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“A masterful debut” that follows four generations of Cherokee women across four decades—from the Plimpton Prize–winning author (Sarah Jessica Parker). It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church—a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever. Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman—and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home. In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent. “A compelling journey through the evolving terrain of multiple generations of women.” —The Washington Post
In 1884, when Laura, Manly, and their daughter Rose come from South Dakota to Mansfield, Missouri, looking for a better life, Laura's outspoken articles against a local timberman cause some problems.
This new historical overview tells the dramatic story of the American West from its prehistory to the present. A narrative history, it covers the region from the North Dakota-to-Texas states to the Pacific Coast and includes experiences and contributions of American Indians, Hispanics, and African Americans.
"[The Doloriad] just might be what your rotten little heart deserves." —J. Robert Lennon, The New York Times Book Review Named a Most Anticipated Book of 2022 by i-D, Cosmopolitan, Thrillist, Lit Reactor, and Lit Hub, and one of Nylon's March 2022 Books to Add to Your Reading List Macabre, provocative, depraved, and unforgettable, The Doloriad marks the debut of Missouri Williams, a terrifyingly original new voice In the wake of a mysterious environmental cataclysm that has wiped out the rest of humankind, the Matriarch, her brother, and the family descended from their incest cling to existence on the edges of a deserted city. The Matriarch, ruling with fear and force, dreams of starting humanity over again, though her children are not so certain. Together the family scavenges supplies and attempts to cultivate the poisoned earth. For entertainment, they watch old VHS tapes of a TV show in which a problem-solving medieval saint faces down a sequence of logical and ethical dilemmas. But one day the Matriarch dreams of another group of survivors and sends away one of her daughters, the legless Dolores, as a marriage offering. When Dolores returns the next day, her reappearance triggers the breakdown of the Matriarch’s fragile order, and the control she wields over their sprawling family begins to weaken. Told in extraordinary, intricate prose that moves with a life of its own, and at times striking with the power of physical force, Missouri Williams’s debut novel is a blazingly original document of depravity and salvation. Gothic and strange, moving and disquieting, and often hilarious, The Doloriad stares down, with narrowed eyes, humanity’s unbreakable commitment to life.
During the Civil War, the western front was the scene of some of that conflictï¿1/2s bloodiest and most barbaric encounters as Union raiders and Confederate guerrillas pursued each other from farm to farm with equal disregard for civilian casualties. Historical accounts of these events overwhelmingly favor the victorious Union standpoint, characterizing the Southern fighters as wanton, unprincipled savages. But in fact, as the author, himself a descendant of Union soldiers, discovered, the bushwhackersï¿1/2 violent reactions were understandable, given the reign of terror they endured as a result of Lincolnï¿1/2s total war in the West. In reexamining many of the long-held historical assumptions about this period, Gilmore discusses President Lincolnï¿1/2s utmost desire to keep Missouri in the Union by any and all means. As early as 1858, Kansan and Union troops carried out unbridled confiscation or destruction of Missouri private property, until the state became known as "the burnt region." These outrages escalated to include martial law throughout Missouri and finally the infamous General Orders Number 11 of September 1863 in which Union general Thomas Ewing, federal commander of the region, ordered the deportation of the entire population of the border counties. It is no wonder that, faced with the loss of their farms and their livelihoods, Missourians struck back with equal force.
FINALIST FOR THE MIDWEST BOOKSELLERS CHOICE AWARD (POETRY) A searing, urgent collection of poems that brings the lyric and documentary together in unparalleled ways—unmasking and examining the specter of manmade disaster. On September 20, 2010, an explosion on the Deepwater Horizon oil rig killed eleven men and began what would become the largest oil spill ever in US waters. On August 29, 2005, Hurricane Katrina made landfall in Louisiana, leading to a death toll that is still unconfirmed. And in April 2014, the Flint water crisis began, exposing thousands of people to lead-contaminated drinking water. This is the litany of our time—and these are the events that Rebecca Dunham traces, passionately and brilliantly, in Cold Pastoral. In poems that incorporate interviews and excerpts from government documents and other sources—poems that adopt the pastoral and elegiac traditions in a landscape where “I can’t see the bugs; I don’t hear the birds”—Dunham invokes the poet as moral witness. “I owe him,” she writes of one man affected by the oil spill, “must learn, at last, how to look.” Experimental and incisive, Cold Pastoral is a collection that reveals what poetry can—and, perhaps, should—be, reflecting ourselves and our world back with gorgeous clarity.
In a powerful Civil War epic coursing with raw human drama, award-winning author and master historian Jim R. Woolard forges a young man’s harrowing coming-of-age journey from Confederate captive to Union prisoner to unchained force of vengeance during the most controversial episode in American history… Autumn, 1864. Rebel bushwhackers have seized and looted a small town in Missouri. Wounded and left for dead by his half-brother, seventeen-year-old Owen Wainwright is captured and conscripted by the Confederate Army. As the troops’ blacksmith, he witnesses the horrors of war firsthand: the savagery of General Selby’s Iron Brigade, the massacres of Union troops, the bloody battles at Lexington, Westport, and Mine Creek. Against all odds, Owen survives with the help of an unlikely ally—a new friend in arms and the only person he trusts. But if fate is cruel, war can be crueler . . . Caught in the crossfire of a deadly Yankee ambush, Owen is arrested and jailed in a Union prison. Beaten and brutalized by guards, he begins to give up hope—until a U.S. marshal comes to him with an unusual offer. Owen’s traitorous half-brother is wanted for murder. If Owen agrees to help the U.S. marshal infiltrate the Texas winter camp of Confederate guerillas—and bring his brother to justice—Owen will have both his freedom and his revenge. But the risks are great. The price of getting caught is death.
Set in rural, poverty-stricken North Carolina, this "beautiful, gritty, and piercing" novel follows two young women--best friends--as they "journey through the highs and lows of friendship, love, and addiction," perfect for readers of Julie Buntin's Marlena (Erika Carter, author of Lucky You). Irene, a lonely nineteen-year-old in rural North Carolina, works long nights at the local pool hall, serving pitchers and dodging drunks. One evening, her hilarious, magnetic coworker Luce invites her on a joy ride through the mountains to take revenge on a particularly creepy customer. Their adventure not only spells the beginning of a dazzling friendship, it seduces both girls into the mysterious world of pills and the endless hustles needed to fund the next high. Together, Irene and Luce run nickel-tossing scams at the county fair and trick dealers into trading legit pharms for birth-control pills. Everything is wild and wonderful until Luce finds a boyfriend who wants to help her get clean. Soon the two of them decide to move away and start a new, sober life in Florida--leaving Irene behind. Told in a riveting dialogue between the girls' addicted past and their hopes for a better future, Bewilderness is not just a brilliant, funny, heartbreaking novel about opioid abuse, it's also a moving look at how intense, intimate friendships can shape every young woman's life.
In Feeling as a Foreign Language, Alice Fulton considers poetry's uncanny ability to access and recreate emotions so wayward they go unnamed. Fulton contemplates topics ranging from the intricacies of a rare genetic syndrome to fractals from the aesthetics of complexity theory to the need for "cultural incorrectness." Along the way, she falls in love with an outrageous 17th century poet, argues for a Dickinsonian tradition in American letters, and calls for a courageous poetics of inconvenient knowledge.
Vantage was chosen by Sharon Olds from nearly 1000 manuscripts as the winner of the 2019 APR/Honickman First Book Prize.