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The Brilliant Originality of Steinitz More than 125 years ago, one of the first great chess books appeared. The Modern Chess Instructor, Part I, written by then world champion Wilhelm Steinitz, was released in 1889. It was his magnum opus, setting forth for the first time the principles of modern chess. It is no exaggeration to say that Steinitz’s writings have influenced every great player since. As American grandmaster Andy Soltis notes in his foreword to this classic: The bulk of The Modern Chess Instructor is devoted to opening analysis and annotated games that illustrate the analysis. But it is filled with original Steinitz ideas. This may be why Bobby Fischer was his greatest 20th century fan. Fischer was always looking for forgotten opening moves. In MCI and Steinitz’s International Chess Magazine he found some that he later revived in tournaments, such as 9.Nh3 in the main line of the Two Knights Defense and 5.Qe2 in the Petroff (after 1.e4 e5 2.Nf3 Nf6 3.d4 exd4 4.e5 Ne4). Of course, the opening analysis of MCI is dated and the openings are out of fashion. But unpopular openings are not necessarily bad openings. Ask Magnus Carlsen. When he played 1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.0-0 against Sergey Karjakin in 2016 title match, it was the first time these moves had appeared in more than a century of world championship games. This 21st century edition has converted the archaic English descriptive notation to algebraic and reformatted the text so that it conforms to the expectations of the 21st century chessplayer. The Modern Chess Instructor’s rare second part, published in 1895, has also been added. The result is a genuine treasure trove of original ideas coupled with exposition of the foundation of modern chess theory. Every chessplayer will find The Modern Chess Instructor enjoyable and instructive, a journey back to the theoretical roots of modern chess.
The use of the queen, the active king, exchanges, pawn play, the center, weak squares, more. Often considered the most important book on strategy. 298 diagrams.
In the course of a game of chess, questions continually arise that test a player's reasoning skills. Questions such as: - "Who has the better position?"- "Should I resolve the tension in the center?"- "How can I improve the placement of my pieces?"In this long-awaited extension of the classic Best Lessons of a Chess Coach, the reader is invited to take a seat in the classroom of a renowned chess teacher, and learn how to answer such questions while experiencing the beauty, logic, and artistry of great chess games. When Sunil Weeramantry lectures on the games of top grandmasters, one can imagine making decisions alongside them. When he lectures on his own games, one can also experience the personal excitement, disappointment, and satisfaction of a well-contested game of chess. The cumulative effect of studying these lessons is to give the aspiring player a wide range of tools with which to win.
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Drawing on new research, this biography of William Steinitz (1836-1900), the first World Chess Champion, covers his early life and career, with a fully-sourced collection of his known games until he left London in 1882. A portrait of mid-Victorian British chess is provided, including a history of the famous Simpson's Divan. Born to a poor Jewish family in Prague, Steinitz studied in Vienna, where his career really began, before moving to London in 1862, bent on conquering the chess world. During the next 20 years, he became its strongest and most innovative player, as well as an influential writer on the game. A foreigner with a quarrelsome nature, he suffered mockery and discrimination from British amateur players and journalists, which eventually drove him to immigrate to America. The final chapters cover his subsequent visits to England and the last three tournaments he played there.
Most chess biographies present the games of famous players--but not their writings. Filling that gap, this book begins with Syrian master and author of chess studies Philip Stamma, and finishes with the first world champion William Steinitz. The main novelties in opening, middlegame and endgame theory in the 160 year period are examined and biographical sketches put the contributions of more than 30 masters into context. The author presents many new insights--for example, regarding the origins of the Ponziani Opening, the Dutch Defense and the Petroff Defense. French star La Bourdonnais used other sources for almost every part of his Nouveau Traite. Morphy's analysis of the Philidor Defense was faulty and Anderssen's play included many positional ideas. Harrwitz and Neumann published modern treatises long before Steinitz came out with his Modern Chess Instructor. Many ending themes belong to less well-known authors, such as Cozio, Chapais, van Zuylen van Nyevelt, Sarratt, Kling and Horwitz, Berger and Salvio.