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Her nickname amongst the English, who loathed her and found her scrawny, was 'The Maypole'.
The story of George IV's relationships with five women - the actress Mary Robinson, the Catholic Maria Fitzherbert, Lady Jersey, the arch-Tory Lady Hertford, and Lady Conyngham, the companion of his final years
When George I arrived in England he found a kingdom in turmoil. Mistrustful of the new monarch from Hanover, his subjects met his coronation with riots. At George’s side was his mistress, Melusine von der Schulenberg, whilst his ex-wife languished in prison. Known as the Maypole thanks to her eye-catching figure, Melusine was the king’s confidante for decades. She was a mother to his children and a queen without a crown. George II never forgave his father for tearing him from his mother's arms and he was determined to marry for love, not duty. Though his wife, Caroline of Ansbach, proved to be a politically gifted queen, George II turned to another for affection. She was Henrietta Howard, the impoverished Countess of Suffolk, and she was desperate to escape her brutish husband. As the years passed, the royal affair became a powerplay between king and queen and the woman who was mistress to one and servant to another. Melusine and Henrietta's privileged position made them the envy of every courtier. It also made them a target of jealousy, plotting and ambition. In the tumultuous Georgian court, the bedroom and the throne room weren't so far apart.
Nell Gwyn, the most infamous mistress of Charles II, was a commoner raised from the dingy back alleys of London to the stage and into a king’s arms. Hers was a true rags to riches story that saw a young girl rise from selling oranges to capturing the heart of a king. The Restoration period was one of change. After the troubled years of the English Civil War, it was time for pleasure, debauchery and entertainment with the ‘Merry Monarch’ restored to the throne. Nell was one of the first actresses on stage; a loveable comedienne who wowed audiences with her wit and charm. She fell in love with Charles Hart (one of the leading actors of the time), had a torrid affair with Lord Buckhurst and ultimately ended up in the king’s bed. She stayed on the stage for six years, but she stayed in the king’s heart for seventeen – his only mistress who was faithful to him. Set against the backdrop of Restoration London, this book charts Nell’s life and that of her family and friends – from her drunken mother and troublesome sister to the most notorious wits of the age John Wilmot, 2nd Earl of Rochester and George Villiers, 2nd Duke of Buckingham. Nell had a generous heart and a mischievous spirit, and was friends with people from all walks of life. The only woman she really detested was another of the king’s mistresses, Louise de Kerouaille, known as the French Spy. This highly entertaining book will tell the story of Nell’s life – the good and the bad – and show why Nell truly embodies the spirit of the Restoration.
An intensely moving account of George III's doomed attempt to create a happy, harmonious family, written with astonishing emotional force by a stunning new history writer. George III came to the throne in 1760 as a man with a mission. He was determined to break with the extraordinarily dysfunctional home lives of his Hanoverian predecessors. He was sure that as a faithful husband and a loving father, he would be not just a happier man but a better ruler as well. During the early part of his reign it seemed as if, against all the odds, his great family project was succeeding. His wife, Queen Charlotte, shared his sense of moral purpose, and together they raised their fifteen children in a climate of loving attention. But as the children grew older, and their wishes and desires developed away from those of their father, it became harder to maintain the illusion of domestic harmony. 'The Strangest Family' is an epic, sprawling family drama, filled with intensely realised characters who leap off the page as we are led deep inside the private lives of the Hanoverians. Written with astonishing emotional force by a stunning new voice in history writing, it is both a window on another world and a universal story that will resonate powerfully with modern readers.
Henrietta Howard, later Countess of Suffolk, was the long-term mistress and confidante of King George II. Described by Swift as a consummate courtier who packed away her private virtues& like cloaths in a chest , by Pope as so very reasonable, so unmov
Featuring a range of large-scale, public and more intimate portraits of actresses, The First Actresses provides a vivid spectacle of femininity, fashion and theatricality from Nell Gwyn to Sarah Siddons. Ranging from oil paint to porcelain, these portraits illustrate the enduring popularity of portraits of women performers. Crucially the book seeks to reassess the traditional association between actress and'prostitute', and the moral ambiguity of women playing male roles. Portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender and celebrity. The authors also chart the commercialisation of the spectacle of the actress, as well as the connections between the eighteenth-century 'star system' and modern celebrity culture. Organised thematically, sections include: 'Painting Acresses' Lives', 'Nell Gwyn and Covent Garden Goddesses', 'Divas, Dancing and the Rage for Music: Painting Women in Musical Performance', 'Beauty, Ageing and the Body Politic of the Eighteenth-Century Actress' and 'Star Systems'. Illustrated with remarkable paintings by major artists of the period, a fascinating and lucid text reveals the many ways in which women performers enabled artistic innovation and creativity, provoked intellectual debate and contributed to the popularity and visibility of the theatre. Accompanies an exhibition at the National Portrait Gallery, London, 20 October 2011 - 8 January 2012
A “brilliantly written and meticulously researched” biography of royal family life during England’s second Tudor monarch (San Francisco Chronicle). Either annulled, executed, died in childbirth, or widowed, these were the well-known fates of the six queens during the tempestuous, bloody, and splendid reign of Henry VIII of England from 1509 to 1547. But in this “exquisite treatment, sure to become a classic” (Booklist), they take on more fully realized flesh and blood than ever before. Katherine of Aragon emerges as a staunch though misguided woman of principle; Anne Boleyn, an ambitious adventuress with a penchant for vengeance; Jane Seymour, a strong-minded matriarch in the making; Anne of Cleves, a good-natured woman who jumped at the chance of independence; Katherine Howard, an empty-headed wanton; and Katherine Parr, a warm-blooded bluestocking who survived King Henry to marry a fourth time. “Combin[ing] the accessibility of a popular history with the highest standards of a scholarly thesis”, Alison Weir draws on the entire labyrinth of Tudor history, employing every known archive—early biographies, letters, memoirs, account books, and diplomatic reports—to bring vividly to life the fates of the six queens, the machinations of the monarch they married and the myriad and ceaselessly plotting courtiers in their intimate circle (The Detroit News). In this extraordinary work of sound and brilliant scholarship, “at last we have the truth about Henry VIII’s wives” (Evening Standard).
An all-embracing account of the loves of that royal womaniser, Edward VII, as Prince of Wales and King. Spanning three decades, the story is set in the extravagant and hypocritical world of late Victorian and Edwardian society.