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Follows the adventures of Minn, a three-legged snapping turtle, as she slowly makes her way from her birthplace at the headwaters of the Mississippi River to the mouth of river on the Gulf of Mexico.
From the colonial period to the present, the Mississippi River has impacted religious communities from Minnesota to the Gulf of Mexico. Exploring the religious landscape along the 2,530 miles of the largest river system in North America, the essays in Gods of the Mississippi make a compelling case for American religion in motion—not just from east to west, but also from north to south. With discussion of topics such as the religions of the Black Atlantic, religion and empire, antebellum religious movements, the Mormons at Nauvoo, black religion in the delta, Catholicism in the Deep South, and Johnny Cash and religion, this volume contributes to a richer understanding of this diverse, dynamic, and fluid religious world.
Salzman captures post-cultural revolution China through his adventures as a young American English teacher in China and his shifu-tudi (master-student) relationship with China's foremost martial arts teacher.
"Norma Watkins, a rare, brave, and entrancing human being, has written a uniquely Mississippi story about coming to terms with family, state, and tumultuous times---and discovering herself in the process. It is a great read, pure and simple."---Hodding Carter III "The Last Resort reminded me of why I started reading in the first place---to be enchanted, to be carried away from my world and dropped into a world more vivid and incandescent. Norma Watkins casts her spell with exquisite sentences and unerring, evocative details. She is a writer of inordinate compassion and formidable intelligence. This unsparing and unsentimental memoir documents a woman's struggle for independence over the course of her lifetime and took great moral courage and ferocious honesty to write. And let me add that this book is so much more than personal memoir. It is an eye on history. Norma Watkins puts us there at the white hot center of the struggle for racial equality in Jackson, Mississippi, in the turbulent fifties and sixties."---John Dufresne "What a book! What a woman! And what a life she has led ... touching upon all the major issues of our time. I was riveted from start to finish. Brave, honest, and open, Norma Watkins is a born writer through and through. The Last Resort is an absolute must---read for all southern women---and men, too---as she shines a light into some of the darkest, most secret and sacred areas of our culture. This is one of the best memoirs I have ever read."---Lee Smith "Norma Watkins takes her readers through one woman's journey toward understanding herself and the Mississippi in which she grew up. It is a soul-searching work, one with which many women will identify."--Kay Mills The Last Resort Taking the Mississippi Cure Raised Under The Racial Segregation that kept her family's southern country hotel afloat, Norma Watkins grows up listening at doors, trying to penetrate the secrets and silences of the black help and of her parents' marriage. Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady. The Last Resort, her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat. Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett, His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, The Last Resort conveys at once the idyllic charm and the impossible compromises of a lost way of life.
Evolving from a series of road trips along the Mississippi River, Alec Soth's Sleeping by the Mississippi captures America's iconic yet oft-neglected "third coast." Soth's richly descriptive, large format color photographs describe an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, his book elicits a consistent mood of loneliness, longing and reverie. "In the book's forty-six ruthlessly edited pictures," writes Anne Wilkes Tucker, "Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex... The coherence of the project places Soth's book exactly within the tradition of Walker Evans' American Photographs and Robert Frank's The Americans." Like Frank's classic book, Sleeping by the Mississippi merges a documentary style with a poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. This is the third print run and third new cover of a book which has become one of the most highly collected and widely acclaimed photo-books of recent times.
