’s religious philosophy in relation to the Hasidic movement. Hasidism and Modern Man remains prescient in its portrayal of a spiritual movement that brings God down to earth and makes possible a modern philosophy in which the human being becomes sacred.
Journalist Flint recounts the life and times of the legendary architect Charles-Édouard Jeanneret, aka Le Corbusier, and provides illuminating details of his most iconic projects.
Reconnect with the power and promise of engagement with Torah—from a modern men's perspective. This major contribution to modern biblical commentary addresses the most important concerns of modern men—issues like relationships, sexuality, ambition, work and career, body image, aging, and life passages—by opening them up to the messages of the Torah. It includes commentaries by some of the most creative and influential rabbis, cantors, journalists, media figures, educators, professors, authors, communal leaders, and musicians in contemporary Jewish life, and represents all denominations in Judaism. Featuring poignant and probing reflections on the weekly Torah portions, this collection shows men how the messages of the Torah intersect with their own lives by focusing on modern men’s issues. Ideal for anyone wanting a new, exciting view of Torah, this rich resource offers perspectives to inspire all of us to gain deeper meaning from the Torah as well as a heightened appreciation of Judaism and its relevance to our lives. Contributors: Rabbi Howard A. Addison • Rabbi Bradley Shavit Artson • Doug Barden • Rabbi Tony Bayfield, DD • Ariel Beery • Rabbi Joseph Black • Rabbi Mitchell Chefitz • Dr. Norman J. Cohen • Rabbi Mike Comins • Rabbi Elliot N. Dorff, PhD • Rabbi Dan Ehrenkrantz • Rabbi Dov Peretz Elkins • Rabbi Edward Feinstein • Rabbi Mordecai Finley, PhD • Wayne L. Firestone • Rabbi David J. Gelfand • Dr. Sander L. Gilman • Ari L. Goldman • Rabbi Daniel Gordis, PhD • Rabbi Arthur Green • Rabbi Steven Greenberg • Joel Lurie Grishaver • Rabbi Donniel Hartman, PhD • Rabbi Hayim Herring, PhD • Peter Himmelman • Rabbi Walter Homolka, PhD • Rabbi Reuven Kimelman • Rabbi Elliott Kleinman • Cantor Jeff Klepper • Rabbi Peter S. Knobel • Rabbi Harold S. Kushner • Rabbi Daniel Landes • Rabbi Steven Z. Leder • Prof. Julius Lester • Rabbi Robert N. Levine, DD • Rabbi Joseph B. Meszler • Rabbi John Moscowitz • Rabbi Perry Netter • Rabbi Kerry M. Olitzky • Rabbi Stephen S. Pearce, PhD • Rabbi Daniel F. Polish • Dennis Prager • Rabbi Jack Riemer • Rabbi Stephen B. Roberts • Rabbi David B. Rosen • Rabbi Jeffrey K. Salkin • Rabbi Sidney Schwarz, PhD • Rabbi Rami Shapiro • Rabbi Charles Simon • Rabbi Elie Kaplan Spitz • Craig Taubman • Rabbi Levi Weiman-Kelman • Rabbi Simkha Y. Weintraub • Rabbi Avraham (Avi) Weiss • Dr. Ron Wolfson • Rabbi David J. Wolpe • Rabbi David Woznica • Rabbi Sheldon Zimmerman • Rabbi Daniel G. Zemel
Why is it, asks Bishop Fulton Sheen, that one hears so often the expression Go to hell! and almost never the expression "Go to heaven!" Here, at his most penetrating, challenging, and illuminating best is Bishop Sheen with his answer, in a book that breathes new meaning into the truths about heaven and hell, and new life into the concepts of faith, tolerance, love, prayer, suffering, and death. Beginning with "The First Faint Summons to Heaven," Sheen shows how unpopular it is today to be a true Christian, and describes the struggle for living our faith amid the disorders of our times. Keenly aware of evil in the myriad forms it takes in today's world, Bishop Sheen writes about the constant battle man faces with the "seven pallbearers of character" - pride, avarice, envy, lust, anger, gluttony and sloth - linking them with the corrosive forces that never cease in their attacks on the Church and those who earnestly desire to be serious Christians. In Go to Heaven, a great spiritual teacher and writer, deeply aware of the human and spiritual conflicts being waged in the world, shows us the way to heaven in a most eloquent book, encouraging the reader to choose heaven now, and to understand the "reality of hell."
Cultural twilight means cultural disintegration or death. It means cul tural agony. Such agony gradually fades into the dawn of tomorrow's culture, just as the twilight of a summer's evening proceeds into the daylight of the forthcoming day. Consequently cultural twilight or agony simul taneously is the dawn - the milieu of birth - of future gods. With these words a close interbelonging of the recently published SEARCH FOR GoDS with the present study, OUR CULTURAL AGONY, is stressed. Both of these books belong together and constitute one and the same "story". While SEARCH FOR GODS deals with man of tomorrow in his venture to find the way which would lead him to his dawning gods, OUR CULTURAL AGONY attempts to disclose contemporary man's ways of erring - his stray ing ways. Moreover, just as the way towards man's future gods is simul taneously his way to his true cultural self, so are his straying ways his ways of a lack of self. Man's way to his true self is his authentic, innermost, "bloody" or "ex-istential" way, while the way of his lack of self is his inauthentic way. The inauthentic ways, generally speaking, are "democratic" ways: they are the public and common ways of modem society, most typical or characteristic of it. Accordingly, while SEARCH FOR GODS has an indi vidualistic character, OUR CULTURAL AGONY has a social character.
The history of mountaineering has long served as a metaphor for civilization triumphant. Once upon a time, the Alps were an inaccessible habitat of specters and dragons, until heroic men—pioneers of enlightenment—scaled their summits, classified their strata and flora, and banished the phantoms forever. A fascinating interdisciplinary study of the first ascents of the major Alpine peaks and Mount Everest, The Summits of Modern Man surveys the far-ranging significance of our encounters with the world’s most alluring and forbidding heights. Our obsession with “who got to the top first” may have begun in 1786, the year Jacques Balmat and Michel-Gabriel Paccard climbed Mont Blanc and inaugurated an era in which Romantic notions of the sublime spurred climbers’ aspirations. In the following decades, climbing lost its revolutionary cachet as it became associated instead with bourgeois outdoor leisure. Still, the mythic stories of mountaineers, threaded through with themes of imperialism, masculinity, and ascendant Western science and culture, seized the imagination of artists and historians well into the twentieth century, providing grist for stage shows, poetry, films, and landscape paintings. Today, we live on the threshold of a hot planet, where melting glaciers and rising sea levels create ambivalence about the conquest of nature. Long after Hillary and Tenzing’s ascent of Everest, though, the image of modern man supreme on the mountaintop retains its currency. Peter Hansen’s exploration of these persistent images indicates how difficult it is to imagine our relationship with nature in terms other than domination.
An examination of some of the canonical works of modern literature in English and German with regard to masculinity, relations between men, national identity and patriarchy. These were major preoccupations of male writers as they came to terms with or reacted against the decline of patriarchal authority. The book identifies five leitmotifs which serve to characterize the period between 1880 and 1930: the "double", the "other" (narcissus and Salome), the nationalization of Narcissus, Kampf or male bondage, and after patriarchy. Again and again one sees how men attempted to define themselves against what they imagined as "femininity", not merely outside but also within their selves, and further how men sought to overcome or find a socially acceptable expression for their narcissistic, homosexual and even sadomasochist libido.