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It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.
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This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Through the Smoke of Budapest 50 Years On The February 2006 Conference of the London Socialist Historians Group was held at the Institute of Historical Research in central London, one of a series of such conferences over the previous ten years. Assembled were a modest group of academics and activists come to mark the 50th anniversary of the events of 1956, and to do so in a particular way. Firstly by presenting new historical research on the questions under review rather than trotting out tired orthodoxies. Secondly by linking historical inquiry to political activism. It was queried why such a conference was held in February 2006 rather than in the autumn, and the answer was a simple one. To intervene historically in the debates of the year by setting a socialist historical agenda for doing so. The opening plenary heard from Sami Ramidani, an Iraqi exile now lecturing at a British University, from Stan Newens, who had been present at the protests in 1956 and from Nigel Wilmott, the letters editor of the Guardian but here speaking about Hungary. The flavour was one both of historical recall of the events of 1956 and of contemporary political parallels. Indeed during this session news came through via text message that the left-wing MP George Galloway had been detained in a Cairo jail overnight and an emergency protest called at the Egyptian Embassy for later in the day. The next two sessions focused on the key moments of autumn 1956, Hungary and Suez but again with new research examining their wider significance. Mike Haynes looks at the origins of the Hungarian revolt, in terms of workplace politics while Anne Alexander reviews the impact that Suez had on Nasserâ (TM)s reputation within the Arab world and Arab nationalist politics. In the afternoon there was a widening of the focus. One session examined the impact of the events of 1956 on left-wing organisation and in particular the orthodox Communist or Stalinist tradition. Terry Brotherton took a fresh look at the impact of 1956 on the Communist Party of GB, while Toby Abse focused on how the events of that year worked their way through in the largest of the Western European CPs, the Italian. Alan Woodward examined how the crisis of Stalinist politics opened new possibilities for libertarian left-wing ideas. The other focused on the rise of a new left as a result of the crisis of 1956. Paul Blackledge examined the development of the theory of socialist humanism by E.P Thompson and others as an alternative to Stalinism. Neil Davidson examined the ideas of a forgotten left-wing thinker from this period Alisdair Macintyre, while Christian Hogsberg reviewed the influence of an existing Trotskyist theorist, CLR James around the events of 1956 Of course the conference could not hope to cover the huge range of possible historical issues arising from the 50th anniversary of 1956. The beginnings of the consumer society and the age of affluence; the birth of youth culture and rockâ (TM)nâ (TM)roll; British nuclear tests and the origins of CND and campaigns against the bomb; the new theatre marked by â ~look back in angerâ (TM). In an introduction, the editor Keith Flett reviews some of these wider trends However the research agenda proposed by the conference was and remains an important one.
The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day. In doing so it charts the journey from specialist black theatre companies to the mainstream, including West End success, while providing a cultural and racial barometer for Britain during the last forty years. It opens with Mustapha Matura's 1979 play Welcome Home Jacko which in its depiction of a group of young unemployed West Indians was one of the first to explore issues of youth culture, identity and racial and cultural identification. Jackie Kay's Chiaroscuro examines debates about the politics of black, mixed race and lesbian identities in 1980s Britain, and from the 1990s Winsome Pinnock's Talking in Tongues engages with the politics of feminism to explore issues of black women's identity in Britian and Jamaica. From the first decade of the twenty-first century the three plays include Roy Williams' seminal pub-drama Sing Yer Hearts Out for the Lads, exploring racism and identity against the backdrop of the World Cup; Kwame Kwei-Armah's National Theatre play of 2004, Fix Up, about black cultural history and progress in modern Britain, and finally Bola Agbage's terrific 2007 debut, Gone Too Far!, which examines questions of identity and tensions between Africans and Caribbeans living in Britain. Edited by Lynnette Goddard, this important anthology provides an essential introduction to the last forty years of British black theatre.
The nine essays in this volume make significant contributions to the development of contemporary literary theory and demonstrate how a range of new approaches can be applied to modern British drama. In addressing the questions of power, subjectivity, sexuality, psychoanalysis, and the nature of the dramatic text, the contributors reveal how much modern drama can be re-read to discover its radically subversive characteristics. Their conclusions challenge accepted interpretations and suggest major revisions of the processes of understanding and staging drama.
Feminism In Modern English Drama Explores The Emergence Of The New Woman In The Plays Of Bernard Shaw, Galsworthy And Granville Barker And How Their Dominating Role Revolutionized The Modern Drama. The Emphasis Shifted From The Male Protagonist To The Unwomanly Woman Who Is Shown More As A Product Of Social, Economic And Political Interactions Than Individual Creation.The Focus Is On The Early And Middle Plays Of Bernard Shaw And The Influence Of Ibsen S Plays Has Been Given Their Rightful Place. Most Of Shaw S Major Plays From Widowers Houses To Pygmalion, Come Under The Purview Of The Book, While The Plays Of Contemporaries Like Pinero, Jones And Oscar Wilde Have Been Discussed To Highlight The Contrast.More Interesting Are The Unknown Assertive Heroines Of Galsworthy S Middle And Late Plays From The Eldest Son And The Fugitive To The Skin Game. His Women Characters Remain In Oblivion Because Hardly Any Scholar Has Bothered To Study Them. Though Granville Barker Is Well-Known As A Critic And Director Of Shakespeare S Plays, His Own Plays With The New Woman As Heroine Still Remain Little Known In The Academic Circle. In The Conclusion The Bearing Of This Early Feminism Is Shown On The Feminist Playwrights Like Caryl Churchill, Pam Gems Et Al. Of The 1980S.It Is Hoped That The Present Book Will Prove An Asset To Those Who Have Keen Interest In English Drama. In Addition, The Students, Researchers And Teachers Of English Literature Will Find It An Ideal Reference Book.
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.