"Henry Peter Bosse (1844-1903) is now recognized as the leading photographer of the Mississippi River during the late nineteenth century: he extensively photographed the Upper Mississippi from 1883 to 1893, a time of unprecedented environmental and social change. His work was practically unknown until five separate volumes of his photographs were discovered within the past decade. Since then, his photographs have been exhibited at the Smithsonian and other national museums and purchased by private art collectors around the world." "Views on the Mississippi brings together for the first time almost one hundred of Bosse's most stunning images. These photographs, tracing the river from Minneapolis to St. Louis, capture the Mississippi as it was being transformed from an untamed natural wonder to a modern commercial highway. Presenting wagon and railroad bridges, towns and villages along the banks, and the steamboats that served them, Bosse's photography depicts the river at the fulcrum between the nostalgic, romantic era recorded by Mark Twain and the coming century of industrial development and environmental alterations (the navigation projects of the Army Corps are among the changes documented by Bosse). Also included is a detailed reproduction of Bosse's rare landmark map of the river, first published in 1887-88."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A detailed chronicle of how the wild Mississippi will eventually deliver a cataclysm
"A photographic documentation of the Mississippi River, illustrating the geographical and botanical features of the river and its wetlands. Using 200 color photographs and accompanying vignettes, Scott explains how we have changed each site depicted, howwe try to manage and restore it, and the wildlife that occupies it"--Provided by publisher.
NEW YORK TIMES BESTSELLER * “Audacious…Life on the Mississippi sparkles.” —The Wall Street Journal * “A rich mix of history, reporting, and personal introspection.” —St. Louis Post-Dispatch * “Both a travelogue and an engaging history lesson about America’s westward expansion.” —The Christian Science Monitor The eagerly awaited return of master American storyteller Rinker Buck, Life on the Mississippi is an epic, enchanting blend of history and adventure in which Buck builds a wooden flatboat from the grand “flatboat era” of the 1800s and sails it down the Mississippi River, illuminating the forgotten past of America’s first western frontier. Seven years ago, readers around the country fell in love with a singular American voice: Rinker Buck, whose infectious curiosity about history launched him across the West in a covered wagon pulled by mules and propelled his book about the trip, The Oregon Trail, to ten weeks on the New York Times bestseller list. Now, Buck returns to chronicle his latest incredible adventure: building a wooden flatboat from the bygone era of the early 1800s and journeying down the Mississippi River to New Orleans. A modern-day Huck Finn, Buck casts off down the river on the flatboat Patience accompanied by an eccentric crew of daring shipmates. Over the course of his voyage, Buck steers his fragile wooden craft through narrow channels dominated by massive cargo barges, rescues his first mate gone overboard, sails blindly through fog, breaks his ribs not once but twice, and camps every night on sandbars, remote islands, and steep levees. As he charts his own journey, he also delivers a richly satisfying work of history that brings to life a lost era. The role of the flatboat in our country’s evolution is far more significant than most Americans realize. Between 1800 and 1840, millions of farmers, merchants, and teenage adventurers embarked from states like Pennsylvania and Virginia on flatboats headed beyond the Appalachians to Kentucky, Mississippi, and Louisiana. Settler families repurposed the wood from their boats to build their first cabins in the wilderness; cargo boats were broken apart and sold to build the boomtowns along the water route. Joining the river traffic were floating brothels, called “gun boats”; “smithy boats” for blacksmiths; even “whiskey boats” for alcohol. In the present day, America’s inland rivers are a superhighway dominated by leviathan barges—carrying $80 billion of cargo annually—all descended from flatboats like the ramshackle Patience. As a historian, Buck resurrects the era’s adventurous spirit, but he also challenges familiar myths about American expansion, confronting the bloody truth behind settlers’ push for land and wealth. The Indian Removal Act of 1830 forced more than 125,000 members of the Cherokee, Choctaw, and several other tribes to travel the Mississippi on a brutal journey en route to the barrens of Oklahoma. Simultaneously, almost a million enslaved African Americans were carried in flatboats and marched by foot 1,000 miles over the Appalachians to the cotton and cane fields of Arkansas, Mississippi, and Louisiana, birthing the term “sold down the river.” Buck portrays this watershed era of American expansion as it was really lived. With a rare narrative power that blends stirring adventure with absorbing untold history, Life on the Mississippi is a mus­cular and majestic feat of storytelling from a writer who may be the closest that we have today to Mark Twain.