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At the dawn of the Cold War, the world’s most important intelligence agencies—the Soviet KGB, the American CIA, and the British MI6—appeared to have clear-cut roles and a sense of rising importance in their respective countries. But when Kim Philby, head of MI6’s Russian division and arguably the twenty-first century’s greatest spy, was revealed to be a Russian mole along with British government heavyweights Donald Maclean and Guy Burgess, everything in the Western intelligence world turned upside down. Here is the true story of how the American James Bond—the colorful, foulmouthed, pistol-packing, alcoholic ex-FBI agent William “King” Harvey—put the finger on Philby; how James Jesus Angleton, the chain-smoking poet of Yale University and the CIA’s supposed “master spy” in charge of counterintelligence, began his descent into a paranoid wilderness of mirrors upon learning of family friend Kim Philby’s ultimate betrayal; and the devastating consequences of the loss of MI6 prestige and the CIA’s subsequent self-defeating witch hunts. Every revelation, every stranger-than-fiction twist and turn is all the more intriguing as truths become lies and unlikely scenarios are revealed as reality. With impeccable sourcing and the use of thousands of pages of declassified research, David C. Martin’s Wilderness of Mirrors is widely recognized as a masterpiece of intelligence literature.
Pseudoscience and Deception is a compilation of some of the most eye-opening skeptical articles pertaining to extraordinary claims and pseudoscience. The articles explore paranormal, extraordinary, or fringe-science claims and reveal logical explanations or outline the deceptive tactics involved in convincing the vulnerable. Topics include claims of astrology, psychic ability, alternative medicine, after-death communication, psychotherapy, and pseudoscience. The contributors to this book are among the most accomplished critical thinkers, scientists, and educators in the world and tackle their respective topics from a rational, logical, and skeptical perspective. Most students are seldom excited to study “critical thinking”—with the exception of allegedly paranormal phenomena as the subject matter. Educators must seize this golden opportunity to witness and experience students’ genuine engagement in studying critical thinking.
In this deceptively simple little book, Ms. England has made accessible for both professionals and the general public the theory linking neurochemical science to the behaviors and relational patterns observed in persons with addictions and those who love them. As a professional working with families ravaged by addiction, and as a member of Al-Anon seeking to grow and be a good steward of the life experiences that are mine, I am challenged by this book to seek ways to apply its techniques with clients and my own life...Ms. England's book reminds me in the particularly memorable way of any good story...that there is both danger and delight in this activity of living.
A con artist and seductress, Meredith Spooner lived fast—and died young. But her final scam—embezzling more than a million dollars from a college endowment fund—is coming back to haunt Leonora Hutton. The tainted money is stashed away in an offshore account for Leonora. And while she wants nothing to do with the cash, she discovers two other items in the safe-deposit box: a book about Mirror House—the place where Meredith engineered her final deception and a set of newspaper stories about an unsolved murder that occurred there thirty years ago. Now Leonora has an offer for Thomas Walker, another victim of Meredith’s scams and seductions. She’ll hand over the money—if he helps her figure out what’s going on. Meredith had described Thomas as “a man you can trust.” But in a funhouse-mirror world of illusion and distortion, Leonora may be out of her league…
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Rings of seahorses seem to rotate and butterflies seems to transform into warriors right on the page. Astonishing creations of visual trickery by masters of the art, such as Escher, Dali, and Archimbolo make this breathtaking collection the definitive book of optical illusions. Includes an illuminating Foreword by the Pulitzer Prize-winning author Hofstadter.
An Alchemy of Masques and Mirrors is Curtis Craddock's delightful and engrossing fantasy debut featuring a genius heroine and her guardian, a royal musketeer, which Brandon Sanderson calls, "A great read!" Born with a physical disability, no magical talent, and a precocious intellect, Princess Isabelle des Zephyrs has lived her life being underestimated by her family and her kingdom. The only person who appreciates her true self is Jean-Claude, the fatherly musketeer who had guarded her since birth. All shall change, however, when an unlikely marriage proposal is offered, to the second son of a dying king in an empire collapsing into civil war. But the last two women betrothed to this prince were murdered, and a sorcerer-assassin is bent on making Isabelle the third. Isabelle and Jean-Claude plunge into a great maze of prophecy, intrigue, and betrayal, where everyone wears masks of glamour and lies. Step by dangerous step, Isabelle must unravel the lies of her enemies and discovers a truth more perilous than any deception. “A setting fabulous and strange, heroes to cheer for, villains to detest, a twisty, tricky plot — I love this novel!” —Lawrence Watt Evans “A thrilling adventure full of palace intrigue, mysterious ancient mechanisms, and aerial sailing ships!” —David D. Levine At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A young woman finds herself caught up in international intrigue—and gets her heart stolen—in The Art of Deception from #1 New York Times bestselling author Nora Roberts, “the queen of romantic suspense” (The Columbus Dispatch). Adam Haines claims to be an admirer of Phillip Fairchild’s artistry, wishing to practice the craft as a student of the famous painter. Phillip’s daughter Kirby believes her father is blind to Adam’s flattery and suspects he’s hiding something. An attempt on Kirby’s life reveals the truth after Adam saves her. He’s an investigator seeking a missing Rembrandt painting and the trail leads to Phillip, who’s been known to traffic in forged and stolen art. Now, as Adam and Kirby risk their lives to protect her father and stop dangerous criminals, they also take a chance on the love that’s growing between them.
Photography is a lie. Just think about it: photographers create two-dimensional images that sometimes even lack color and then expect everyone who views the image to believe that this is how the subject and scene appeared in front of the lens, in real life. What is truly amazing is that people fall for the visual trickery readily, almost as if they want to be deceived. It gets better: people still believe that one can photograph only what is really there. In this book, Irakly Shanidze reveals the smoke and mirrors that the best photographers use to surprise, entertain, and inspire viewers. He explains that the individual features of photographer’s perception and technical limitations of his equipment make him do things that may eventually make a picture look very different from how a viewer would see the same scene with a naked eye and can lead to a ruined picture. Conversely, photographers who understand these phenomena can use the aforementioned “constraints” to deliberately adjust the level of truthfulness in their pictures. In each beautifully illustrated chapter, Shanidze discloses the photographic tools that enterprising photographers can use to create visual deception (e.g., to create a sense of dimension, create day-for-night effects, establish mood, simulate candid photographs, and generally suspend disbelief—without the time-consuming post-processing!). In doing so, he describes the image objectives (in other words, defines the image concepts) and introduces the tools needed to achieve them—whether a lens of a certain focal length, a light of a specific wattage, or a given shutter speed. He also deconstructs some of his favorite images to show readers how he was able to create a chiseled deception of his own. Armed with this book, photographers will learn to truly take the reins in their photographic pursuits and deliver supercharged, iconic, storytelling images.