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This is a long-awaited reissue of Remnant's classic study of misericords (medieval church carvings) in the United Kingdom. First published in 1969, A Catalogue of Misericords in Great Britain provides a complete listing of misericords from parish churches throughout the UK. The book alsofeatures an informative chapter on the iconography of misericords from M. D. Anderson (Lady Trenchard Cox), well known for a number of authoritative books on medieval carving and mythology. The 48 illustrations cover both some of the better known misericords throughout the country, and a number ofcarvings of outstanding interest from smaller churches.
This book describes and illustrates one of the most entertaining 'popular' art-forms of the Middle Ages, the misericord - the carved, hinged seat of the choir-stall - found in monastic and parish churches and in cathedrals. These ledges were introduced as a concession to elderly and frail monks who found it difficult to stand through the eight daily Offices. In the course of time they were decorated and eventually extensively carved with narrative scenes. English misericords have their own distinctive style and express a particular sense of humour. Intended as antidotes to the rigorous celibate life of the monks, they depict unrestrained and often bawdy subject-matter and present an explicit and frank expression of the 'unmentionable'. Most of the surviving misericords are from the fourteenth and fifteenth centuries, though a few earlier ones are to be found; some, in London and Cambridge, are from the sixteenth century and have distinctly Renaissance qualities. Exceptionally fine series are to be found in Exeter, Lincoln, Manchester, Worcester, Ripon and Wells Cathedral, but many excellent examples can be seen in parish churches all over the country. The book is richly illustrated from new, specially taken photographs, with full descriptive captions and a map of the locations of misericords mentioned. It will act as companion to students of medieval art and society, and to all those interested in the 'popular' arts, that can still be seen in our own time.
This eleventh volume in the Transactions series deals almost exclusively with Exeter Cathedral and reflects the balance of the conference held in 1985. The structural archaeology of the fabric and its enrichment and fittings are examined in parallel with the rich documentary evidence, and put in their art-historical contexts. This makes a valuable contribution to scholarship and to the understanding and hence appreciation of the Cathedral. Indeed, it should prove to be the most significant landmark in the study of the Cathedral since the 19th century and to be a definitive reference work for years to come. Colour plates are included for the first time in this series, relating largely to the analysis and interpretation of the West Front and a reconstruction of its colour scheme.
With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols – they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life – the spiritualism, moralism and the wit – within the carvings still found in churches today.
Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our knowledge of life and belief in the late middle ages. Subjects range from the sacred to the profane and from the fantastic to the everyday, seemingly giving equal weight to the scatological and the spiritual alike. Focusing specifically on England - though with cognisance of broader European contexts - this volume offers an analysis of misericords in relation to other cultural artefacts of the period. Through a series of themed "case studies", the book places misericords firmly within the doctrinal and devotional milieu in which they were created and sited, arguing that even the apparently coarse images to be found beneath choir stalls are intimately linked to the devotional life of the medieval English Church. The analysis is complemented by a gazetteer of the most notable instances. Dr Paul Hardwick is Professor in English, Leeds Trinity University College.
Church Woodwork in the British Isles, 1100-1535: An Annotated Bibliography is a thoroughly researched bibliographic guide to monographic, serial, archival, and graphical resources that deal with all aspects of late Romanesque, Gothic, and early Renaissance ecclesiastical woodwork in churches throughout the United Kingdom and the Republic of Ireland. Dealing with both the decorative and structural elements of wooden church furnishings fittings, this authoritative reference tool includes more than 900 annotated citations for works published from the mid-19th century to the present. The extensive and informative annotations provide a synopsis of each cited resource. Resources are categorized in separate chapters by their specific location in the church, their decorative features, their structural function, or other pertinent criteria. This annotated bibliography represents the most comprehensive reference tool for material that deals with church woodwork that has yet been published.
Bright, humorous and engaging, Marcet's best-selling 1805 book was designed to introduce women to scientific ideas.