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Tired of the clichés often trotted out about craft, Perri Lewis makes it her task to bring the world of making into the 21st century. In Material World, Perri enlists the help of luminaries from the worlds of art, craft, design and fashion to share their knowledge and advice. Among these include Rob Ryan, Emma Bridgewater, Grayson Perry, Philip Treacy, Tatty Devine, Topshop and Tracey Emin. Instead of just giving the reader individual projects, you can learn the techniques for crafts such as paper-cutting, dress-making, printing, encrusting, leather work and tailoring. However, if you prefer more guidance, there are 15 projects to make, including découpage shoes, a patchwork Louis chair and a printed scarf. With the compiled words of wisdom of these experts, and Perri's own timeless advice, you'll be up and running with scissors in no time.
Traces the origins of Wicca and offers up a cauldron brew of spells, unusual recipes and fascinating Pagan lore. Also contains easy-to-follow rituals for the eight annual sabbats observed by Wiccans, an up-to-date listing of Pagan periodicals and sections on herbalism, tree magick and dreams. The author, a practising Witch, reveals the ancient secrets of magick and divination and offers her insights on Wiccan history, deities, tools, ethics and much more.
Features over 180 highlights from the Renwick Gallery's remarkable collection of craft objects from the 19th century to the present.
Insiders call it the Craft. Discover the “thoroughly entertaining” (Wall Street Journal) true story of one of the most influential and misunderstood secret brotherhoods in modern society. Founded in London in 1717 as a way of binding men in fellowship, Freemasonry proved so addictive that within two decades it had spread across the globe. Masonic influence became pervasive. Under George Washington, the Craft became a creed for the new American nation. Masonic networks held the British empire together. Under Napoleon, the Craft became a tool of authoritarianism and then a cover for revolutionary conspiracy. Both the Mormon Church and the Sicilian mafia owe their origins to Freemasonry. Yet the Masons were as feared as they were influential. In the eyes of the Catholic Church, Freemasonry has always been a den of devil-worshippers. For Hitler, Mussolini and Franco, the Lodges spread the diseases of pacifism, socialism and Jewish influence, so had to be crushed. Freemasonry's story yokes together Winston Churchill and Walt Disney; Wolfgang Mozart and Shaquille O'Neal; Benjamin Franklin and Buzz Aldrin; Rudyard Kipling and 'Buffalo Bill' Cody; Duke Ellington and the Duke of Wellington. John Dickie's The Craft is an enthralling exploration of a the world's most famous and misunderstood secret brotherhood, a movement that not only helped to forge modern society, but has substantial contemporary influence, with 400,000 members in Britain, over a million in the USA, and around six million across the world.
In today’s new economy—in which “good” jobs are typically knowledge or technology based—many well-educated and culturally savvy young people are instead choosing to pursue traditionally low-status manual labor occupations as careers. Masters of Craft looks at the renaissance of four such trades: bartending, distilling, barbering, and butchering. In this engaging book, Richard Ocejo takes you into the lives and workplaces of these people to examine how they are transforming once-undesirable jobs into “cool” and highly specialized upscale occupations. He shows how they find meaning in these jobs by enacting a set of “cultural repertoires,” resulting in a new form of elite taste-making. Focusing on cocktail bartenders, craft distillers, upscale men’s barbers, and whole-animal butcher shop workers in Manhattan, Brooklyn, and upstate New York, Masters of Craft provides new insights into the stratification of taste, the spread of gentrification, and the evolving labor market in today’s postindustrial city.
