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A quirky collection of Earth’s most compelling animals who give mythical creatures a run for their money The Modern Bestiary: A Curated Collection of Wondrous Wildlife mirrors the medieval tradition of an encyclopedia of incredible beasts, only this charming book with ornamental illustrations features 100 real animals who are stranger than fiction. Organized by the elements Earth, Water, and Air, the book introduces both unfamiliar creatures, like deep-sea harp sponges who catch prey in their barbs and digest them whole, as well as ones that have made headlines, such as cicadas who emerge from the ground in noisy broods every thirteen or seventeen years. Step right up and meet these delightful, unbelievable, and deliciously horrific animals, including: The endearing: same-sex albatross mothers who raise chicks together tarantulas who keep frogs as pets zebra finches who sing to their eggs to warn them of hot weather The ruthless: flukes who manipulate their host into getting eaten by a final host horned lizards who squirt blood through their eyes to distract predators southern grasshopper mice who harness scorpion venom as a painkiller And the just plain weird: antechinuses who mate themselves to death pearlfish who live, fight, and mate in sea cucumber butts immortal jellyfish who reverse their aging process when stressed Funny, entertaining, and illuminating, The Modern Bestiary is a book for anyone who wants to become more familiar with the natural world and all its astounding creatures.
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
A modern bestiary of made-up fantastical creatures organized from A to Z, along with an ampersand and an invisible letter, featuring some of the best and most respected fantasists from around the world, including Karen Lord, Dexter Palmer, Brian Evenson, China Mieville, Felix Gilman, Catherynne M. Valente, Rikki Ducornet, and Karin Lowachee.
A quirky collection of Earth’s most compelling animals who give mythical creatures a run for their money The Modern Bestiary: A Curated Collection of Wondrous Wildlife mirrors the medieval tradition of an encyclopedia of incredible beasts, only this charming book with ornamental illustrations features 100 real animals who are stranger than fiction. Organized by the elements Earth, Water, and Air, the book introduces both unfamiliar creatures, like deep-sea harp sponges who catch prey in their barbs and digest them whole, as well as ones that have made headlines, such as cicadas who emerge from the ground in noisy broods every thirteen or seventeen years. Step right up and meet these delightful, unbelievable, and deliciously horrific animals, including: The endearing: same-sex albatross mothers who raise chicks together tarantulas who keep frogs as pets zebra finches who sing to their eggs to warn them of hot weather The ruthless: flukes who manipulate their host into getting eaten by a final host horned lizards who squirt blood through their eyes to distract predators southern grasshopper mice who harness scorpion venom as a painkiller And the just plain weird: antechinuses who mate themselves to death pearlfish who live, fight, and mate in sea cucumber butts immortal jellyfish who reverse their aging process when stressed Funny, entertaining, and illuminating, The Modern Bestiary is a book for anyone who wants to become more familiar with the natural world and all its astounding creatures.
From medieval bestiaries to Borges’s Book of Imaginary Beings, we’ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer’s song. But bestiaries are more than just zany zoology—they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don’t. With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change. A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.
NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • Three generations of Taiwanese American women are haunted by the myths of their homeland in this spellbinding, visceral debut about one family’s queer desires, violent impulses, and buried secrets. “Gorgeous and gorgeously grotesque . . . Every line of this sensuous, magical-realist marvel is utterly alive.”—O: The Oprah Magazine FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • NPR • The New York Public Library • Kirkus Reviews One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth—and that she will have to bring her family’s secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family’s history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood. Praise for Bestiary “[A] vivid, fabulist debut . . . the prose is full of imagery. Chang’s wild story of a family’s tenuous grasp on belonging in the U.S. stands out with a deep commitment to exploring discomfort with the body and its transformations.”—Publishers Weekly
A preeminent medievalist presents a wonderful catalog of real and fanciful beasts, including the manticore, griffin, phoenix, amphivius, jaculus, and many other exotic animals. White's witty, erudite commentary on scientific and historical aspects enhances this survey of proto-zoology on which science is based and pre-scientific perceptions of the earth's creatures. 128 black-and-white illustrations.
'A Nietzschean Bestiary' gathers essays treating the most vivid & lively animal images in Nietzsche's work, such as the howling beast of prey, Zarathustra's laughing lions, & the notorious blond beast.
Throughout the Middle Ages, enormously popular bestiaries presented people with descriptions of rare and unusual animals, typically paired with a moral or religious lesson. The real and the imaginary blended seamlessly in these books—at the time, the existence of a rhinoceros was as credible as a unicorn or dragon. Although audiences now scoff at the impossibility of mythological beasts, there remains an extraordinary willingness to suspend skepticism and believe wild stories about nature, particularly about insects and their relatives in the Phylum Arthropoda. In The Earwig’s Tail, entomologist May Berenbaum and illustrator Jay Hosler draw on the powerful cultural symbols of these antiquated books to create a beautiful and witty bestiary of the insect world. Berenbaum’s compendium of tales is an alphabetical tour of modern myths that humorously illuminates aerodynamically unsound bees, ear-boring earwigs, and libido-enhancing Spanish flies. She tracks down the germ of scientific truth that inspires each insect urban legend and shares some wild biological lessons, which, because of the amazing nature of the insect world, can be more fantastic than even the mythic misperceptions.
Controversy over the medicinal uses of wild animals in China has erupted around the ethics and efficacy of animal-based drugs, the devastating effect of animal farming on wildlife conservation, and the propensity of these practices to foster zoonotic diseases. In Mao's Bestiary, Liz P. Y. Chee traces the history of the use of medicinal animals in modern China. While animal parts and tissue have been used in Chinese medicine for centuries, Chee demonstrates that the early Communist state expanded and systematized their production and use to compensate for drug shortages, generate foreign investment in high-end animal medicines, and facilitate an ideological shift toward legitimating folk medicines. Among other topics, Chee investigates the craze for chicken blood therapy during the Cultural Revolution, the origins of deer antler farming under Mao and bear bile farming under Deng, and the crucial influence of the Soviet Union and North Korea on Chinese zootherapies. In the process, Chee shows Chinese medicine to be a realm of change rather than a timeless tradition, a hopeful conclusion given current efforts to reform its use of animals.