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Summer wheat, heavy with grain, waved in the July wind, and when touched by the afternoon sun, cast a golden glow on the rocks of Cemetery Ridge. Jonathan stood with his countrymen, rifle drawn, wiping sweat from his eyes with the sleeve of a ragged Confederate uniform. Then the nod, Longstreet to Pickett, whose men charged screaming the blood-curdling Rebel yell. Brave soldiers, strength pressed to the breach, fell like autumn leaves. Blood ran freely down the hill. Gettysburg was a trough. Jonathan could see with horrifying clarity from the hillside that Kemper, Armistead, and Semmes were dead. Garnett, already wounded in the leg, gallantly rode his horse in the charge facing certain death, and it was so. Jonathan reached the crest of the hill, slashing Union soldiers with every move, the grotesqueness of the hour searing his consciousness. He took a saber slash through the leg, grabbed the rogue Yank, and pulled him from his horse. With his bowie knife, he put an end to the savagery. But Jonathan was a savage himself. Both countries had gone mad and, in madness, had taken along every southern gentleman.
Mark Twain relates the boyhood experiences on the Mississippi that led to his ambition to be a river-boat pilot.
Memphis Boys chronicles the story of the rhythm section at Chips Moman's American Studios from 1964, when the group began working together, until 1972, when Moman shut down the studio and moved the entire operation to Atlanta. Utilizing extensive interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings. She reveals how the personalities of the core group meshed, how they regarded newcomers, and how their personal and musical philosophies blended with Moman's vision to create timeless music based on themes of suffering and sorrow. Recording sessions with Elvis Presley, the Gentrys, Aretha Franklin, Wilson Pickett, the Box Tops, Joe Tex, Neil Diamond, B. J. Thomas, Dionne Warwick, and many others come alive in this book. Jones provides the stories behind memorable songs composed by group writers, such as "The Letter," "Dark End of the Street," "Do Right Woman," "Breakfast in Bed," and "You Were Always on My Mind." Featuring photographs, personal profiles, and a suggested listening section, Memphis Boys details a significant phase of American music and the impact of one studio.
Mark Twain’s visions of the Mississippi River offer some of the most indelible images in American literature: Huck and Jim floating downstream on their raft, Tom Sawyer and friends becoming pirates on Jackson’s Island, the young Sam Clemens himself at the wheel of a steamboat. Through Twain’s iconic river books, the Mississippi has become an imagined river as much as a real one. Yet despite the central place that Twain’s river occupies in the national imaginary, until now no work has explored the shifting meaning of this crucial connection in a single volume. Thomas Ruys Smith’s Deep Water: The Mississippi River in the Age of Mark Twain is the first book to provide a comprehensive narrative account of Twain’s intimate and long-lasting creative engagement with the Mississippi. This expansive study traces two separate but richly intertwined stories of the river as America moved from the aftermath of the Civil War toward modernity. It follows Twain’s remarkable connection to the Mississippi, from his early years on the river as a steamboat pilot, through his most significant literary statements, to his final reflections on the crooked stream that wound its way through his life and imagination. Alongside Twain’s evolving relationship to the river, Deep Water details the thriving cultural life of the Mississippi in this period—from roustabouts to canoeists, from books for boys to blues songs—and highlights a diverse collection of voices each telling their own story of the river. Smith weaves together these perspectives, putting Twain and his creations in conversation with a dynamic cast of river characters who helped transform the Mississippi into a vibrant American icon. By balancing evocative cultural history with thought-provoking discussions of some of Twain’s most important and beloved works, Deep Water gives readers a new sense of both the Mississippi and the remarkable writer who made the river his own.
As the fiftieth anniversary approaches, there's a renewed interest in this infamous 1955 murder case, which made a lasting mark on American culture, as well as the future Civil Rights Movement. Chris Crowe's IRA Award-winning novel and his gripping, photo-illustrated nonfiction work are currently the only books on the teenager's murder written for young adults.
Four boys are at camp on the Arkansas River, and are so fascinated by good comradeship and interesting sights and experiences that they prolong their travelling by a most enviable trip on the mighty Mississippi River.
Revised and updated with new information, this Jane Adams award winner is an in-depth examination of the Emmett Till murder case, a catalyst of the Civil Rights Movement. The kidnapping and violent murder of fourteen-year-old Emmett Till in 1955 was and is a uniquely American tragedy. Till, a black teenager from Chicago, was visiting family in a small town in Mississippi, when he allegedly whistled at a white woman. Three days later, his brutally beaten body was found floating in the Tallahatchie River. In clear, vivid detail Chris Crowe investigates the before-and-aftermath of Till's murder, as well as the dramatic trial and speedy acquittal of his white murderers, situating both in the context of the nascent Civil Rights Movement. Newly reissued with a new chapter of additional material--including recently uncovered details about Till's accuser's testimony--this book grants eye-opening insight to the legacy of Emmett Till.
There is “never a dull moment” in this “excellent account” of an overlooked Confederate triumph during the Civil War’s Battle of Gettysburg (San Francisco Book Review). While many Civil War buffs celebrate Picket’s Charge as the climactic moment of the Battle of Gettysburg, the Confederate Army’s true high point had come the afternoon before. When Longstreet’s corps triumphantly entered the battle, the Federals just barely held on. The foremost Rebel spearhead on that second day of the battle was Brig. Gen. William Barksdale’s Mississippi brigade, which launched what one Union observer called the “grandest charge that was ever seen by mortal man.” On the second day of Gettysburg, the Federal left was not as vulnerable as Lee had envisioned, but had cooperated with Rebel wishes by extending its Third Corps into a salient. When Longstreet finally gave Barksdale the go-ahead, the Mississippians utterly crushed the peach orchard salient and continued marauding up to Cemetery Ridge. Hancock, Meade, and other Union generals had to gather men from four different corps to try to stem the onslaught. Barksdale himself was killed at the apex of his advance. Darkness, as well as Confederate exhaustion, finally ended the day’s fight as the shaken, depleted Federal units took stock. They had barely held on against the full ferocity of the Rebels on a day that would decide the fate of the nation.