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The Miser's Daughter is a novel by William Harrison Ainsworth serially published in 1842. It is a historical romance that describes a young man pursuing the daughter of a miserly rich man during the 18th century. Background: Ainsworth wrote The Miser's Daughter in 1842 while he was writing Windsor Castle. During this time, he was constantly working and stopped only when his mother, Ann Ainsworth, died on 15 March 1842. It was published in a serialised form in the Ainsworth's Magazine with some overlap with Windsor Castle. George Cruikshank served as illustrator.The work was later published in novel format, but it did not include all of the illustrations used in the magazine.A play version was put on by Edward Stirling at Adelphia in October 1842. Another version was produced by T. P. Taylor in November 1842 at the City of London Theatre.In April 1872, a version of The Miser's Daughter, called Hilda, was produced for the Adelphi Theatre by Andrew Halliday. This prompted Cruikshank, on 6 April 1872, to write a letter to The Times about the theatrical production. In the letter, Cruikshank was upset that his name was left out of credits for the play and claimed that the idea for the novel came from himself and not from Ainsworth. This provoked a controversy between the two. Story: The story centres around Randulph Crew, a man from Cheshire, as he comes to London during the early 18th century after giving up his inheritance to his father's creditors after his father's death. While there, he becomes infatuated with a girl named Hilda, whose father, Scarve, is a miser. Scarve gets in the way of Crew's pursuit of Hilda because Scarve wishes for her to mary his nephew, Philip Frewin. Scarve also looks down on Crew for allowing creditors to take his inheritance. Crew's pursuit of Hilda is also opposed to by his uncle, Abel Beechcroft, because Beechcroft once wanted a woman that Scarve took from him.While in London, Crew is taken to social events by his other uncle, Trussell Beechcroft. He is able to meet well known individuals and members of the theatre while attending gatherings across London. During these gatherings, the character Cordwell Firebras discusses Jacobite plots, but nothing comes of these. Scarve's nephew turns to the lawyer Diggs and is able to convince Scarve to hand over his fortune. However, Frewin is not able to keep the inheritance, as a dual takes place between him and Crew, and Crew is victorious. Afterward, Scarve dies, and, with the fortune as his own, Crew is able to marry Hilda....... William Harrison Ainsworth (4 February 1805 - 3 January 1882) was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife. Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882....
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.