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During the postwar period of 1948–56, over 400,000 Jews from the Middle East and Asia immigrated to the newly established state of Israel. By the end of the 1950s, Mizrahim, also known as Oriental Jewry, represented the ethnic majority of the Israeli Jewish population. Despite their large numbers, Mizrahim were considered outsiders because of their non-European origins. Viewed as foreigners who came from culturally backward and distant lands, they suffered decades of socioeconomic, political, and educational injustices. In this pioneering work, Roby traces the Mizrahi population’s struggle for equality and civil rights in Israel. Although the daily “bread and work” demonstrations are considered the first political expression of the Mizrahim, Roby demonstrates the myriad ways in which they agitated for change. Drawing upon a wealth of archival sources, many only recently declassified, Roby details the activities of the highly ideological and politicized young Israel. Police reports, court transcripts, and protester accounts document a diverse range of resistance tactics, including sit-ins, tent protests, and hunger strikes. Roby shows how the Mizrahi intellectuals and activists in the 1960s began to take note of the American civil rights movement, gaining inspiration from its development and drawing parallels between their experience and that of other marginalized ethnic groups. The Mizrahi Era of Rebellion shines a light on a largely forgotten part of Israeli social history, one that profoundly shaped the way Jews from African and Asian countries engaged with the newly founded state of Israel.
This book examines the Mizrahi Jews (Jews from the Muslim world) in Israel, focussing on social and political movements such as the Black Panthers and SHAS. It charts the relations and political struggle between Ashkenazi-Zionists and the Mizrahim in Israel from post-war relocation through to the present day.
“An exceptional exposé of the sufferings of the Iraqi and Mizrahi Jews in Israel during the 1950s.” —Övg Ülgen, Shofar Between 1949 and 1951, 123,000 Iraqi Jews immigrated to the newly established Israeli state. Lacking the resources to absorb them all, the Israeli government resettled them in maabarot, or transit camps, relegating them to poverty. In the tents and shacks of the camps, their living conditions were squalid and unsanitary. Basic necessities like water were in short supply, when they were available at all. Rather than returning to a homeland as native sons, Iraqi Jews were newcomers in a foreign place. Impossible Exodus tells the story of these Iraqi Jews’ first decades in Israel. Faced with ill treatment and discrimination from state officials, Iraqi Jews resisted: they joined Israeli political parties, demonstrated in the streets, and fought for the education of their children, leading a civil rights struggle whose legacy continues to influence contemporary debates in Israel. Orit Bashkin sheds light on their everyday lives and their determination in a new country, uncovering their long, painful transformation from Iraqi to Israeli. In doing so, she shares the resilience and humanity of a community whose story has yet to be told. Praise for Impossible Exodus “Orit Bashkin sheds light on a case of historical injustice. Impossible Exodus will greatly enhance our understanding of the pain, discrimination, and struggle to survive in a different culture that those immigrants had to endure.” —Abbas Shiblak, University of Oxford “A marvelously clear-eyed and compassionate recovery of the experience of Iraqi Jews forced to seek a new life in Israeli transit camps. Orit Bashkin gives these people voice, agency, and sympathetic understanding in their complex struggles against discrimination and cultural loss.” —Roger Owen, Harvard University “What is distinctive about Bashkin’s book on Iraqi Jews is the many stories she recovers that describe not only the difficulties encountered by immigrants but also the humiliations imposed by thoughtless and prejudiced officials put in charge of people whose culture they neither understood nor respected.” —Donna Robinson Divine, Middle East Journal
Alongside the upsurge in violence that came with the downfall of the Oslo era in the early 2000s, a new wave of documentaries emerged that centered on Palestinians' and Mizrahim's (Jews of Middle Eastern origins) historical and lived experiences of pain and oppression across Israel-Palestine and beyond. The documentaries challenge the systemic removal of self-represented Palestinian and Mizrahi pain from mainstream media and the public realm dominated by Israel. . This book explores how Palestinians and Mizrahim perform their long endured pain on screen. Analysing key documentary films from the first decade of the 2000s, Shirly Bahar offers a nuanced reading of the cinematic documentary corpus emerging from Israel-Palestine, as well Palestinians' and Mizrahim's different and unequal yet interrelated forms of oppression and racialization under Israeli rule. While pain sets them apart, the documentary representations of pain of Palestinians and Mizrahim invite us to consider reconnection by focusing on the very relational nature of pain.