The essential how-to guide to major crafting techniques, including work from more than 150 contemporary artists for inspiration and projects to galvanize your creativity in every medium No longer confined to the domain of the domestic, today craft is prized in almost every sphere of creative endeavor, whether architecture, food, fine art, or fashion. The Handmade Life serves as both inspiration and instruction manual for Etsy entrepreneurs, artists, and hobbyists alike—modern creatives seeking new ideas and techniques, and to sharpen their skills. Organized by theme and featuring thirty-four techniques (such as origami and appliqué), each chapter inspires with the work of contemporary artisans, one big project, and five project ideas, and informs with a short historical overview of each medium, design notes and things to consider before getting started, tools and techniques illustrated with a combination of hand-drawn diagrams and photography, and lists of websites and other sources for further reading. With over 150 artists featured and hundreds of project how-tos, The Handmade Life brings together information on a wide range of media and techniques into one essential manual.
The Journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production-whether in the making of designed objects, artworks, buildings, or other artefacts. The journal covers craft in all its historical and contemporary manifestations, from the mid-nineteenth century, when handwork was first consciously framed in opposition to industrialization, through to the present day, when ideas once confined to the ‘applied arts' have come to seem vital across a huge range of cultural activities. Special emphasis is placed on studio practice, and on the transformations of indigenous forms of craft activity throughout the world. The journal also reviews and analyses the relevance of craft within new media, folk art, architecture, design, contemporary art, and other fields. The Journal of Modern Craft is the main scholarly voice on the subject of craft, conceived both as an idea and as a field of practice in its own right.
Galvanizing and electrifying glimpses from the brink of the contemporary Craft This eclectic collection of essays on responsible witchcraft is a fascinating snapshot of contemporary occult practice. Essay topics include the ethics of decolonization, meditations on what it means to honour Mother Earth during the Anthropocene, the reclamation of agency for working-class and queer witches through practical spellwork, a gender-fluid perspective on breaking down traditional hierarchies in magical symbolism, a day in the life of a disabled Pagan Irish practitioner, and so much more. These essays show how we can all find inspiration and a force for powerful change in the modern Craft. Featuring contributions from: Claire Askew, Lisa Marie Basile, Stella Hervey Birrell, Jane Claire Bradley, Madelyn Burnhope, Lilith Dorsey, AW Earl, Harry Josephine Giles, Simone Kotva, Iona Lee, Briana Pegado, Megan Rudden, Sabrina Scott, Em Still and Alice Tarbuck
"Crafts were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and how and from what materials they were made were matters of serious concern among all classes of society. In Craft Culture in Early Modern Japan, Christine M. E. Guth examines the network of forces--both material and immaterial--that supported Japan's rich, diverse, and aesthetically sophisticated artifactual culture between the late sixteenth and mid-nineteenth centuries. Exploring the institutions, modes of thought, and reciprocal relationships among people, materials, and tools, she draws particular attention to the role of women in crafts, embodied knowledge, and the special place of lacquer as a medium. By examining the ways and values of making that transcend specific media and practices, Guth illuminates the 'craft culture' of early modern Japan"--
New York Times Book Review Editors' Choice A groundbreaking and endlessly surprising history of how artisans created America, from the nation's origins to the present day. At the center of the United States' economic and social development, according to conventional wisdom, are industry and technology-while craftspeople and handmade objects are relegated to a bygone past. Renowned historian Glenn Adamson turns that narrative on its head in this innovative account, revealing makers' central role in shaping America's identity. Examine any phase of the nation's struggle to define itself, and artisans are there-from the silversmith Paul Revere and the revolutionary carpenters and blacksmiths who hurled tea into Boston Harbor, to today's “maker movement.” From Mother Jones to Rosie the Riveter. From Betsy Ross to Rosa Parks. From suffrage banners to the AIDS Quilt. Adamson shows that craft has long been implicated in debates around equality, education, and class. Artisanship has often been a site of resistance for oppressed people, such as enslaved African-Americans whose skilled labor might confer hard-won agency under bondage, or the Native American makers who adapted traditional arts into statements of modernity. Theirs are among the array of memorable portraits of Americans both celebrated and unfamiliar in this richly peopled book. As Adamson argues, these artisans' stories speak to our collective striving toward a more perfect union. From the beginning, America had to be-and still remains to be-crafted.