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This book is an ethnographic study in cultural politics that aims to analyse the geopolitically significant Mizo society in transition through the lens of education. It focuses on the experience and practice of education and the role it can play to usher in peace and promote tolerance.
Chiefly political aspects of the study.
The book deals with the cultural heritage of the Mizos. The mizo system of economy was the political and legal system which controlled the social behaviour as well as the military strategies. Personal relationship of the husband and wife, chief and the slaves, father and the children, individual and society that helped flourishing of distinctive Mizo culture in the gerontocratic social order has been depicted in a simple and crisp language.
Papers In The Volume Attempt To Study Issues Relating To Modernisation/Development Of Mizoram In Analysing The Problems And Constraints, The Socio-Economic Development Such As Urbanisation, Utilisation Of Local Resources, Improvement Of Infrastructure And Facilities, Local Self Government Etc. The 74Th Constitutional Amendment Is The Subject Of One Of The Papers.
On the Lushai people of Mizoram.
Mizoram is situated at a unique cusp in North East India, in terms of both physical and social contexts. It shares its borders with Myanmar and Bangladesh, while cultural influences range from the indigenous to the Western. This book offers an alternative understanding of the modern history of Mizoram through an analysis of its cultural practices through language, music, poetry and festivals. It explores the roots of modern cultural works not just in Christianity, but also in precolonial Mizo traditional practices. The authors closely examine text, performance and sculptural images, including the first handwritten newspaper Mizo Chanchin Laisuih (1898) and the Puma Zai festival (1907–11) from the early colonial period along with a contemporary sculptural image. They argue that cultural works open up to new forms of interpretations and responses over time. The book indicates that the Mizo creative sensibility enmeshed in theological, capitalistic-material and political/ideological regimes informs its modern enclosures, be it region, religion or nation. This book will be of great interest to scholars and researchers of cultural studies, literature, media, history, politics, sociology and social anthropology, area studies, North East India studies and South Asian studies.
Originally presented as the author's thesis--University of Oxford.