Leaving Other People Alone reads contemporary North American Jewish fiction about Israel/Palestine through an anti-Zionist lens. Aaron Kreuter argues that since Jewish diasporic fiction played a major role in establishing the centroperipheral relationship between Israel and the diaspora, it therefore also has the potential to challenge, trouble, and ultimately rework this relationship. Kreuter suggests that any fictional work that concerns itself with Israel/Palestine and Zionism comes with heightened responsibilities, primarily to make narrative space for the Palestinian worldview, the dispossessed Other of the Zionist project. In engaging prose, the book features a wide range of scholarship and new, compelling readings of texts by Theodor Herzl, Leon Uris, Philip Roth, Ayelet Tsabari, and David Bezmozgis. Throughout, Kreuter develops his concept of diasporic heteroglossia, which is fiction's unique ability to contain multiple voices that resist and write back against national centres. This work makes an important and original contribution to Jewish studies, diaspora studies, and world literature.
The powerful story of an activist movement that challenged the racial inequities of Israel. Israel's Black Panthers tells the story of the young and impoverished Moroccan Israeli Jews who challenged their country's political status quo and rebelled against the ethnic hierarchy of Israeli life in the 1970s. Inspired by the American group of the same name, the Black Panthers mounted protests and a yearslong political campaign for the rights of Mizrahim, or Jews of Middle Eastern ancestry. They managed to rattle the country's establishment and change the course of Israel's history through the mass mobilization of a Jewish underclass. This book draws on archival documents and interviews with elderly activists to capture the movement's history and reveal little-known stories from within the group. Asaf Elia-Shalev explores the parallels between the Israeli and American Black Panthers, offering a unique perspective on the global struggle against racism and oppression. In twenty short and captivating chapters, Israel's Black Panthers provides a textured and novel account of the movement and reflects on the role that Mizrahim can play in the future of Israel.
"Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
The first comprehensive history of how Jews became citizens in the modern world For all their unquestionable importance, the Holocaust and the founding of the State of Israel now loom so large in modern Jewish history that we have mostly lost sight of the fact that they are only part of—and indeed reactions to—the central event of that history: emancipation. In this book, David Sorkin seeks to reorient Jewish history by offering the first comprehensive account in any language of the process by which Jews became citizens with civil and political rights in the modern world. Ranging from the mid-sixteenth century to the beginning of the twenty-first, Jewish Emancipation tells the ongoing story of how Jews have gained, kept, lost, and recovered rights in Europe, North Africa, the Middle East, the United States, and Israel. Emancipation, Sorkin shows, was not a one-time or linear event that began with the Enlightenment or French Revolution and culminated with Jews' acquisition of rights in Central Europe in 1867–71 or Russia in 1917. Rather, emancipation was and is a complex, multidirectional, and ambiguous process characterized by deflections and reversals, defeats and successes, triumphs and tragedies. For example, American Jews mobilized twice for emancipation: in the nineteenth century for political rights, and in the twentieth for lost civil rights. Similarly, Israel itself has struggled from the start to institute equality among its heterogeneous citizens. By telling the story of this foundational but neglected event, Jewish Emancipation reveals the lost contours of Jewish history over the past half millennium.
How Israeli universities collaborate in Israeli state violence against Palestinians Israeli universities have long enjoyed a reputation as liberal bastions of freedom and democracy. Drawing on extensive research and making Hebrew sources accessible to the international community, Maya Wind shatters this myth and documents how Israeli universities are directly complicit in the violation of Palestinian rights. As this book shows, Israeli universities serve as pillars of Israel's system of oppression against Palestinians. Academic disciplines, degree programs, campus infrastructure, and research laboratories all service Israeli occupation and apartheid, while universities violate the rights of Palestinians to education, stifle critical scholarship, and violently repress student dissent. Towers of Ivory and Steel is a powerful expose of Israeli academia’s ongoing and active complicity in Israel’s settler-colonial project.
In Arab-Jewish Literature: The Birth and Demise of the Arabic Short Story, Reuven Snir offers an account of the emergence of the art of the Arabic short story among the Arabized Jews during the 1920s, especially in Iraq and Egypt, its development in the next two decades, until the emigration to Israel after 1948, and the efforts to continue the literary writing in Israeli society, the shift to Hebrew, and its current demise. The stories discussed in the book reflect the various stages of the development of Arab-Jewish identity during the twentieth century and are studied in the relevant updated theoretical and literary contexts. An anthology of sixteen translated stories is also included as an appendix to the book. "Highly recommended for academic libraries collecting in the areas of Arab-Jewish cultural history, diaspora and exile studies, and literary identity formations." - Dr. Yaffa Weisman, Los Angeles, in: Association of Jewish Libraries News and Reviews 1.2 (2019)